Broken Beats in Techno are on the rise, get inspired by this fresh sample pack produced by the Riemann crew who regularly play and visit clubs like Tresor, Berghain, About Blank or Sisyphos. In this sample pack you will find everything you need like beat loops, synth loops, hihat loops, bass loops, many oneshot samples and synth lines so you can play your own synthesizers. All sounds in this pack work in DAWs like Ableton, FL Studio, Logic Pro, Cubase or Bitwig as well as in hardware like Akai MPC samplers, Elektron Analog Rytm or MASCHINE.
Riemann Kollektion is a Berlin based Loops & Samples label focussed on underground Techno. Our strength are the established producers who are involved, they all have remarkable careers in the scene with releases on well known and credible labels and the use of heavy analog gear which can be seen on Riemann’s social media.
Broken Beats in Techno are on the rise, get inspired by this fresh sample pack produced by the Riemann crew who regularly play and visit clubs like Tresor, Berghain, About Blank or Sisyphos. In this sample pack you will find everything you need like beat loops, synth loops, hihat loops, bass loops, many oneshot samples and synth lines so you can play your own synthesizers. All sounds in this pack work in DAWs like Ableton, FL Studio, Logic Pro, Cubase or Bitwig as well as in hardware like Akai MPC samplers, Elektron Analog Rytm or MASCHINE.
Riemann Kollektion is a Berlin based Loops & Samples label focussed on underground Techno. Our strength are the established producers who are involved, they all have remarkable careers in the scene with releases on well known and credible labels and the use of heavy analog gear which can be seen on Riemann’s social media.
Introducing ‘Analog Shadows,’ a meticulously crafted trap and drill sample pack featuring dark, moody, and emotive analog synth melodies and resampled loops. Immerse your projects in the rich warmth of authentic analog synthesis, with each carefully processed and resampled melody offering a unique sonic experience.
Embrace the authenticity of analog warmth, explore the allure of shadows, and elevate your compositions with a distinctive sonic character including lofi, gritty and raw synths for drill and trap music.
‘Taraji Afrobeats’ by Godlike Loops is equipped with the essential sounds and materials needed to create that smashing Afrobeat records. It comes with 170+ Files, including 82 WAV Loops, 37 Drums & Fx One-Shots, and 56 MIDI Files inspired by Daddy Yankee, Maluma, Swae Lee, Nicky Jam, Wizkid, Burna Boy, Kizz Daniel, Davido, Tems, Buju, Omah Lay, Teni and more.
This pack will provide you with must-have samples to help you produce your next hit track including Guitars, Keys, Saxes, Leads, Plucks, Pads, Basses, Kick Loops, Snare & Rim Loops, Shaker Loops, Various Perc Loops, Full / Top Drum Loops, MIDI loops and Drums One Shots. MIDI files are included, so you can rework all the elements to fit into any project. (Live Guitars do not include MIDI Files)
‘Techno Noir Vocals’ by Element One is a vocal pack inspired by the music of Amelie Lens, Daniel Avery, and Charlotte de Witte. This pack features 41 moody and varied vocal phrases for adding a dark and unparalleled flare to your next track.
Also included are vocal stutter loops to contribute a rhythmical element, as well as vocal drone loops to create a mesmerising atmosphere. With all loops locked in at 128 BPM, this unrivaled pack is built to get your tracks rave-ready and deeply atmospheric.
In detail, expect to find 60MB of content, with all audio recorded at 24bit and 44.1kHz. There are 61 total samples, with 41 Vocal Phrases, 10 Vocal Stutter Loops, and 10 Vocal Drone Loops.
Cakewalk Advanced Mixing Hacks Class From Good to Great in a Few Tweaks [TUTORIAL]
Ever feel like your Cakewalk mixes lack that final punch, that professional polish? You’re not alone! Even seasoned producers can get stuck in the mixing rut. But fear not, music makers, because this Advanced Mixing Hacks Class is your secret weapon to transforming your Cakewalk mixes from good to great in just a few clicks and tweaks.
Unleash the Mixing Master Within:
Mix Like a Pro: Go beyond basic cuts and boosts. Master advanced techniques like setups, creating space in your mix, etc
Compression Conquering: Ditch the fear of squashing your sound. Learn the art of transparent compression to add punch, control dynamics, and glue your tracks together seamlessly
Save Time and Slay the Mix: Workflow Hacks for Efficiency Mixing can be a time-consuming beast, but fear not, music maestros! This class is packed with workflow hacks that will turn you into a mixing efficiency ninja
Bus Routing Blueprint: Craft intricate routing setups with sends, returns, and busses to group, process, and shape your sounds like a seasoned studio engineer
Why This Class Matters:
Take your mixes to the next level: Impress listeners and clients with professional-sounding, polished tracks that stand out from the crowd
Unlock creative possibilities: Experiment with advanced techniques to add unique textures, depth, and character to your music
Boost your confidence: Overcome mixing hurdles and approach your productions with newfound knowledge and control
Learn from the best: Benefit from my years of experience as a Cakewalk user and mixing engineer
Artist and producer ISS 814 (Ismaila Talla) returns with yet another Splice Sessions release, this time trying his hand at producing classic ‘90s boom bap stylings. These sounds are a fusion of inspiration from artists on the boom bap spectrum like DJ Premier, Madlib, and Dilla with an African instrumental pallet. Produced in Fruity Loops, Ableton, Logic, you’ll find loops and one-shots featuring ngoni, kora, flutes, and horns paired with booming bass and hip hop beats.
Enter the sound of Obscure Techno: rumbling big-room beats, siren synths, driving bass, and trippy percussive rhythms. All production-ready tools primed to work the biggest dancefloors around the globe.
Sonuscore Medieval Phrases Fiddle & Nyckelharpa for HALion
Picture the lively markets and old taverns of late medieval Scandinavia, where the fiddle and the nyckelharpa were the cultural heartbeat of countless celebrations, of prosperity and hardship. Medieval Phrases Fiddle & Nyckelharpa comes with more than 600 recorded phrases and carries you back to the times of yore, each string resonating with stories untold.
Elevator Music has endured many reputations eventually finding a permanent home as seemingly mundane ubiquitous background music throughout public spaces around the world. But the history of Elevator Music derives from very interesting beginnings. In 1934, Major General George Owen Squier developed a style of music called “Stimulus Progression” (or “musak”) for his company MUSAK designed to “humanize man-made environments where people work, shop, and recreate.” Music provided a sense of forwarding movement and mitigated tension, boredom, melancholy, and fatigue. It even became popular in the 1950s and 1960s including being introduced to the White House by President Dwight D. Eisenhower and used by NASA on space missions to soothe astronauts and help them focus.
The most popular theory about the origins of music on elevators though is that early elevators were terrifying, and people needed the music to calm their frazzled nerves. Next to roller coasters and airplanes, elevators were perceived by many as floating rooms of disequilibrium, inciting thoughts of motion sickness and snapping cables. Gentle background music helped to minimize that terror, particularly after elevators were automated in the 1920s without attendants to provide a sense of calm.
Splice took on the challenge of paying homage to this history while modernizing Elevator Music by combining it with different musical genres appropriate for a variety of contexts. Brought to you by composer Benjamin Balcom, this pack is replete with bossa nova, jazz, and minimalist electronic influences and is choc-full of easy listening sounds that you can sample in your lofi hip hop beat or tropical house rhythm. Expect a smooth combination of vibes, Rhodes, organs, percussion, simple drums, string pads, brassy pads, nylon guitar, and simple bass samples to add a calming vibe to your latest production. It’s time to de-stress, vibe out, and make Elevator Music cool again. Download the pack now.
Benjamin Balcom is a composer, sound designer, mixing engineer, and music producer. Based out of LA, he collaborates with artists, creatives, agencies, and directors to transform records, advertising campaigns, and films into truly engaging experiences.
Kingsway Music Library Daniel East Vol.2 (Compositions & Stems) [WAV]
Daniel East has quickly established himself as a versatile composer, able to develop textures and ideas into compelling, evocative pieces of music. He brings enough musicality to fire the imagination but leaves enough space for people to bring their own voice and character to the samples.
With Volume 2 Daniel explores a variety of instruments, both analog and digital, and keeps the tempos driving past 100 BPM’s. His ability to establish a vibe off the top is unparalleled and he’s just getting started
Oxygen – The Ultimate EDM Sample Pack
Introducing the Oxygen EDM Sample Pack – your ultimate source for electronic music production excellence!
With over 1500 meticulously crafted presets and samples, along with 7 project files, you’ll have everything you need to breathe life into your EDM tracks.
Elevate your sound to new heights, create club anthems, and unleash your creativity like never before.
Get the Oxygen EDM Sample Pack now and make your music come alive!
Classical Music Piano Tutorial: Canon in D Piano Beginners [TUTORIAL]
Canon in D, written by Johann Pachelbel is one of the most popular classical pieces, and is one of the most requested piece to learn by my adult piano students. This piece features simple yet beautiful melody. Its soothing and uplifting qualities make it appeal to both listeners and musicians, and you can find this piece used as relaxing music pieces, sleep music, in movies, commercials and more.
Originally written for strings (3 violins and a bass), this music has been re-arranged for many other instruments. In this course, I have arranged this piece to be played on the piano, and suitable for anyone – even piano beginners. We’ll divide and conquer this course, by dividing the piece into 5 parts, and learning one part at a time.
This course is written for piano and music beginners. No prior knowledge of music is required. I’ll go through the essential theory that you’ll need to know as we go along. If learning to play this classical music piece, Canon in D, on the piano is your goal for this year, look no further. I’ll see you inside the course!
About RL Wong
Hi, I’m RL Wong your instructor, and I have been playing the piano for more than 2 decades, and have taught many students how to play the piano.
Revolutions in American Music: Three Decades That Changed a Country & Its Sounds PDF
Michael Broyles, “Revolutions in American Music: Three Decades That Changed a Country and Its Sounds”
The story of how unexpected connections between music, technology, and race across three tumultuous decades changed American culture.
How did a European social dance craze become part of an American presidential election? Why did the recording industry become racially divided? Where did rock ’n’ roll really come from? And how do all these things continue to reverberate in today’s world?
In Revolutions in American Music, award-winning author Michael Broyles shows the surprising ways in which three key decades―the 1840s, the 1920s, and the 1950s―shaped America’s musical future. Drawing connections between new styles of music like the minstrel show, jazz, and rock ’n’ roll, and emerging technologies like the locomotive, the first music recordings, and the transistor radio, Broyles argues that these decades fundamentally remade our cultural landscape in enduring ways. At the same time, these connections revealed racial fault lines running through the business of music, in an echo of American society as a whole.
Through the music of each decade, we come to see anew the social, cultural, and political fabric of the time. Broyles combines broad historical perspective with an eye for the telling detail and presents a variety of characters to serve as focal points, including the original Jim Crow, a colorful Hungarian dancing master named Gabriel de Korponay, “Empress of the Blues” Bessie Smith, and the singer Johnnie Ray, whom Tony Bennett called “the father of rock ’n’ roll.” Their stories, and many others, animate Broyles’s masterly account of how American music became what it is today.
The Oxford Handbook of Technology & Music Education PDF
Few aspects of daily existence are untouched by technology. The learning and teaching of music is no exception, and arguably has been impacted as much or more than other areas of life. Digital technologies have come to affect music learning and teaching in profound ways, influencing everything from how we create, listen, share, consume, interact, and conceptualize musical practices and the musical experience.
For a discipline as entrenched in tradition as music education, this has brought forth myriad views on what does and should constitute music learning and teaching. In order to tease out and elucidate some of the salient problems, interests, and issues, this volume sought to critically situate technology in relation to music education from a variety of perspectives: historical, philosophical, socio-cultural, pedagogical, musical, economic, policy, and so on, organized around four broad themes: (1) Emergence and Evolution, (2) Locations and Contexts: Social and Cultural Issues, (3) Experiencing, Expressing, Learning and Teaching, and (4) Competence, Credentialing, and Professional Development. The editors solicited essays from 22 “Core Perspective” and 19 “Further Perspective” authors based on their potential to contribute a diversity of perspectives on technology and music education in terms of gender, theoretical perspective, geographical distribution, and relationship to the field.
The overall thrust was to provide contrasting perspectives and conversational voices rather than reinforce traditional narratives and prevailing discourses. The website http://ohotame.musedlab.org/ provides opportunities to participate and sustain the dialogue relating to technology and music education.
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