Coming in at a mouthwatering 2.07Gb in size, Infinite Melody explores the more organic side of lush melody. From the beautifully recorded Dulcimers to the inspiring sounds of a Zither, each one of these amazing ethnic music loops will offer something new on every listen.
Beautiful World Music Sample Pack
Thinking outside the box, each loop is in the same key meaning the combination of sounds is almost endless within the pack. It’s this tapestry of infinite combinations meaning that each time you line up a new selection something beautiful could easily happen. From simple hooks to rhythmically complex patterns, the combinations always work and create something truly organic.
Tuned Percussion Samples & Loops
Nestled inside you’ll find African Xylophones, Tycho inspired digital tones, raw and processed Kalimbas, Raiko Bowls, Toy box loops, delicate pianos, strings and so much more. We’ve also processed some of these in the Touch Loops meaning your analogue delays will only add to the rhythmic possibilities.
So, if you’re looking to add some beautiful organic samples then this is a must have – A truly unique and beautiful pack that will expand and grow as you explore.
Infinite Melody Pack Includes:
Pack: 413 Loops
Size: 2.07Gb
Tempos: 80-120 Bpm
Styles – World Music Loops, Kalimbas, Balafon, Mbiras, Dulcimer, Zither, Singing Stones etc.
Welcome to XXL Audio’s latest sample pack adventure – West Coast Lo-Fi!
This collection delivers a fat slice of West Coast G-Funk, served with a fresh Lo-Fi aesthetic; giving you something truly unique to add to your mix!
Expect smooth piano licks, funky bass grooves, warm synths, atmospheric guitar chords, classic Hip Hop drum loops, an array of one-shots and more!
Inside you will find 5 construction kits, with tempos ranging from 78-86BPM, containing 42 loops, 94 one-shots and to add an extra dynamic we have also mapped-out the one-shots across 5 Maschine Kits to help you get ideas happening on the fly!
Everything is delivered in 24 Bit WAV format for complete clarity and has been acidized to match the tempo of your track for ultimate flexibility and will work with all major DAW’s.
Pick up ‘West Coast Lo-Fi’ today and add a touch of G-Funk groove to your Lo-Fi tracks!
The pack contains:
136 x Total Files
5 x Construction Kits
5 x Maschine Kits
94 x One-Shots
WA Production Mutant Delay VST AU AAX
Size 13.4 Mb
‘Mutant Delay’ is a host-synced delay plugin with a built-in ducker, perfect for vocal processing and many other applications. In the studio, we’ve lost count of the number of times we’ve had to set up convoluted sidechain and compression routing, just to achieve a ducked delay for our vocal lines. With Mutant Delay all that complexity is a thing of the past. Now you can easily replicate this popular mixing technique with just one plugin and a couple of clicks, allowing you to dial in extreme delay effects whilst maintaining clarity of the original signal. If you want to keep things simple, just load up Mutant Delay on your vocal track, choose a preset and voila! Need to get deeper? Adjust the delay and ducking parameters to your own taste, with clear visual feedback provided in real time, showing exactly how the ducked delay is being performed.
So what’s going on under the hood? Essentially, the ducker listens to the dry source, and ducks the wet delay signal making space for the source signal. This setup is very useful when using more pronounced delay effects that have a lot of feedback. For example; vocals, synths and percussion. Quickly dial in extreme delay effects without losing the definition and clarity of the source signal.
Power
The Mutant Delay logo acts as a bypass control for the whole plugin, and is smoothed to be click and pop free for unhindered A/B testing.
Visual Feedback
The waveform graph at the very top of the interface shows the dry source and the wet delay signal in different colours. You can clearly see what the plugin is doing in terms of delay and ducking.
Synced Delay Section
The Synced Delay section of Mutant Delay offers flexible host-synced delay for the left and right channel independently, including High & Low pass filters and a Ping-Pong setting.
Mix & Time
Use the Mix dial to set the wet delay level. Used in conjunction with the Threshold and Ratio dials within the Internal Ducker section, this parameter can give precise control over the performance of the delay and feedback. Independent delay time controls for the left and right channels can be set from 1/1 to 1/16 with straight, triplet or dotted notes.
Feedback & Ping-pong
The Feedback dial mixes the output of the delay back into the input of the delay line, creating a repetitive delay effect. For more complex delay combinations, you can cross-mix the feedback paths of the left and right delay channel using the Ping-Pong routing option.
Frequency shaping
A common delay technique; shaping the frequency of the delay tail adds movement to the feedback and helps with mix clarity, reducing high and low end clutter. Mutant Delay’s High & Low pass filter dials can be used to filter the output of the delayed signal in two different ways. Mode A limits the entire delayed signal to the upper and lower frequency limits. Mode B will introduce the frequency shaping slowly as the delay feeds back – an interesting and creative effect.
Internal Ducker Section
The ducking section of the interface works similarly to a standard compressor and the Threshold and Ratio dials are the main controls for shaping how the ducked signal is processed. Threshold sets the intensity level at which the compressor starts working and the Ratio dial dictates how much gain reduction is applied.
Advanced Controls : Attack / Hold / Release
You can fine tune the behaviour of the ducking effect with the Attack, Hold and Release dials. Attack allows you to ignore transients in the delay signal. Hold stabilises the generated gain reduction. Release set the fade out time for the gain reduction. Adjusting these parameters is the key to shaping your bespoke delay. Try setting Attack to zero and dialling in a long Release time for a really atmospheric effect.
Presets
Including a wide range of factory presets, Mutant Delay is designed to get you up and running quickly. The specially tailored settings include many types of delay chains, from standard processing right through to special FX. These are all easily accessible from the plugin menu and of course, you can save you own settings as user presets too.
This all-in-one frequency shaped ducked delay gives you precise control over your delayed vocals, synths and so much more. Mutant Delay perfectly controls delay feedback tails, without complex routing and sidechaining, maintaining the clarity of the original signal. It’s just simple and fast.
Mutant Delay Features:
Host-synced delay
Built-in internal ducker with compressor-style controls
Many presets for a wide range of delay parameters
Click free bypass control
2 filtering modes (straight dampening & increasing over time)
Straight and ping-pong delay with multiple note divisions
Real-time waveform display
Full PDF Manual & Tutorial video
System Requirements:
Windows 7 or higher (32 / 64 bit)
Mac OSX 10.7 or higher (32 / 64 bit)
AAX – ProTools 11 or higher
Cait McWhir, originally hailing from Ireland, draws her inspiration from almost 20 years of exploration with Indian, Balkan, Middle-Eastern & Celtic vocal styles. She has an incredible versatility allowing her to freely cross between conventional folklore to ancient Sanskrit chants, Vedic mantras to free improvisation in self-made languages.
The New Cait is constructed from over a thousand different vocal phrases covering over 15 hours of recorded material. The phrases are divided into a variety of categories varying from some of the oldest songs known to man from the ancient Sanskrit chants to free improvisational phrases. The library has specific patches such as Balkan, Lullaby, Sanskrit Chants, Witch Chants and so forth. In addition, some phrases in the library were recorded 2-3 times, which allows for a more broad type of vocal sound by layering the same phrase two or three times.
The programming allows you to sculpt- and morph phrases by adjusting the mod-wheel and pitch bender. The mod-wheel controls the sample starting point, so users can trigger off-set anywhere they want in the phrases. The pitch bender allows you to time-stretch/compress the phrase. Special key-switching also allows you to adjust to root pitch of all phrases in a patch by up to +/- 3 semitones. The combination between sample off-set control, root pitch control and time-stretch/compression allows users to seamlessly morph different phrases together, which brings endless possibilities for creating new phrases.
The programming allows you to sculpt- and morph phrases by adjusting the mod-wheel and pitch bender. The mod-wheel controls the sample starting point, so users can trigger off-set anywhere they want in the phrases. The pitch bender allows you to time-stretch/compress the phrase. Special key-switching also allows you to adjust to root pitch of all phrases in a patch by up to +/- 3 semitones. The combination between sample off-set control, root pitch control and time-stretch/compression allows users to seamlessly morph different phrases together, which brings endless possibilities for creating new phrases.
In addition, Cait contains a bonus set of over 40 unique vocal ambiences made by Steven Tavaglione (Instrumentalist and Sound Designer; Wall-E, American Beauty, CSI, Supernatural and 100s other movies/shows/games). All the ambiences are made from Cait source material, so they seamlessly blend with her voice and are amazing for instant scoring. Note: All demos (see below) are played live using one vocal ambience and one set of vocals pr. demo, so they literally took 3-5 minutes to compose. So what you hear is what you get.
Update: Cait McWhir is also featured on the double Grammy award-winning album: “Calling All Dawns” by composer Christopher Tin. Chris discovered Cait through the 8DIO Forgotten Voices library.
OVERVIEW
2.485 samples. 0.8 GB HDD
Sanskrit, Vedic, Persian and Middle Eastern phrases
Cait Songs
Chants/Rhythmic Chants
Mouth Noises
Bonus: Ambience banks by Steve Tavaglione
Bonus Presets
Full Retail version of Kontakt 5.6 or later required
Initiate a full-blown riot in your DAW with the filthiest, wobbliest, most mind-blowing riddim samples on the market today. With over 250+ neck-breaking samples , you’ll soon be making the heaviest, most wonky riddim tracks that everyone will bang their heads to.
Join the Riddim Rioters, an army with a heavy arsenal of sounds so savage, they take no prisoners and promise only one thing- HEADS. WILL. ROLL.
All of these sounds are inspired by your favorite artists such as Virtual Riot, Excision, Barely Alive, Zomboy, Spag Heddy, Eptic, Au5, Dodge & Fuski, Dubloadz, Bear Grillz, Getter, Kill the Noise, Carbin, Trampa, Kompany, Svdden Death, Soltan, Megalodon, Yookie, Herobust, Monxx, Skism, Trolley Snatcha, Boogie T.
-RIDDIM RIOT ABLETON PROJECT FILE (“OFF WITH THEIR HEADS”)
We are including a 3 min Ableton Project jam packed with sounds, presets, and samples! Dive in to get an inside look at the production, tips and tricks used to create this track as well as re-engineer elements for your personal use and production!
24 Bit / 44.1 kHz WAV format (compatible with all DAW’s – Pro Tools, Ableton, Logic, Reason, Cubase, FL Studio Maschine…)
FUTURISTIC / FTRSTC The Ultimate Future House & Bounce Sounds, Presets & Sample Pack For Serum & Sylenth1
Take YOUR Future House tracks to another galaxy with the Future House & Bounce inspired Presets & Sample Pack. The pack was inspired by artists like Brooks, Mike Williams, Don Diablo, Bougenvilla, Zonderling & more and it is designed to help you develop your Future House tracks! From Serum & Sylenth presets, to Vocal Chops & Project Files, everything is included in our new pack. If you are a producer looking for futuristic synhts, sick vocals or bouncy basses
SYLENTH PRESETS
11 Basses
19 Leads
8 Synths
9 Plucks
3 Arps
SERUM PRESETS
25 Basses
21 Leads
6 Synths
10 Plucks
3 Arps
What’s inside FUTURISTIC / FTRSTC
• 65 Presets for Serum
• 50 Presets for Sylenth1 (v3+)
• Vocal Chops, Vocals, Vocoders
• Sample Pack including Vocals, Drums, Fills, FX and more
• 4 FULL Project Files for FL Studio 20
• Inspiring MIDIS
In order to use the presets, you must have Sylenth1 v3 / Serum v1.1214 or higher.
YES, The presets & samples are 100% loyalty free so that means you can use the presets in all your songs!
Introducing An All New PresetBank Full Of FRESH Custom Presets For The SERUM VST Which Also Comes With A AMAZING New GUI SKIN.
The Unicorn PresetBank Has Been Designed To Bring You FRESH New Sounds To Bring New Inspiration & Fun To Your Productions. Full Of All Kinds Of Presets For You To Dive Into.
These Sound Presets For SERUM Are Next Level & The CUSTOM SKIN It Also Comes With Will Have You Wanting To Use The SERUM VST In Every Beat With New Looks.
Soundiron Hyperion Strings Elements KONTAKT
Size 9.7 Gb
Hyperion Strings Elements is a universal string ensemble library built for everyone. It was recorded with uncompromising engineering precision and then hand-edited and carefully balanced to achieve a new benchmark in quality and playability. It’s made for Native Instruments’ free Kontakt Player and the NKS Standard. This virtual instrument is a robust musical production workhorse that will serve you well, whether you’re a working composer, student, producer, songwriter, teacher, arranger, band, sound designer, or are just curious about creating your own music. It’s ready to perform from the moment you load it up.
The Hyperion String ensemble has a forward and robust sound unlike any other. It has a strong tone and wide dynamic range that can be shaped to fit any genre or style. It can also be used to fatten and layer with other strings to create massive arrangements. We’ve also equipped the interface with plenty of spatialization, environment simulation and positioning controls and options to let you dial in the sound and character you need.
The library includes a full-ensemble preset and 4 Master and True-Legato section presets for 8 Violins, 6 Violas, 5 Cellos and 4 Double Basses. The Master presets include a broad selection of fundamental articulations, each with their own range of customizable real-time performance options, key-switch and mapping options, handy auto-functions, apregiators, FX and performance tools. These master presets allow you to blend and switch effortlessly vibrato, non-vibrato and tremolo sustains, a variety of short bow strokes and naturally dynamic tempo-based expressions, effects, rhythmic patterns, runs and sequences.
CONTENTS
Hyperion Strings Elements includes a combined full ensemble preset, as well as individual section master and true legato presets for our chamber string orchestra, with 8 Violins, 6 Violas, 5 Cellos and 4 Double Basses. For this Elements Edition, each section is fully equiped with fingered and gliss true legato for vibrato and non-vibrato sustains, tremolo, a full spectrum of short note speeds/styles, and an extended catalog of modular dynamic expressions like crescendos, decrescendos, sforzandos and swells.
The True Legato presets weave together multi-dynamic lush vibrato and clean non-vibrato, recorded naturally in piano, mezzo-forte and forte dynamics. You can switch instantly between agile fingered and smooth glissando legato transition styles for vibrato and non-vibrato sustains, with speed control that adapts to the way you play when you want it to, yet gives you total hands-on control when you need it. You can use it to craft startlingly realistic and seamless performances, whether you’re playing quick slurred runs or long, silky-smooth melodies.
The Short articulations make it easy to humanize your arrangements and find the perfect bow stroke or emotive expression for any musical moment. You can switch instantly between long & dotted 8th-note staccatos, 16th & 32nd-note short staccatos, 32nd & 64th-note spiccatos, as well as loose & tight pizzicatos, Bartok pitz snaps and Col Legno taps. They include 4 round-robins per note, with optional velocity/swell control and automatic time-based switching for refined realism and control.
The modular dynamic Expressions allow real-time dynamically-aware release sample triggering, tempo-synching and time-stretching. When combined with the Offset and Attack controls, you can carve out just about any dynamic shape you could ever need.
The library includes a broad selection of flexible articulations, each with their own range of customizable real-time performance options, key-switch and mapping options and performance tools. It is fully equiped for the professional composer with time-saving performance tools, adaptive controls, sound-shaping and positiong features and an incredibly rich and robust sound.
HYPERION STRINGS ELEMENTS SPECS:
Product Version 1.0
9 master presets for Ensemble, Violins, Violas, Cellos, Basses.
Plenty of articulation maps, seating arrangements, arpeggio patterns and FX chains to choose from.
20,148 Samples
10 GB installed (14 GB wav source)
24-bit, 48 kHz Stereo Lossless NCW Format.
Multi-dynamic sustains, with smooth real-time control over natural vibrato and dynamic transitions.
Multi-dynamic long and short staccatos, spiccatos and pizzicatos with loose/tight variants and 4x round-robin.
Bartok Pizzicato snaps and Col Legno bow string taps with loose/tight variants and 4x round-robin.
A full suite of Expressions in a variety of lengths, timings and dynamics, including crescendos, decrescendos, sforzandos and swells, with time-stretching, tempo-synching and automatic release.
Flexible and intuitive user interface with pro features, deep customizability and simple workflow.
Free soundstage positioning for each section within dozens of custom rooms, halls, chambers and FX environments.
Adaptive Play Assist and Arpeggio systems for instant inspiration.
Made for the free Kontakt Player (version 6.0.1+), Komplete Kontrol, all S-Series Keyboards and NKS software and hardware by Native Instruments
Works with the Kontakt “Libraries” browser and Native Access.
Producer Loops Deep House Vocals Bundle Vol 1-3 WAV MIDI
Size 1.36 Gb
‘Deep House Vocals Bundle (Vols 1-3)’ combines the first three volumes of this best-selling series of stunning, vocal-driven Construction Kit products. Inspired by Gorgon City, Clean Bandit & Nora En Pure, this ground-breaking bundle pack features 15 inspiring, full vocal tracks and expertly-produced instrumental elements.
In detail, you’ll find fifteen pounding Construction Kits covering all the essential instrumentation, from deep basslines to lush plucked synths, emotive chord progressions, Deep House keys and essential filter effects.
At the heart of this product, however, lies complete vocal takes including verse and chorus sections, all expertly performed, processed and produced. You can use these vocal arrangements to form the foundation of your track, or chop and edit them into vocal fragments to create something completely new.
MIDI Files Included:
Like so many other Producer Loops products, ‘Deep House Vocals Bundle (Vols 1-3)’ includes MIDI files for the majority of musical phrases heard in each Kit, allowing you to seamlessly mix your favourite synths and samplers with the sounds contained in the pack.
Advantages of MIDI:
While the supplied ACID/WAV & Apple Loops content is extremely flexible and powerful, MIDI has the added benefit of allowing you to go to extremes of pitch and tempo beyond which the loops were originally recorded, with no time stretching or pitch shifting artefacts. Furthermore, you can make tweaks to the riffs so they fit perfectly into your existing mixes.
Dry/Wet Loops:
For users looking to simply drag and drop, the ‘wet’ files contain all of the effects processing heard in the audio demos. But for producers looking to create their own effects mix, ‘dry’ loops are also included. Don’t like the wet loops? No problem, add your own effects.
Unlooped Riffs/Tails:
This sample library also comes with unlooped/tail versions allowing you to end a phrase with the decay of the reverb/delay applied to the loop, another “Producer Loops” exclusive product feature.
Royalty-Free:
All of the loops in this product are 100% Royalty-Free (including the vocal loops), so once purchased, you can use these loops in your commercial releases without having to pay any hidden costs.
Deep House Vocals Bundle Contains:
• 15 Construction Kits
• ACIDized WAV Files
• Loops sync to BPM
• 44.1 kHz/24-Bit
• PC/Mac Compatible
• Royalty-Free (No Exceptions)
‘Gucci Gucci Bundle’ combines the three releases of this sprightly go pit-a-pat Trap & Urban sample collection jam-packed with sounds ahead of its time, designed by Kryptic Samples for Trap and Urban music followers.
This music library comes across with fifteen awe-inspiring Construction Kits, featuring an array cutting-edge nasty synth pads melodies, gripping piano melodies, high-powered drums and growling anamorphic 808 bass and more. MIDI files are included so these samples are ready to be chopped, sliced, stretched and pitched.
If you are looking for a high quality collection of audio and MIDI and on-the-spot inspiration all gathered in one brain-melting pack, ‘Gucci Gucci Bundle’ is undeniably for you.
Don’t forget to check out the other relases and stay tuned for other hot releases in the series and from the label and sub-label ‘Crude Sounds’.
Dry/Wet Loops:
The wet files contain all of the effects processing heard in the audio demos. But for producers looking to create their own effects mix, dry loops are also included so you can add your own effects.
Gucci Gucci Bundle Contains:
• 15 Construction Kits
• 15 WAV Full Mixes Demos
• 15 MIDI Files Included
• All Loops include Dry & Wet Versions
• 18 Drum Loops
• 32 Kick Loops
• 4 Rim Shot Loops
• 10 Clap Loops
• 52 Snare Loops
• 48 Hi-Hat Loops
• 4 Snap Loops
• 22 Cymbal Loops
• 32 Bass 808 Loops
• 26 Open-Hat Loops
• 4 Shamisen Loops
• 4 Tubular Bell Loops
• 8 Perc Loops
• 102 Synth Loops
• 28 Piano Loops
• 4 Choir Loops
• 6 Brass Hits
• 2 Brass Loops
• 48 Vox
• 42 FX
• 48kHz/24-Bit Quality
• Tempo Labelled
• 60-140 BPM
• 526 Files in Total
GetGood Drums P IV Matt Halpern Signature Pack v1.0 KONTAKT
Size 3.65 Gb
P IV MATT HALPERN SIGNATURE PACK
Introducing the P IV Matt Halpern Signature Pack – the most detailed and meticulously sampled drum set we have to offer. Recorded directly at the completion of Periphery’s newest release entitled “PIV: Hail Stan”, this library captures the energy of Matt’s performance, the essence of the album, and the atmosphere of the live room which can only be associated with Periphery’s thunderous yet dynamic sound. Check out the features:
Kontakt Player Library (with full NKS integration) and can be used with Kontakt’s Free Player – no need to buy the full version of Kontakt to use GGD!
All sounds created during Periphery’s PIV album session
The exact recording chain, drums (and drummer!!) used to create PIV
A brand new, fully-featured and intuitive UI for creating your drum tones
Built-in Groove player
Built-in processing and reverb
Envelope and pitch control for each mixer channel
Our most meticulously sampled drum kit yet
Three snares, two kicks, four toms and twelve cymbals featuring Pearl Drums, VK Drums, and Meinl Cymbals
The entire kit is tuned to perfection, so you’ll never be fighting against sour notes in your mix
Every sample is phase-coherent for easy layering
Raw to processed tones with a turn of our powerful Turbo Knob
The PIV Matt Halpern Signature Pack is your new solution for focused, energetic, and pleasantly aggressive drum tones that will perfectly compliment any musical style you want to write – from Djent to Pop and beyond.
SQNCD Sounds continues with the “Techno Beat Loops” series which serves you with super-modern Berlin inspired drums to build the fundament for your tracks. Simply add a little bit of bass, additional percussions and a synthesizer sequence and use some effects like filters and cutting techniques to form a club tool with maximum impact!
SQNCD Sounds is a collective of Berlin based veteran Techno producers with over 20 years of production experience, mainly with analog classic gear like 909, 808, 303 as well as exotic modern modular synthesizers.
Native Instruments Straylight 1.5 KONTAKT
Size 2.39 Gb
STRAYLIGHT 1.5 – GRANULAR-BASED SOUND DESIGN
Craft unique cinematic soundscapes, transitions, and ambient tones in real-time. Built for sound designers and film, TV, and game composers, STRAYLIGHT is ideal for everything from post-apocalyptic sci-fi to gritty thrillers. It combines specialized grain and sample playback modules with carefully captured sound sources, effects, and a powerful performance-based X-Y modulation matrix, allowing inspirational dynamic performance and sound design, direct to picture.
Both the granular and sample modules offer deep editing possibilities for personalizing the source sounds and intelligent randomization for generating new sounds quickly.
Use tempo-synced grain cursor speeds for creating perfectly timed transitions and risers.
Select up to four different effect types each for the grain and sample layers, plus four additional master effects, and two send effects – and you can assign parameters from all those effects to macros or the X-Y matrix.
Tag based browsing for both presets and sound sources makes it easy to find what you’re looking for. Tags even apply when randomizing the modules.
Easily assign MIDI CC to the XY matrix, and use it in conjunction with master effects to ride intensity, direct to picture.
SOUND SOURCES
STRAYLIGHT 1.5 delivers screen-ready cinematic sound sources without the need for additional processing – letting you concentrate on creativity, even when time is tight. We spent a lot of time testing sources and playing techniques, looking for the best and most interesting sounds for the granular engine – such as rubbing a rubber ball on glass. The result is over 360 unique matched sound sources for the granular and sample modules, with over 300 presets.
THE GRANULAR ENGINE
STRAYLIGHT 1.5 has a bespoke granular engine that places the source audio into a powerful and specialized – yet easy-to-use – interface. Harness lush, organic timbres that can defy time and pitch, yet still retain the pristine character of the source sounds (strings, glass, stone, membranes, and more), and sonically evolve over time (risers and transitions can adapt automatically to project tempo).
Small sounds can be vastly magnified in size and scope without sacrificing their sound quality or character. The granular engine is then paired with a layer from the sample module, offering the same level of editing and modulation.
PERFORM REAL-TIME MODULATION
STRAYLIGHT’s modulation and effects sections ensure a fast, creative workflow. The precise X-Y control enables expressive direct-to-picture performance and detailed control over intensity and timing. Apply and modulate up to 14 different effects – taken from nine different categories: Filters, dynamics, EQs, gaters, drivers, modulation, delays, utilities, and reverbs. STRAYLIGHT 1.5 even includes specially captured reverb impulse responses, selected to complement its audio content and granular engine.
CREATED WITH FRANK ELTING AND PAUL HASLINGER
STRAYLIGHT 1.5 was built in collaboration with Frank Elting and The most human colors, a boutique instrument and sound design agency. The instrument was also developed in consultation with composer Paul Haslinger (Underworld, Minority Report, Fear The Walking Dead, Rainbow Six: Siege).
What’s New in STRAYLIGHT 1.5
STRAYLIGHT 1.5 contains the following new features and improvements:
•You can now import your own samples by dragging and dropping them on to the waveform displays.
•Added high-quality modulation effects using Choral, Flair and Phasis algorithms available in all effect slots.
•Added ‘Grain Rate Interval sync’ functionality which allows you to lock the grain generation to the tempo of your DAW.
•Added 68 additional presets using the new features of version 1.5 for a total number of 452
•Improved the handling of main page waveforms range locators is now easier when the cursor reaches the edges
Kontakt 6.2 is here with some handy new features like drag & drop samples into supported instruments, new effects based on the MOD Packs and more.
Probably one of the best news in Kontakt 6.2 is the sample import. Even though instruments have to be updated by the developers, this is a great feature. Especially, if Kontakt libraries have a complex engine, you can now work with your own sample content if it supports the new feature.
One of the libraries that benefit right away from this update is Straylight, Native Instruments’ latest granular cinematic instrument. Also nice to see are the new effects (chorus, flanger, phaser) inherited from the MOD Pack and the new creator tools.
With KONTAKT 6.2, you can sound like a snare drum, a symphony orchestra, or anything in between, from a universe of sampled instruments. It’s a simple sampler when you want it to be, and a deep sonic scripting laboratory when you need something more. The next generation of the world’s favorite sampling platform gives you new instruments and new features under the hood – so you can layer, link, stretch, and shape your sounds any way you can imagine.
What’s new?
Over two decades, KONTAKT 6.2 has become a highly-developed engine for creating and playing sampled instruments. KONTAKT 6.2 offers more for players and builders alike:
Introducing KONTAKT Play Series: Three new instruments for the KONTAKT library, offering pristine, contemporary sound in a creative and streamlined interface
Wavetable synthesis module: Build hybrid instruments for entirely new sounds
Enhanced effects: Even more effects for your creations, for greater expression and realism
Kontakt 6.2.0 changelog:
ADDED There are now three new state of the art modulation effects (Choral, Flair & Phasis)
ADDED KSP: There is a new type of zone that can be created and is fully accessible from KSP, allowing for dynamic mapping of samples, including end-user ones (set_num_user_zones(), set_sample(), set_zone_par(), set_loop_par() & is_zone_empty())
ADDED KSP: All zone parameters can now be read from KSP (get_sample(), get_zone_par() & get_loop_par()); available for both user zones & standard ones
ADDED KSP: New MIR functions to detect pitch, RMS, peak level and loudness of any zone (user or standard)
ADDED KSP: New MIR functions to classify samples based on their audio characteristics (e.g., Kick, Snare, Choir, Synth, etc)
ADDED KSP: New UI widget (ui_mouse_area), this first iteration of which allows dropping files from the system to an instrument’s UI
ADDED KSP: New command to make handling asynchronous operations more convenient (wait_async())
IMPROVED An instrument can now be loaded with missing resources (samples, NKRs, etc) without the references being completely discarded, i.e., one can load an instrument, ignore missing samples, save it and reload it without losing data
ADDED A new entry in the Mapping Editor’s Edit menu allows for manually removing all zones with missing samples
IMPROVED KSP: purge_group() now returns an async ID, allowing for reliable tracking of the operations completion
IMPROVED There were some performance issues with instruments with many automation assignments when running in Logic
IMPROVED The scrolling and animation speed in the Libraries tab has been adjusted
FIXED There are no more conflicts between MIDI and Host automation in Logic
FIXED Kontakt would often crash when trying to run a Batch Resave operation
FIXED There were some audible clicks in certain cases involving looping samples played back with Time Machine Pro
FIXED Kontakt would crash when saving an NKI after assigning user automation to any of the recently added reverb and delay effects
FIXED KSP: Switches and menus would get stuck in their hover states under certain circumstances
FIXED KSP: In certain cases, when a control was within a panel, its position would be 1 pixel off of what was expected
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