Tape Mafia is a plugin that will add analogue quality cassette tape in the form of magnetic and vinyl noise effect as well as other effects to each of your production.
In our plugin we have placed 10 unique recorded in our professional studio noises of a cassette tape and a vinyl record. These noises only start when any sound goes through the plug, so you avoid the problem of turning off the plug when you do not listen to your bit.
Tape Mafia also has a set of effects that will only intensify the retro effect.
There you will find the effect that we called DROPS which will make the incoming signal randomly muted to emulate the missing information on the vinyl.
The TAPE effect will add interesting artifacts that you can control using three parameters.
LO-Fi will make your melodies become digitally imperfect. This effect will allow you to change your sounds into a GameBoy-like atmosphere.
FILTROUS adds an interesting filter effect that will give the old sound to modern melodies.
In addition to these functions, you also have access to a low- and high-pass filter as well as functions such as saturation, sound width control or volume up if it is too quiet.
You awake just as the sun begins to peer above the horizon, rocky dunes stretching in all directions with the distant curve of a mountain range just visible in the dawn gloom. Your only course of action is to follow the cracked, dusty road winding away from beneath your feet…but how did you get here, and where does this path lead? Discover the answers and more with our brand new synth presets library, Desert Highway – Serum Downtempo Presets!
Stowing away a total of 60 pristine presets for Serum in its concealed cargo hold, this royalty-free collection of soft synth inspiration combines the warmth and subtle, shape-shifting character of analog hardware with the unbridled power and clarity of cutting-edge digital synthesis.
The uncommonly flexible sonic palette presented in this release ranges from the dark, murky and mysterious to the gloriously airy and elegant, with your choice of sounds spanning low-end drenched basses, undulating pads, soaring leads, resonant plucks, spiralling SFX and beyond.
Whether you’re in need of some worldly weight for your next Downtempo track, touches of graceful texture for an Ambient session or warped, uncompromising synth nostalgia for a Trip Hop beat, this is the set of presets for you!
The full spectrum of Xfer Records Serum’s awe-inspiring sound design capabilities have been used to maximum effect in this library, from wavering, LFO-rigged pitch control, finely-tuned filtering, fluid stereo imaging, reverberant chorus, careful waveform blending, epic voice stacking and so much more. We’ve even assigned all 4 available macro controls for each preset, providing you with instant sound-shaping tools the instant they’re loaded.
A powerful set of 60 MIDI files completes this collection, with each preset paired with an accompanying MIDI bassline, melody, harmony or chord progression in the Downtempo and Ambient mould.
Find the musical riches waiting for you at the end of that long road – let Desert Highway – Serum Downtempo Presets take you there now!
Pack Contents
12 Bass Presets
16 Synth Lead Presets
10 Pad Presets
11 Melodic Synth Presets
5 Synth Pluck Presets
6 SFX Presets
60 MIDI Loops (Key & Tempo-Labelled)
All 4 Macro Controls Assigned For Each Preset
With his technical mastery of production and highly critical ear, Proxima is one of the leading figures in Drum & Bass today. His music rapidly caught the attention of popular labels, leading to his first release on Renegade back in 2008. Since then, he has been a regular artist on the roster of Tempa, Shogun Audio and more recently Icicle’s label Entropy.
In this online course, Proxima takes students on a journey as he sculpts a twisted Neuro Tech DnB track from scratch. Practically every one of the musical parts, including basses, leads, FX and even drums, are created using Live Suite instruments like Analog, Operator, Collision and Wavetable. Students can therefore expect to be treated to a huge wealth of sound design expertise and insight, as each sound is carefully crafted from an initialised state.
In addition to sound design, Proxima shares his invaluable mixing and arrangement tips, showing how to achieve a perfect balance throughout a track. Using audio processing and automation to great effect, he demonstrates how to juxtapose sounds to create melodic and rhythmic interest, whilst delivering a satisfyingly gnarly and devastating groove, guaranteed to have a dancefloor rocking!
As with all Producertech courses, a free sample lesson is supplied, so students can see an example of Proxima’s lesson style before signing up, to make sure the course is right for them. Signing up then allows access to well over 3 hours of streamed lessons, the completed Live project from the tutorials and a 100MB taster of Proxima’s Looptone Drum & Bass Masterclass sample pack, providing students with a huge package for producing massive DnB anthems of their own!
Module Descriptions
Module 1 – Technical Setup
Proxima explains a couple of 3rd party plugins he commonly uses, including Voxengo’s popular shareware plugin Span, which he configures with his preferred settings: 05.21 mins
Module 2 – Kick
Kick layers are designed from the ground up, using Operator and various effects, to gain maximum control of each part of the sound.
Lesson 1 – Kick Layer Sound Design: 06.12 mins
Lesson 2 – Kick Layer Effects: 05.06 mins
Module 3 – Snare
The main snare is similarly designed from scratch using multiple instances of Operator and a number of Live’s factory effects.
Lesson 1 – Snare Layer Sound Design: 04.45 mins
Lesson 2 – Snare Layer Effects: 05.17 mins
Module 4 – Hi-Hat and Drum Buss Effects
Additional drums are added to the main break, including a hat loop, which undergoes dynamics processing, whilst the other drums are grouped on individual busses and treated with a number of effects and editing techniques.
Lesson 1 – Adding Hat and Dynamics Processing: 05.29 mins
Lesson 2 – Snare Drum Buss, Position and EQ: 02.49 mins
Lesson 3 – Transient Preservation and Level Automation: 04.26 mins
Module 5 – Additional Drum Layers and Buss Effects
Continued work on drums, including adding an extra snare, which is blended into the groove, and setting up limiters on every buss. Proxima also treats kick and snare busses with Live’s pedal effect, before wrapping up with some final comments.
Lesson 1 – Additional Snare Layer: 03.23 mins
Lesson 2 – Buss Limiters: 03.22 mins
Lesson 3 – Pedal Effect: 04.12 mins
Lesson 4 – Final Comments: 02.16 mins
Module 6 – Bass 1
Proxima designs the first main Neuro bass sound, using Live 10’s Wavetable synth. Layers are constructed with the 2 oscillators and sub, which are processed using a range of built in effects.
Lesson 1 – Wavetable Intro: 03.48 mins
Lesson 2 – Creating the Bass 1 Layers: 07.04 mins
Lesson 3 – Mid/Side EQ and Pedal Distortion: 07.28 mins
Lesson 4 – Pitch Mod, FM and Sidechain Compression: 08.28 mins
Module 7 – Bass 2
Proxima constructs the second main bass part, which is an FM patch made with Operator. After setting up the synth, the preset is processed with EQ and phaser.
Lesson 1 – Making an FM Bass with Operator: 08.08 mins
Lesson 2 – Bass Modulation and FX Processing: 07.59 mins
Module 8 – Arranging and Mixing Considerations
Proxima starts to arrange and mix the bass sounds with the kick and snare, making adjustments to position and level via automation and commenting on the overall dynamics: 07.52 mins
Module 9 – Stab
Live’s Collision is employed to create a more percussive, stab patch, to alternate with the sustained bass sounds. After designing the sound, it is processed with various distortion effects and EQ.
Lesson 1 – Intro to Collision: 05.41 mins
Lesson 2 – Designing and Processing the Stab: 08.24 mins
Module 10 – Lead
Proxima uses Operator to make a lead sound, which is layered and processed with multiple effects, including Mid/Side EQ, Erosion and Chorus.
Lesson 1 – Designing the Lead: 09.28 mins
Lesson 2 – Layering and Additional Processing: 11.10 mins
Module 11 – Arranging Part 1
A 4-bar drop section is developed to start the arrangement, duplicating and adding variations to bass sounds, and tweaking different aspects of the mix to improve the sound.
Lesson 1 – Creating a 4-bar Drop: 09.36 mins
Lesson 2 – Tweaking the Stab: 06.44 mins
Module 12 – Noise
Proxima creates a noise patch to add upper textures to the mix. The sound is made with Analog and then processed with effects to shape the sound and add extra depth.
07.23
Module 13 – Risers and FX
2 Risers are added to the arrangement, both made with Wavetable. One is a shorter 1/2 bar filler, to add extra textures to the break, and the second a longer, 2-bar riser, to help build tension at the end of the section. Finally, a crash type FX sound is added to the start of the drop.
Lesson 1 – Short Riser: 07.03 mins
Lesson 2 – Long Riser: 04.12 mins
Lesson 3 – Impact FX: 03.49 mins
Module 14 – Arranging Part 2
An intro section is explained and developed, before some adjustments are made to different parts in the mix, ironing out inconsistencies in dynamics.
Lesson 1 – Intro: 06.05 mins
Lesson 2 – Mix Tweaks: 07.12 mins
Module 15 – Master Bus Tweaks
Proxima ends the course with some comments on the master buss frequencies and level, refining the settings on the Limiter and EQ: 09.14 mins
DnB legend Reso returns to the Producertech community to share his secrets for producing incredible Neuro-style basslines. His 2 hours of comprehensive tutorials cover sound design, arranging and composition, mixing and processing, all with Logic’s built-in instruments and effects.
The first few tutorials focus on designing bass patches, where Reso uses Alchemy and EXS24 to create a number of gnarly sounds, featuring different sonic textures and LFO-driven movement. The presets are then drawn and played into the timeline to create an exciting 32-bar phrase, with call and response and automation employed to ensure dancefloor satisfaction. The remainder of the course then shows how to process the basses via different buss channels to get the mix sounding chunky but clear, with both drums and bass finding their own unique space.
As well as the streamed tutorials, signing up to the course gives you access to a download pack comprising the Logic project, some bonus bass one-shot and loop samples from Reso’s Loopmasters pack, and also 20 exclusive bass presets for Logic’s Alchemy. Check out the free sample modules for an example of the course content, which will have you producing your own serious Neuro bass in no time!
Module 1 – Neuro Reece Bass Sound Design
Reso creates the first bass sound with Alchemy, combining multiple vintage sawtooths and adding various modulated filters.
Module 2 – Processing the Reece Bass
Effects are added to the Reece, both within Alchemy and on the channel strip.
Module 3 – Creating a Second Reece
Reso shows a simple trick for creating an alternative Reece, with a variation in timbre.
Module 4 – Making a Sub Bass
Alchemy is used again to make a sub bass, to take care of the Reece’s low end, with some nice tips on increasing bass presence.
Module 5 – Resampling the Reece
The Reece is resampled and imported into EXS to make an additional bass track, with further variations in movement and colour.
Module 6 – Designing the Noisy Bass
A seriously heavy bass sound is designed in Alchemy using a combination of sine waves, noise and applied waveshaping, complete with mod wheel assignments for added performance expression.
Module 7 – Noisy Bass Variation
A quick variation on the Noisy Bass is made with some added tremolo and other minor tweaks.
Module 8 – Resampled Noisy Bass
The Noisy Bass is resampled in EXS24, with some cutoff modulation applied during resampling for some serious extra movement!
Module 9 – Creating the Wub Bass
A classic wub bass is made using EXS’s default preset with added filter modulation.
Module 10 – Bass Sequencing Part 1
Reso creates a 4-bar phrase of call and response between the different bass sounds, by drawing and playing in parts, then editing notes and adding automation.
Module 11 – Bass Sequencing Part 2
Having now made a 32-bar bass arrangement using the same techniques from the previous module, Reso explains any points of interest and additional tips for keeping the interest going.
Module 12 – Bass Buss Processing Part 1
The basses are sent to a buss channel and processed with EQ and various compressors, to allow space in the mix and sort the dynamics.
Module 13 – Bass Buss Processing Part 2
A secondary auxiliary buss is created for adding space and character to the bass, which is then processed and mixed.
Module 14 – Final Mixing Tips
Some final tips from Reso on mixing, arranging and composition.
SERUM Presets FULL Pack This pack contains all PML
Serum Preset packs.
SERUM Full Preset Pack for Xfer Serum 1.113 (and higher).
More than 350 expertly crafted presets.
Save valuable time during your creative process, focus on the production of your track
Contents
75+ Future Bass Presets
75+ Beach Styles Presets
80+ Tropical Presets
75+ Future Bass 2 Presets
40+ Future Chill Presets
Specifications:
Pack: Serum Full Preset Pack (zipped file)
Inside: Serum sounds we created while working on several deep house, future bass, tropical house, future house, electronica tracks and chillstep tracks.
The .zip file contains over 350 powerful presets expertly crafted for Serum (worked them on a 1.113.+).
They will help you jump-start your production process.
There many signature sound inside, inspired by artists like Flume, Matoma, What So Not, Odesza, Garrix and many more.
Sampling is perhaps the most popular means of creating musical parts in modern production, inherent in a vast number of applications, from drum construction, to leads, to FX. This course covers all of the core concepts of sampling, using a range of DAW factory and 3rd party plugin instruments, providing students with a fundamental understanding of how to confidently work with whatever samplers they own.
Alongside lessons on many of the standard sampler parameters and behavioural aspects, including root note and transposition, start and end controls and looping, and the main types of envelope, there are numerous examples of how to apply techniques in the creation of unique and natural-sounding parts. Examples include pitch-shifted and modulated percussion, old school and current vocal presets, classic basses and velocity-modulated hats.
Once all areas of single-sampling have been covered, the lessons move on to multi-sampling, initially explaining the main considerations like keyboard mapping and velocity zones. Following this, there is a step-by-step guide to sampling a vintage accordion, teaching students how to convert any instrument in their studio into a multi-sampled patch.
Accompanying the streamed tutorials from the course are both the samples from the lessons and a 100MB bonus pack of varied oneshots and loops, giving students both the physical materials required for sampling and the ability to competently use them!
Module Details
Module 1 – What is Sampling?
A summary of the main sampling applications in music production, and the ways in which they can benefit your workflow – 04.47
An introduction to the way pitching and transposition is handled in a sampler, including an explanation of root note.
A look at the two most common envelopes after amplitude, those being filter and pitch envelopes.
Lesson 1 – Filter Envelope – 03.03
Lesson 2 – Pitch Envelope – 03.19
Some tips for working with drum samples, including more radical ways of modulating percussion and techniques for achieving varied and natural-sounding hats.
Lesson 1 – Re-pitching Percussion – 05.01
Lesson 2 – Velocity Modulation – 08.03
How looping works in samplers, covering loop length, position, fading and synchronisation, as well as how to make a classic, old school looped bass.
Lesson 1 – Looping Controls – 03.12
Lesson 2 – Old School Looping Bass – 03.34
Lesson 3 – Synchronised Looping – 03.37
A look at the way many different popular samplers handle re-pitching and time-stretching of samples, when played with a MIDI keyboard for example – 06.30
Two examples of ways of sampling a vocal to make musical parts, including a 90s rave lead and a deep stab patch.
Lesson 1 – 90s Rave Vocal – 03.34
Lesson 2 – Deep Chord Stab Vocal – 05.00
A guide to multi-sampling, showing how to map sample zones to areas of the keyboard and particular velocity ranges.
Lesson 1 – Intro to Multi-sampling – 02.02
Lesson 2 – Keyboard Zones – 02.57
Lesson 3 – Velocity Zones – 07.06
A walkthrough of sampling an accordion, including recording and editing the instrument, then how to import and set up samples to make a realistic emulation.
Lesson 1 – Recording and Editing Samples – 02.52
Lesson 2 – Setting up the Preset – 05.41
Module 11 – Outro
Some final comments from the tutor and advice about where to go next – 00.23
Mu, the most faithful emulation of a modern yet legendary tube compressor/limiter – perfect glue for mixing and mastering.
An industry-standard tube compressor
There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters.
Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows. Software emulations exist but most owners of the hardware agree that they cannot be compared to the original unit, as there’s always “something” missing.
With its unique Topology Preservation Technology, Pulsar Mu sounds objectively identical to the hardware in every production context, and even makes improvements such as an increased signal-to-noise ratio.
Improving on a classic
Pulsar Mu is a stereo compressor operating in either Left/Right or Mid/Side modes, designed with mixing and mastering applications in mind, but also flexible enough for tracking. It can be used for levelling, limiting, or just to add a bit of analog warmth with its emulated tube signal path.
While reproducing the accurate SIFAM metering of the original unit, Pulsar Mu also provides a more modern visualization mode for fine-tuning compression settings, representing the waveform and gain reduction both over time and instantaneously.
Pulsar Mu also offers various options that apply to the sidechain signal. A popular mod of the original device was to add a high-pass filter, but Mu goes even further, offering a more complete equalization section, enabling to precisely adjust the compressor’s response to bass, midrange and treble using only four knobs.
Another addition is the possibility of advancing (look-ahead) or delaying (look-behind) the sidechain signal. This enables you to take ultimate control over transients, letting the compressor start to react before they happen, over even after they happen, opening up all kinds of creative uses.
Main Features
Topology Preservation Technology
Our modelling technology guarantees a perfect emulation of the original device’s behavior. From the saturation of the magnetic flux in the transformers, to the precise response of the tubes, to the effects of tiny calibration defects, everything is perfectly reproduced. For more info, take a look at our technical article on the subject.
External sidechain
Pulsar Mu allows to define an external sidechain input, as all compressors should in the digital age. This opens a very wide range of applications: ducking, de-essing, filtering the sidechain signal with your favourite EQ, or even applying dynamic processing.
Mid-Side processing
Pulsar Mu comes with built-in optional M/S encoding and decoding, enabling a signal’s mono and stereo information to be processed separately with different settings. The Listen buttons simplify the setting by allowing you to listen to Mid or Sides signals in isolation, and the modern visualization can be set to monitor only the channel you’re working on, so you always know what you’re doing.
Look ahead, look behind
This innovative feature lets you shift the timing of Pulsar Mu’s gain reduction compared to the input. Look-ahead enables the Mu to start reacting to transients even before they happen, ensuring perfect limiting. Conversely, the look-behind delays the gain reduction, so that fast transients can be left unprocessed while the gain reduction kicks in after them. This opens up various possibilities like clipping transients separately after Mu has done its work.
Flexible sidechain equalizer
The sidechain equalization section is simple but efficient. You can let your mix more transparent by preventing low frequencies from triggering compression with the High-Pass filter, adjust the response to vocals or other instruments thanks to the parametric bell filter, and keep the influence of the top-end under control with the positive or negative High-Shelf filter.
Low CPU consumption
We spent a ridiculous amount of time optimizing Mu to consume as few system resources as possible – despite the complex algorithms at work. Pulsar Mu takes full advantage of modern CPUs to do more with less. But if your computer can stand it and you enjoy making it suffer, you can always turn oversampling on, processing at rates up to 384kHz!
Beta Note is a comprehensive MIDI library, containing 107 original MIDIs for your music production. From hazy melodic hooks to tech-inspired motifs, there will be enough inspiration for many tracks to come. Start using Beta Note today and get to grips with an extensive collection of tools for the modern day techno producer.
Music theory
Analysing the harmonies and melodies is the fastest way to learn how your favourite hooks are constructed. Using the MIDIs will help you develop your own favourite motifs and phrases.
World of inspiration
107 unique musical ideas will trigger your creativity and not let you be stuck in a loop. Choose your favourites and make it into your track. You deserve to get your music out.
Get fast results
A library that lets you get to the end result quick. Each loop has its own distinct character. Pick the one by the mood you’re currently in and the production process will naturally follow.
Honey Bee – Mellow Beats is an extensive library that focuses on late summer mood. Get carried away by relaxing keys, smooth guitar riffs, crunchy vinyl layers, dusty drum loops and many more!
Not only did we ran all of our sounds through hardware processors to boost the saturation, grit and low-res character, we also made sure to provide a wealth of carefully crafted live recorded sounds to give your production that extra organic feel.
Experience chill and hip hop vibes in a totally new, buzzing way!
Osaka Sound proudly presents Lofi Beats Vol. 1, jam-packed with dusty drum hits and loops. This astonishing sound bank provides the most versatile drum collection to date, with beats ranging from vintage, jazz-y ones to modern, boombap-ish bangers.
All of the drum loops are drag-and-drop ready, ideal for any beatmaker or rapper. Lofi Beats Vol. 1 will take your drums to brand new heights!
Pack details:ails:
120 Drum Loops
40 Drum One Shots
This pack only includes drum loops. Melodic parts in demo are not included in this pack.
Micro Pressure returns with the 5th installment of EDM Synth Shots, featuring fresh trap, electro, dubstep and progressive synth/bass cuts along with the usual software sampler files.
HY2ROGEN delivers another useful package for your personal library with the same humble price tag you’ve been treated to before. Having the entire collection of EDM Synth Shots is a must and this fifth release should not be missed!
The pack contains 400 pure edm key labelled synth shots and bass cuts perfect for adding to the main hook or simply building a new one. Start making those big & wide sounds by stacking various elements and playing them to your liking. For trap style enthusiasts, the synth cuts can spark instant inspiration for serious main hooks.
The 400 synth shots/bass cuts are delivered as WAV singles along with 80 sampler patches for EXS24, Kontakt, NNXT and Halion software samplers for easy access and usage within your workflow.
In the ‘Sampler Patches’ folder you will find the synth shots both random and organized in keys for easier access and grouping.
Remember to stack some of these synth shots to make the most out of them. Create complextro-type riffs by playing different sounds in the same key and create interesting drops for your future compositions.
All of the files have been exported at a quality of 24bit 44.1Khz
Please Note: The demo includes sounds not included in the pack (drums, effects and vocal loops).
Pack contains:
•Files 480 files
•400 EDM synth shots and bass cuts
•80 soft synth patches (EXS24, Kontakt, NNXT, Halion)
•24Bit 44.1Khz
•key labelled
•organized random & in keys
•128 bpm for LFOs
PSP InfiniStrip is an infinitely configurable channel strip plug-in (AAX, AudioUnit, VST, VST3, RTAS) based on 20 years PSP experience in developing handcrafted plug-ins for tracking, mixing and mastering.
PSP InfiniStrip can be used for mixing, tracking or live streaming/broadcasting anywhere you need a great sounding and easy to configure channel strip, without having to worry about latency.
That’s right – you can configure PSP InfiniStrip with whatever modules you need and track through them with confidence that the plug-in isn’t adding any latency at all to your recorded signal. Zero latency. Full impact.
Features
22 independent processors divided into 8 types of modules (preamps, filters, compressors, equalisers, limiters, dynamic modules [expander, ducker and gate], control and special modules) to create your custom channel strip.
7 dedicated “slots” for you to add one module from each type of processing modules, and 2 flexible insert slots for any module type.
Parameters matching. Swipe through different compressors, EQs without touching a knob. Look for your preferred colour and flavour.
3 different view modes (full, resizeable, and mini view mode) designed for different workflows and screen sizes.
External side-chain support for each module independently.
Includes both Mono and Stereo plug-in versions for different track types.
Zero latency processing.
Over 150 presets designed by top sound engineers from around the world.
Minimum system requirements:
Windows
VST3
• Windows x32 or x64 (7, 8 or 10)
• VST3 compatible application
VST
• Windows x32 or x64 (7, 8 or 10)
• VST 2.4 compatible application
AAX
• Windows x32 or x64 (7,8 or 10)
• Pro Tools 10, 11, 12 or ProTools HD 10, 11, 12 or ProTools Ultimate
Like Skrillex and Girl Talk before him, German producer Virtual Riot packs a lot of punch into every track. Like his music, his pack comes loaded with lush sound design and his incredible signature bass programming. Dive into over 800 samples from Virtual Riot’s toolkit.
‘White Noize Vol 1’ by King Loops kicks off a epic new series of sample packs, providing you with innovative Trap, Hip Hop, Gangsta and Urban loops and MIDI files. Inspired by the biggest artists in the game this pack will boost your production quality right up to today’s industry standards and beyond.
These five Construction Kits contain everything you need, from storming 808s, hair-rising leads, creepy bells, earthquaking drum patterns, spooky arps, dark pianos, fright-inducing modulated sine leads, and much more. Add to this phased leads and a huge selection of vocal adlibs and chants, plus rise and drop FX and you’ve got an impressive feature set.
MIDI files are included for all instruments and the drum lines, allowing you to tweak each Construction Kit to suit your precise needs.
All sounds have been processed and edited using professional outboard gear to ensure authentic analogue warmth. Just drag the WAV files into your favorite DAW and you’re good to go.
All files are 100% Royalty-Free.
Product Includes:
• 5 Mastered & mixed demos
• 5 Construction Kits
• 101 Single WAV files
• 24-Bit/44.1kHz quality
• 51 MIDI files
• 887 MB of content
![Pulsar Audio Mu v1.1.5 [WIN]](http://freshstuff4you.com/wp-content/uploads/2019/09/Mu-v1.0.3.jpg)
![PSPaudioware PSP InfiniStrip v1.0.2 [WIN]](http://freshstuff4you.com/wp-content/uploads/2020/05/PSP-InfiniStrip.jpg)
