Future Bass has experienced an accelerating rise in popularity over the last few years. Orbit Sounds has been at the front of producing the genre since it first began. This pack gives you the power to stand above the crowd with its unique spin on the well-loved genre.
Future Space Presets for Sylenth1 includes 49 Presets in all areas of Future Bass production. Charming Plucks and Bells, sweeping Pads and commanding Lead sounds help you construct diverse melodic hooks while the sharp and powerful chord and bass synths synergise together perfectly to give your song the backbone it deserves. Unique and detailed FX and Arp synths help shape your compositions and make your tracks come to life. This pack is the start, middle and end of your Future Bass Sylenth1 needs.
The demo consists of 25 presets from this pack, and Orbit Sounds – Future Space was used for all other samples.
As producers and fans of nu-disco, Orbit Sounds have developed this pack to open the door to the funk, dance and pop infused genre for you in a way that gets you right into the heart of the craft.
Disco Planet includes over 230 samples and loops that give you a complete sound of nu-disco. Retro and modern sounds combined together, including real loops and samples recorded from a Juno 106 synthesiser to use in your production and create your own usable instruments with. It also includes essential shaker and tambourine loops that were recorded and produced to enhance the depth of your productions. In addition to that, guitar loops and one shots are available in both pre-produced and clean DI recordings in order to give you creative freedom to use your own guitar processing. The pack includes 5 fully macro’d Serum presets, which gets you hands on the nu-disco sound, and also indistinguishably emulate the Juno 106, giving you access to the incredible synth too.
The pack contains:
· 47 Drum & Perc Loops
· 55 Drum & Perc One Shots
· 24 FX
· 73 Melodic Loops
· 31 Melodic One Shots
· 5 Serum Presets
The new upcoming genre Future Pop is all about expanding Pop Music, bringing larger emotion and life to catchy and popular trends. This pack from Orbit Sounds has been crafted to be everything you need to get a head start on the sound, inspire your next huge track, and become a pioneer of the genre.
Pop Rocket includes over 200 samples and loops inspired by Future Pop creators, including notable and staples of the genre; guitar loops with DI versions for your own guitar processing options, as well as vocal chop loops and one shots. You’ll find Textured Pads and Diverse Leads, as well as detailed Chord Progressions. Also, a huge variety of different kinds of top loops for every occasion. It also includes 5 fully macro’d Serum presets giving you full control over your own vision.
Orbit Sounds are David Lawson (WRLD) and Richard Caddock (Keepsake). After having multiple releases on major labels in the dance music scene, both producers now share their custom sample collection exclusively on Splice. As they share a love for a variety of genres, Orbit Sounds gives you a diverse range of easy to use and unique sounds and presets.
Pack includes:
· 40 Drum & Perc Loops
· 62 Drum & Perc One Shots
· 17 FX
· 59 Melodic Loops
· 38 Melodic One Shots
· 5 Serum Presets
The popularity of Indie Dance and Indie Pop has led to it’s sound developing drastically over the last few years, leading to some very unique sound design and instrumentation blends between Live and Electronic production. The Indie Space Station is here to guide you through the entire process, and provide that perfect blend of recorded and electronic instruments for you to use and step into the scene yourself.
Indie Space Station includes over 200 samples and loops that stand up to the best inspired by artists and bands in the genre. Real Bass and Guitar loops and one shots fill this pack with live energy in both processed and DI form, giving you the advantage of perfect sounding recordings to match your own production. It also includes samples and one shots recorded from a Prophet 6 synthesiser, giving you the true analogue sound. A full acoustic Drum Kit has been recorded and sampled for your use in high detail, with multiple crashes, hi hats and snare hits to give you the real round robin effect when using the sampled kit. As well as a whole drum kit, Orbit Sounds have also recorded more live percussion and to match it, the pack includes detailed electronic drums that sit perfectly in the retro yet modern vibe and add a whole lot of punch. 5 fully macro’s Serum presets have been included which expand on the Indie Pop sound for you to dive into. The Indie Dance and Pop sound you were looking for is right here in this pack, with more to explore inside.
Pack contains:
· 37 Drum & Perc Loops
· 66 Drum & Perc One Shots
· 11 FX
· 79 Melodic Loops
· 26 Melodic One Shots
· 5 Serum Presets
Audio Damage AD037 Kombinat Tri v3.0.6 WIN MAC LINUX
From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Tri is a complete toolbox of sonic warfare, and a complete top-to-bottom rebuild of our popular Kombinat series.
With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Tri is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box.
Kombinat’s signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect is a versatile tool in its own right. On the front end is a full “DJ-style” band-killer EQ; this leads to the three distortion engines, which may be used in multi-band mode for subtle surgery, or in series mode for complete signal destruction. The engines lead to a multi-mode filter with 12 different topologies, and then on to a compressor which we have configured for one-control operation.
Taken as a whole, Kombinat is a tweaker’s paradise, yet designed so that it is easy to just grab one of the presets and touch it up a bit to suit the source material.
FEATURES
Crossover: Kombinat Tri features a DJ-style three-band isolator EQ for band-killing effects and extreme tone-carving on the front end. This leads to the three distortion engines, which can be run in crossover (multi) mode, or in series.
Multiple Distortion Types: Kombinat Tri has 13 different distortion and tone-shaping algorithms, and you can mix-and-match, with each of the three bands getting its own selector. From subtle tube-style clipping to the bizarre distorto-delay of the Nerd Rage algorithm, Kombinat Tri can cover all the bases without unnecessary complexity.
Feedback: If the algorithms weren’t enough, Kombinat Tri has an internal feedback control, tied to an envelope follower. Results may vary, but are always hairy.
Filter: Kombinat Tri has 12 different filter topologies, from subtle 2-pole lowpass, through synth-style filters, to surgical notch. Several are self-resonant.
One-Kontrol Kompressor: A favorite feature of the original Kombinat and Kombinat Dva, the one-knob compressor, tuned for collapsing distorted signals to roadkill, remains in Kombinat Tri.
Mix Control: Kombinat Tri adds an oft-requested feature: a mix knob for better control over the signal path.
Presets: Kombinat Tri includes a selection of presets from Kombinat and Kombinat Dva, some all-new presets to take advantage of the new features, and a selection of Designer presets from Ken Flux Pierce and Don Gunn.
Changes in V3.0.6
> x64 Ubuntu VST3 added.
> macOS installer repaired.
> Minor bug fixes and optimizations
Audio Damage AD036 Dubstation 2 v2.1.2 WIN MAC LINUX
Audio Damage’s painstakingly modeled bucket-brigade delay has been the go-to plugin for that sound for over a decade, used in thousands of commercial productions, and with good reason. Dubstation’s intuitive topology brings the mojo of yesteryears hardware delays to your DAW.
Dubstation 2 takes our most popular product and adds a whole raft of new features. With the addition of LFO and saturation controls, Dubstation 2 now fully emulates a vintage bucket-brigade delay, and the new dual mode for separate control over the left and right delay times and ping-pong make it a Swiss Army knife for delay effects.
HIGHLIGHTS
Double up!
What’s better than one delay line? Two! And for that very reason, Dubstation 2 introduces dual mode, exposing separate delay time controls for its left and right channels as well as ping-pong mode for tried-and-true cross-feedback effects making your delays alternate between channels.
Degrade!
Dubstation 2 features analoge-style saturation as well as low- and high-cut filters inviting you to shape its sound from fuzzy-warm to spiky-bright. True to its bucket-brigade roots, the plugin’s spectral character changes with increasing delay times. Whether you’re looking to add some old-school warmth to your downtempo production or wreak feedback havoc at your next live gig – we got you covered!
Modulate!
Get things moving with Dubstation’s delay-time modulation. Use the integrated Low-Frequently Oscillator to Introduce subtle chorusing, doubling effects or chirpy pitch sweeps – made possible by Dubstation’s emulation of vintage delay hardware.
Loop!
As if Dubstation didn’t give you enough ways to repeat audio, engaging its ‘loop’ switch turns the plugin turns into a squeaky clean digital looper that won’t degrade your signal. Missing some of that dirt? Tweak the filter and saturation controls to find that sweet spot for your next one-person jam session – or leave your audience with a little something for their way out of the venue.
DUBSTATION 2 FEATURES
Delay
Two tempo-synced or free-running delay lines with feedbackl
Multiple Delay Modes
Dubstation 2 can be used as a single mono or stereo delay effect, in dual mode with separate controls for the left and right channels’ delay times and in ping-pong mode.
Classic Delay Algorithm Dubstation 2 features Audio Damage’s renowned model of bucket-brigade delay circuits, a faithful digital recreation of vintage hardware.
Time Controls
The user can switch between two delay time ranges, encompassing 4 to 2000 milliseconds. Frequency-response characteristics vary with delay time – a fundamental aspect of the sonic personality of analog bucket-brigade delay circuits.
Low-Frequency Oscillator
Delay time can be periodically altered with an LFO, producing changes in both the time between delayed signals and their apparent pitch.
Filters
Low-cut and high-cut filters with user-controlled cutoff frequencies in the delay path offer a wide range of timbres
Saturation
Analogue-style saturation with an amount control allowing for distortion from the subtle to the extreme.
Feedback User-controllable feedback ranging from almost none to full feedback of the delayed signal back into the delay lines’ inputs.
Loop Mode Causes Dubstation to endlessly play the audio currently in its delay line without alteration. Filter and saturation effects are applied to the output signal in Loop Mode.
Reverse Mode
The Reverse switch makes Dubstation reverse the current contents of its delay memory and the direction in which it records.
Mix control
Blend of the processed and the dry input signal.
Gain Staging Contols
Input and output gain controls ranging from -80dB to +3dB.
Cross-Platform Preset Format
Dubstation 2 utilizes an XML-based preset manager. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell.
Fully Resizable Hi-Dpi/Retina GUI
Dubstation 2’s vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.
Changes in v2.1.2
> The user presets were not being saved to the correct location. This has been fixed.
> Linux VST3 added to payload.
Audio Damage AD043 Filterstation2 v2.1.0 WIN MAC LINUX
Filterstation2 is the Audio Damage take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say “indispensable”) by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer’s toolkit.
Filterstation2 takes our original Filterstation plugin, and adds an all-new HiDpi/Retina-capable vector-based UI with resizability, a completely rewritten parameter and DSP section, a full selection of extreme modification tools, ProTools support, an cross-platform XML preset mechanism.
Features
Twelve different filter algorithms, including MS20 emulation and our classic 914 bandpass and Filterpod lowpass models.
VCA mode for tremolo and gate effects.
LFO with twelve different patterns, and both internal and tempo sync modes.
Envelope follower for dynamic control of filter frequency.
Serial, parallel, and true stereo operating modes.
Sidechain input for external signal to envelope follower.
Easy-to use interface for quick programming.
Vector-based resizable GUI.
Cross-platform XML-based preset manager.
v2.1.0 Changelog:
New:
> Filterstation 2 got the new-style preset manager. You can now nest folders up to 2 deep, and you have full control over the factory and user preset folders.
> The 32-bit Windows versions were removed. Filterstation 2 is now 64-bit only on all platforms.
> Linux VST and VST3 versions added (64-bit Ubuntu)
> On macOS, the preset folder location has been changed to ~/Music, to allow for Apple’s sandboxing agenda. You can find the new factory preset folder in ~/Music/Audio Damage/Filterstation once you have instanced the plugin at least once. If you have presets in the old location you have saved, you will need to move them manually. You can find them in /Library/Application Support/Audio Damage/Filterstation. We tried to move them with a script, but that ended in sadness and tears for everyone involved. (Quanta owners will remember the bad old days of a couple months ago.) Better to do it manually so there is no chance of screwing up due to random permissions problems.
> Also on macOS, the minimum OS has been changed to 10.9. This is the earliest macOS we can safely build for while also allowing for Catalina and Big Sur security theatre.
Axon 2 is a drum synth driven by artificial intelligence. (Well, “intelligence” might be a strong word. Artificial something-or-other.) An experimental instrument, Axon uses a modified artificial neural network as a sequencer, and features seven FM-based percussion voices, that are really a single 18-operator FM voice.
If that sounds weird, you ain’t seen nothing yet. It is surprisingly intuitive once you get the knack of it, and is capable of all-new, complex rhythms that repeat in surprising ways. It often gets referenced as a “random sequence generator,” but there is nothing random in Axon; it is entirely determinative.
The sequencer features seven “neurons” that trigger a voice and send a pulse when they have received a predetermined number of pulses. You can wire the output of any neuron to the input of any other (with built-in loop detection to prevent runaway feedback), and in this manner pre-program the artificial neural network without having to go through a “learning” phase.
The seven individual drum voices, each triggered by its attendant neuron, are 2-operator FM voices in a configuration to best make percussion sounds, with additional FM and AM busses that all voices send to and receive from. Each voice has a HPF, distortion circuit, and white noise generator to provide a full range of percussion-oriented voicing individually, while interacting with each other in new and unique ways.
FEATURES
• Artificial Neural Network sequencer features seven neurons, and is easily programmed to create strange new repeating rhythms.
• Seven FM percussion voices that also buss together to create a single monolithic complex percussion synthesizer.
• Full mixer with pan, level, mute, and solo on each voice.
• Built-in stereo delay with X/Y pad control over feedback and filter frequency, for live playability.
• MIDI in and out, for driving Axon from DAW and hardware sequencers, or driving your drum rack or other samples from Axon.
• Internal transport for non-synchronized playback.
• Resizable vector-based user interface.
• Drawn reciprocation dingle arm to reduce sinusoidal depleneration.
• XML-based cross-platform, human-readable preset system, with copy/paste, for easy transferring of your own presets and third-party offerings.
Axon 2 V2.1.1 ChangesNew:
>>> Pitch knob replaced with larger display and increment/decrement buttons; this is much easier to use, especially on touch screens.
>>> Multiple outs are back! In addition to the main stereo outs, each Neuron has its own stereo output, labeled “Neuron 00” through “Neuron 06.” Unlike Axon 1, the mixer in Axon affects these outputs. In testing, we found this to be the more desirable behavior.
>>> A demo version (not that you care if you’re reading this) and a Linux x64 (Ubuntu 18+) version have been added to the deployment.
V2.1.3 Changelog:
New:
>>> Linux VST3 added to payload.
>>> The empty “Default” preset the plugin loaded on instance was, according to extensive user feedback, “terrible” and “a horrible racket” and it was variously wondered if it could “you know, die in a fire or whatever.” In response to these helpful comments, we have changed it so that, on instance, Axon now loads factory preset 15 – Braindance. If you would like some other state as the default, save a preset named “Default” in the User folder and Axon will load that on instance instead.
Fixes And Changes:
>>> New hotness preset manager added. Old and busted preset dropdown removed.
>>> Several small bug fixes you won’t notice now if you didn’t notice before.
Audio Damage has announced the immediate availability of its latest plugin for Windows, Mac and iOS.
An architecturally unique and sonically characterful looping toolkit for producers and live performers, inspired by both modern looper pedals and vintage tape-based setups, Enso combines elegant and intuitive UI design with a deep but accessible feature set and stellar sound quality.
Enso’s operation will be immediately familiar to users of hardware looper pedals or plugins such as Ableton Live’s bundled Looper. Start playback of the host DAW, hit Enso’s record button and capture your instrumental performance into a loop of whatever length you like, up to ten minutes (five minutes on iOS). Then, without stopping playback, overdub further passes to create layered grooves, complex harmonic textures, or dense, evolving soundscapes.
Beyond those basics, though, Enso takes software looping into new territory. Two Overdub modes configure the plugin for conventional looper pedal behavior or Frippertronics-style ‘dual tape deck’ manoeuvres, affecting the handling of the Feedback parameter for an endless range of layering possibilities; and up to four Sectors can be effortlessly defined, each with its own start and end points, for on-the-fly rearrangement of the loop.
With Enso, time and motion become truly fluid, as speed and direction are handled completely independently for playback and recording, the ‘through-zero’ bipolar Speed controls smoothly transitioning from forwards to backwards, and vice versa, in real time. Want to record forwards at half speed, while simultaneously playing the buffered loop in reverse at 1.25x? Of course you do…
Onboard tape-style saturation, filtering and chorus effects bring dirt, frequency-shaping and stereo thickening to the party; and a comprehensive MIDI assignment system makes it a snap to set your MIDI pedal or button controller up for operation of all Enso’s buttons and switches. With its animated play and record heads, meanwhile, the looping waveform display provides a clean, clear visual representation of the potentially mind-bending temporal acrobatics taking place, letting you get a handle on exactly what’s happening at a glance.
Giving you everything you need for limitlessly creative looping, on stage and in the studio, Enso is one of Audio Damage’s most beautifully realized plugins yet, and an empowering addition to any musician’s arsenal of effects
AD049 ENSO FEATURES:
Full Automatic Looping Engine
Enso’s looping engine is simple to learn, but exceedingly powerful, with “one button” looping control, both host-synced and free time.
Dub In Place Enso can either work like a traditional digital looper, where the input is mixed with the buffer contents, then sent to effects, or like a tape looper, where the effects and speed changes are included in the feedback path.
Sector Crossfading Define four different start and end points. Crossfade between them, and overdub or re-record within them.
Effects Section Enso has user-controllable “tape style” saturation and hiss, high- and low-pass filters, and a stereo chorus for thickening and carving your loop.
Full MIDI CC Implementation Enso has an assignable MIDI CC page for controlling most features of the looping engine. It is tuned for foot control, but will work with any MIDI CC source.
Independent Play And Record Head Control Both the play and record heads have a through-zero speed control, from -4x to +4x, with text entry values and selectable inc and dec values.
Multi-Format Audio Loader Enso can load AIFF, WAV, Broadcast WAV, FLAC, MP3, and Ogg in any sample rate, bit depth, and channel configuration.
Buffer Save
Enso can save its buffer contents as a WAV file.
Extra Long Loops Enso can record or load up to 10 minutes of audio (5 minutes in iOS version) in Long Memory mode.
Cross-Platform Preset Format
Enso utilizes an XML-based preset manager, and optionally stores the buffer within the preset for easy asset management. Work between multiple systems without troubles, make a preset on your desktop machine and paste it to the iOS version with Handoff, easily share your creations with your friends, or make a preset bundle to sell, no asset management required.
Fully Resizable Hi-Dpi/Retina GUI
Enso’s vector-based GUI is resolution-agnostic, and displays the same on every system and resolution. Easily resize the UI (per instance) to match your visual needs, from postage stamp to poster-sized.
V1.0.15 Changelog:
>> Much smooth. Very declicking. Wow. We have done a lot of work to minimize edge- and corner-case clicking, principally in the Sectors. You will find that, in general, the Sector features work much better, and there will be no (or minimal, in the case of legato source material) clicks when resizing and moving sectors while playback is occuring.
>> Settings were not recalled correctly when restoring a session in some hosts. This has been fixed.
>> MIDI notes added as sources in the CC Control section. You can now assign a MIDI note to a momentary button the same way you would a controller button.
>> In all quantization modes, the playback and record speed controls now go _towards_ zero when clicking or dragging down, and _away_ from zero when clicking or dragging up. There were some differences of opinion with respect to the various speed quantizations, and this has been remedied.
>> The main mode quantization now affects every momentary button except Trigger and Overdub. What this means: sector switching, RTZ, and sector clear will now respect the quantization. So if you have it set to quarter notes, your sector will switch on the beat.
>> A whole heap of small bug fixes, improvements, and optimizations. We tend to write “optimizations” in the changelog to make it look like we did something clever, but in point of fact we, and every other software company on the planet, use “optimizations” to mean “now that we’re not in a dead rush to get this thing out the door so we can make some money and not, you know, go out of business or whatever, we have the luxury of going back and cleaning up this rat’s nest and making it look somewhat presentable.” Stuff like that.
>> Factory presets added back to the iOS version. They somehow got kicked out of bed in the multiple updates that platform needed.
>> macOS preset location moved from Old N’ Busted “Application Support/Audio Damage” to the New Hotness, “~/Music/Audio Damage”. If you have presets stored in the old location, you will need to manually move them to the new one.
>> Ubuntu Linux x64 VST and VST3 added to the desktop payload.
Splice Originals Angelic Harp with Erin Hill WAV KONTAKT
The harp is a beautiful, multi-faceted instrument that offers many different moods for a wide variety of productions. It can add a calmness, drama, darkness, an airy lightness, or a sparkling sense of hope or mystery. Producers across genres find uses for its elegant tones and bright pitches in their compositions, and now you can too. Expert harpist, Erin Hill shares her wide range of styles across pop, rock, jazz, country, opera, and Celtic/Irish harp in this pack. Dig into these whimsical harp arrangements and chord progressions to see where they take you.
Splice-produced recording sessions and sample collections from acclaimed musicians with unique perspectives, with each pack focused on a specific instrument, sound or performance.
Splice Originals Steel Pan Trap with Freddy Harris III WAV MiDi
Typically characterized by dark, gritty, and intense moods, the introduction of steel pan (or steel drum) into trap beats could have been jarring, but rather, it felt like a natural progression. It’s the perfect complement to the genre’s increased use of triplet hi-hats, punchy snares, and low basslines. The ethereal, hollow tones of the steel pan add brightness without adding too much levity.
In this Splice Originals pack, accomplished and acclaimed pannist Freddy Harris III crafted steel pan sounds specifically to be used in hip hop and trap beats. We added trap drums and sub basses to round out the package. Find one-shots and loops to add some Caribbean flare to your tracks in this pack.
Splice-produced recording sessions and sample collections from acclaimed musicians with unique perspectives, with each pack focused on a specific instrument, sound or performance.
New York native Molly Moore is a singer, songwriter, and producer based in Los Angeles, CA. One half of the progressive pop duo Cosmos & Creature with EMAN8 (Brandyn Burnette), Moore has seen strong support of her solo career. Inspired by icons such as Aretha Franklin, Alanis Morissette, Beyonce, and Gwen Stefani, Moore leans into her powerful vocal prowess and introspective lyricism alongside lush musical landscapes. In this pack, you’ll find a variety of hooks including soulful pop vocals, warped vocal atmospheres, granular synthesis vocal elements, riffs, R&B harmonies, and adlibs.
Splice-produced recording sessions and sample collections from acclaimed musicians with unique perspectives, with each pack focused on a specific instrument, sound or performance.
Ancore Sounds presents a new construction kits product for producers in the styles of Trance and Progressive. Even more dense, powerful and melodic !!!
The creation of this product was inspired by the sound of such labels as Spinnin Records, Protocol, Armada, Black Hole and A State of Trance.
Here you will find professionally created construction kits, vigorous drum loops, enchanting Spire and Sylenth1 presets. In addition to all of the above, you will find powerful bass loops and enveloping stems of voices, atmospheric sounds and deep effects that you can easily use in your tracks.
All this can perfectly inspire you and expand your toolbox for creating high-quality music compositions.
After purchasing this product, you can freely use all sounds and presets from this package in your commercial works and projects.
Download includes:
316 Mb of Content
124 Files in Total
5 Construction Kits (25 Stems)
16 Drum Loops
10 Midi Files
9 Synth & Bass
8 Vox & Fx
11 Spire Presets
9 Sylenth1 Presets
Key-Labelled
44.1 kHz/24-Bit Quality
100% Royalty-Free
Synth Preset Compatibility:
* Please Use Spire Version 1.1.12 Or Higher.
* Please Use Sylenth1 Versions 2.2, 2.21Beta & Version 3.03 Or Higher.
Splice Originals Classic RnB Vocals with Renee Holiday WAV
Renee Holiday (formerly known as Shaprece) is back, lending her vocals to a second Splice pack. This time, she slowed it down to capture soulful harmonies and smooth vocal phrases for your R&B tracks. This pack nods to the classic R&B vocals of the 1990s and early 2000s with a modern twist accomplished through experimental sound design. Find velvety ooohs and ahhs, love ballad hooks in various keys, autotuned riffs, vocal synths, and so much more.
Splice-produced recording sessions and sample collections from acclaimed musicians with unique perspectives, with each pack focused on a specific instrument, sound or performance.
FA029 Atmospheric Piano Themes Vol.1 Sample Pack [WAV & MIDI]
We are proud to present our latest release “Atmospheric Piano Themes”. The pack features 20 cinematic crescendos and heart-wrenching piano phrases in WAV format and 20 exclusive piano melodies in MIDI format – for the piano lover in you.
This pack brings you 20 professionally played and inspiring piano themes and 20 meticulously programmed MIDI files range at 70/90/100 BPM with duration from 1:00 up to 1:30. We have given you as much flexibility as possible – that will perfectly fit into your productions. All loops are perfectly matched, sound great, and are free of artifacts. This natural sounding piano will work in just about any track mix. MIDI files are allow you to assign these melodic phrases to your favorite synth or sampler, allowing them to slot perfectly into your production. Simply drag and drop or import your chosen file into your sequencer software. You’re then free to get creative to re-arrange the musical phrase exactly as you want it, add your own unique sound and build up your new track!
“Atmospheric Piano Themes” comes with both WAV and MIDI format. From complex piano arps to dark emotional chord progressions, you are going to love this product. Mix & match piano parts to create even deeper productions.
You can expect to find here with 345MB of material contains 20 massive piano loops featuring 16-24 bar phrases and 20 magnificent MIDIs – included are unique piano sounds that will fuel your imagination!
“Atmospheric Piano Themes” can be used in various genres such as Ambient, Chill-out, Cinematic, Film Score, Background Music, Classical and whatever style you are into.
This is a must-have for producers of many styles of music and will add a touch of class to your productions.
TECH SPECS
24 Bit Quality
345 MB
20 Wav Piano Themes
20 Midi Files