Rough percussion, processed kicks, and sultry synths make up Raw & Dirty Techno: an expertly crafted assortment of techno tools ready for full manipulation or drag and drop ready production. With a vast array of club sounds primed for the modern-day techno producer, this collection is guaranteed to add weight and depth to your productions.
250 LOOPS
153 ONE SHOTS
Four4 is a boutique label dedicated to the production of supreme quality house & techno sounds. Produced by some of the best sound designers in the scene, each pack is meticulously crafted and chosen to fit together in the mix, ensuring the smoothest and punchiest tracks.
Welcome to the elixir of EDM, absolute & infinite creativity. You’ll be able to create fantastic melodies and impressive rhythmic.
Tomorrowland, Elixir of E.D.M, is the new virtual instruments / Kontakt
library for electronic music producers. This is the most colossal library of
synth, lead, drums, vocals, bass, pad, plucked, atmo, sound effect,
pianos and arps…This library offer a new way to create music with his
realistic interface.
This massive 82GB library with over 10,000 instruments contains 34 virtual instruments inspired by top Djs such as Calvin Harris, Skrillex, Tiesto, David Guetta and more. This collection will be your one-stop instrument for electronic music creation.
Play the most powerful and largest collection of EDM instruments ever!
The Elixir of Stars comes with over 10,000 instruments ranging from drums, leads, atmospheres, bass, pads, piano, plucked sounds, sound effects, vocal samples, and arpeggios.
KEY FEATURES
34 unique libraries inspired by top DJs from around the world
82 GB Install size
10,000 virtual instruments
Inspired by top DJs such as Armin Van Buuren, Avicii, Alan Walker, David Guetta, Skrillex, Tiesto, Timmy Trumpet, Dmitri Vegas and Like Mike, Zedd, Headhunterz, Lost Frequencies, Dash Berlin and more
Bundle 22-in-1 features the 22 sample packs by Regal Loops form the label’s catalog. Regal Loops raises the bar for providing royalty free loops, samples and construction kits. Launched in 2015 by a professoinal music producer Aleksander Pikusa now consists of still growinq trap, hip-hop and r&b cataloque. Their packs are filled with Freshstuff4you distinct melodies inspired by Bryson Tiller, Travis Scott, The Weeknd, Daft Punk, Lil Baby, Juice Wrld, Lil Skies, Meek Mill and more. Each sound has been professoinally created to provide an analogue feel to it.
The collection contains 22 sample packs:
Regal Loops 21 Loops
Regal Loops Headshot
Regal Loops Headshot 2
Regal Loops Headshot 3
Regal Loops Pianology
Regal Loops Pianology 2
Regal Loops Ricccch Guitars
Regal Loops Ski Baby
Regal Loops Ski Baby 2
Regal Loops Space The Madness
Regal Loops Space The Madness 2
Regal Loops Space The Madness 3
Regal Loops Space Walk
Regal Loops Space Walk 2
Regal Loops Space Walk 3
Regal Loops Trap Legacy
Regal Loops Trap Legacy 2
Regal Loops Trap Legacy 3
Regal Loops We Lit
Regal Loops We Lit 2
Regal Loops We Lit 3
Regal Loops Windowed
The Traktrain team presents the “Diamond Star” Hip-Hop Sample pack that contains 315 samples. They include 808 bass, melody, and drum loops, as well as some one-shot and effects samples. The kit represents the modern sound and features great content perfect for making Trap, 2020 Hip-Hop. Furthermore, there is plenty of material that would fit in EDM and Future Bass music as well.
This kit encompasses a lot of elements from current Hip-Hop and Electronic sound. Firstly, the drum loops that feature sick beats with a varied sonic palette. The hip rhythms with dense exciting patterns will captivate the listener and propel the groove of your track. Secondly, there are some mindblowing 808 lines with sliding notes for a solid foundation. Thirdly, the melodies played on different electronic instruments with different effects for all intents and purposes. That is to say, they represent a spectrum of emotions from calm reassuring to twisted and disturbing. Lastly, some samples with synthesized effects to add variety and dynamics. Additionally, all the one-shot samples for drums and bass are also included for you to use them in your own patterns and lines.
This Omnisphere Bank Contains (+50) Unique Custom Preset Sound Patches Created By “StudioPlug” and inspired By Artist such as “Drake, Migos, Future, Post Malone, Juice WRLD, Lil Uzi Vert” and many more artist to deliver that next level sound to keep your beat production sounding High Quality.
As music is constantly changing you don’t want to be left behind. Each sample was customly created to give you the ultimate producer experience when it comes to sound selection. If your chord structure is great, make sure your sound selections are too. Re-up today and download this kit!
Works on all music softwares such as “Ableton, Protools, FL Studio, Garage Band, Reason, Cubase, Cakewalk Sonar, Logic Pro and many more!
Soundscapes opens up an entirely new sonic palette of tonal and atonal sound design through granular synthesis. Full of interesting textures, it incorporates samples from violinist Michael Levine. A departure from our usual symphonic style, Soundscapes is a welcome contrast and unique partner to our CineSymphony lineup.
The Engine
The possibilities are endless. We’ve created a set of patches in a few categories to give you a start. Try a totally different sample in one of our patches and make your own!
Patch Categories:
Pulses (Tonal and Atonal)
Textures (Tonal and Atonal)
One Shots
Pads
Sound Design
*** Keep in mind, high values of some of the parameters below will heavily tax your CPU. Therefore, some patches may not work well in a fully loaded template. ***
There are 2 pages: ENGINE and FX.
From the ENGINE page, chose your sound sample from 25 categories in the pull down menus at the top. The sound sample is displayed in the waveform window at the top.
AUTO MAP forces the sample to conform to A440 on your keyboard. When off, the sample plays as is at Middle C.
POSITION sets the playhead at the desired starting point in the sound sample when you press a key.
SMOOTH adjusts the position of the playhead more smoothly.
The VOLUME controls the volume of the grain. Various settings can lead to a wide range of output levels.
The MOTION control moves the grains. It determines how much movement occurs (forward or backward) from the starting POSITION. Lower values focus on a smaller area of the sound sample delivering a more consistent texture. +100% is real time playback.
DENSITY determines how many grains of the sample are played per second. Higher values render a more smooth a full sound. *Higher DENSITY values also increase CPU usage.
RAND DENSITY shuffles and randomizes the timing of each grain based on the DENSITY setting. Think of it as unquantizing the playback of the grains to a more humanized playback. Higher values prevent phasing and comb filtering.
Click TEMPO SYNC to rhythmically sync to your DAW. The DENSITY now adjusts the number of grains per bar. For the tempo sync patches to work in Kontakt standalone, the transport needs to be running for the live quantize to work:
The ATTACK and DECAY knobs adjust the attack and decay volume envelope of each grain. Higher values sound more smooth. You can automatically set these values by pressing AUTO above the ATTACK knob. The Engine will set these values based on the DENSITY value to provide a 100% overlap of the grains for a smooth sound. While TEMPO SYNC is on, AUTO will recalculate the number of miliseconds for the ATTACK and DECAY to provide a 100% overlap. While AUTO is selected, you can increase or decrease the overlap based on percentage. *Higher DENSITY and ATTACK and DECAY values will increase CPU usage. If you want more thickness, keep them moderate and slightly increase PITCH and WIDTH.
PITCH varies the pitch of each grain either randomly (RAND), or will set the pitch of each grain from random points from around the playhead (DRIFT) and vary it a few cents from the previous grain. Higher values give a greater chorusing effect. You can multiply this from 100 cents to one octave by using x12.
JITTER determines how far the grain is generated from the playhead either randomly (RAND), or wandering around within the range (DRIFT). You can increase this by x100 for larger samples. Like MOTION, lower values focus on a smaller area of the sound sample delivering a more consistent texture. RAND – Higher values pull from more of the sound sample giving a wider variety of texture. DRIFT – higher values give each individual key a different texture.
WIDTH randomly pans each grain to increase stereo width. HQ mode uses Kontakt’s surround panner (uses slightly more CPU).
FADE IN and FADE OUT give the grains a crescendo and decrescendo effect by individually altering the volume and filtering of each grain. This can be used to give each keypress a longer attack or release.
*** PRO USER HACK: Drag your own WAV files into the main window and have fun!
Make sure the WAV file is the same sample rate as your session.
FX Page
The FX Page allows you to add 8 consecutive effects in series, from left to right. You may bypass any one of them without actually removing it and losing your settings by pressing the red B. To toggle bypass of the whole FX chain, option click (alt on PC) the bypass button. You may also COPY and PASTE from one slot to another. REMOVE ALL FX does just that. It clears all FX slots. To clear only one slot, click on the effects pull down menu and select – EMPTY -.
Soundscapes is scripted for Native Instruments’ Native Kontrol Standard (NKS) format. You can learn more about NKS here.
Requires Kontakt 6.2.2 and above (Works with both the FREE Kontakt Player and the paid, FULL version of Kontakt)
Gospel Producers Loop Elements Vol.3: Extreme Worship
EXTREME Worship is Vol. 3 of our most popular loop creation kit Loop Elements!
Get ready to worship! In this pack we have added tons of both 4/4 and 3/4-6/8 elements and loops!
You can now create really amazing sounding Loop/Perc tracks just by pressing a few keys on your midi keyboard! Loop Elements is the first playable percussion loop based sampler instrument for Logic Pro X(10.5 and above!
And for those who don’t have version 10.5, we have included an Apple Loops version that will allow you to just drag and drop the loops from the Apple Loops browser and customize the tempo however you want!
Listen to tracks created using ONLY Loop Elements!
‘Summer Beats Vol 3’ by Prune Loops brings you four vocal Construction Kits perfect for making summer House tracks. From Tropical to Moombahton or Reggaeton, the tempo of these Kits can cover a variety of genres. Live played guitars accompany the catchy vocal lines, back vocals harmonies and more.
This product aims to make things as easy and as effective as possible. Full of awesome guitar riffs and pianos, as well as custom melodies, there are lots of ideas inside that will get your production creativity flowing. This product is what you get when a team of musicians, vocalists and songwriters get together to create the songs that are later turned into the next EDM or Pop hit.
MIDI files are included for all instruments, including drums, allowing you to tweak each composition or replace any sound in the production process to feed your needs and track idea. By using the MIDI file format, you can also change the tempo, key signature of the whole track and even single notes in the file to fit perfectly into your arrangement.
The flexibility of MIDI files as well as the simplicity of the preview demos will only be the stepping stone of what you can achieve with this new product. Just drag & drop all the organic elements of each Construction Kit and use the MIDI files to freely build around your own one-of-a-kind idea.
This product, like all of its predecessors, allows you to focus on the creativity and spend less time searching for vocals.
All sounds have been processed and edited using professional, award-winning UAD plugin software, to add some more analogue warmth. All you have to do is simply drag & drop any WAV or MIDI file into your favourite DAW and you’re good to go.
Vertigo flute is another addition to our symphonic range.
As a further member of our Vertigo series it inherits similar sonic characteristics, namely the warm and gritty tones of the Vertigo instruments.
We put a lot of effort into creating a diverse range of articulations allowing the user to blend from subtle tones to more experimental soundscapes. The effects section of our Vertigo engine enables you to tweak sounds to create anything from cozy warm pads to rougher sounds.
All in all, the Vertigo Flute is a versatile and easy to use tool for sculpting textures fitting for film but feeling equally at home among every producer looking for organic, breathy and unique timbres.
Essentially Vertigo Flute is a melange of 16 meticulously selected flute articulations and additional sounds which can be mixed freely to fullfill your creative vision in an intuitive and easy way.
The overall sound is characterised by a warm and raw flute ensemble, with a special organic flavor. Our aim was to to deliver an unnique and inspiring flute ensemble. We recorded different articulations (regular, fragile, taped, avant garde, resampled and blow) with a varying amount of players. All sounds can be mixed, tuned and panned individually. Several articulations can also be varied in the amount of players. Vertigo Flute comes with 13 presets to provide instant playable ensembles. All of these aspects come together to form the beautiful, rich and organic sound that is Vertigo Flute. Because its unique assortment of sounds such as raw flute sounds or resampled sources as well as its organic human feel, it is a very special library. Please feel free to download the reference manual.
The manual is embedded in the GUI of the instrument. You can find it by pressing the info ‘I’. If you are looking for a pdf or similar, please have a look at the manual of Vertigo Violin or Vertigo Strings, because the general functions are the same.
THIS IS WHAT YOU GET
Vertigo Flute provides 16 different sound sources:
– Regular (A, B and 6 players), usual flute tone
– Fragile (1 and 4 players), played very softly
– Taped (1 and 4 players) – send thru tape devices
– Avant Garde, four articulations with motions inside
– Resampled, three articulations manipulated by hardware gear
– Blow (1 and 3 players) just the airflow without tone
All these sounds result into a wonderful tool to easily achieve inspiring as well as unique flute ensemble sounds. It gives you a rich and deep sonic experience.
13 pre-defined ensembles
in order to get pre-defined ensembles, there are 13 inspiring presets available, giving you a powerful set of sounds
Randomize
let´s Vertigo go random by using the ‘Dice’ option
6 additional fx
beside a tone control, attack, decay there are two control called ‘Fog’ and ‘Retro’ which let the entire instrument sound vintage and rich.
6 reverb typles
beside several different sizes you get special types such as infinite and deep valley.
MW volume control
easy adjustable volume control by the modwheel.
Samplecraze Using Modulation with a 2 Band Filter – FabFilter Simplon TUTORIAL
Using Modulation with a 2 Band Filter – FabFilter Simplon is a video tutorial that explains how to use modulators to affect the filter cut-off of the FabFilter Simplon filter plugin.
Multiband filters afford the user extensive sound design possibilities. However, many producers are unaware of the power of using analogue filters in series and parallel to create new textures from existing audio. But to get to grips with using multimode filters we need to take a little journey into understanding what filters are and how they work.
Filters
A filter allows you to remove unwanted frequencies and also allows you to boost certain frequencies. Which frequencies are removed and which frequencies are left depends on the type of filter you use.
Cut-off frequency This is the point (frequency) at which the filter begins to filter (block or cut out). The filter will lower the volume of the frequencies above or below the cut-off frequency depending on the type of filter used.
This ‘lowering of the volume of the frequencies,’ is called Attenuation. In the case of a low pass filter, the frequencies above the cut off are attenuated. In the case of a high pass filter, the frequencies below the cut off are attenuated. Put simply: in the case of a low pass filter, we are trying to block the (higher) frequencies above a certain point and allow the lower frequencies through. In the case of a high pass filter, the opposite is true. We try to cut out or block frequencies below a certain point and allow the higher frequencies through.
Analogues use circuitry and for that reason alone, it takes time for the filter to attenuate frequencies, in proportion to the distance from the cut-off point. Today’s technology allows for instant cut-off as the filter attenuation is determined by algorithms as opposed to circuits. That is why the filters off an Arp or Oscar etc, are so much more expressive and warm as they rely completely on the resistors and capacitors to, first warm up, then to work but in a gradual mode(gradual meaning sloped or curved as opposed to instant). Depending on how well a filter attenuates or the way it attenuates gives us an idea of the type of sound we will achieve with an analogue filter. Slope/Gradient
The speed at which the filter attenuates is called the slope or gradient. Another point to raise now is that you will often see values on the filter knobs on analogue synthesizers that have 12 dB or 24 dB per octave. That basically means that each time the frequency doubles, the filter attenuates by 12 dB or 24 dB everything at that frequency. These are also known as 2 pole or 4 pole filters, each pole represents 6 dB of attenuation. This is how analogue circuits were built, the number of circuits being used by the filter to perform the task at hand.
Resonance Most synthesizer manufacturers, and in the case of most analogue synthesizers, the term resonance is used most commonly. Other manufacturers of synthesizers, or software synthesizers, might call it emphasis or Q.
Boosting the narrow band of frequencies at the cut-off point is called resonance. If you were to boost the resonance to the maximum, then the filter will begin to self oscillate. This means that it will generate an audible sine wave, more like whistling, even when receiving no input signal.Multimode Filters
Multimode Filters
Now that we know how a single filter works we can move onto using two filters in series and in parallel. Multimode simply refers to the number of filters available in the filter unit. The idea is to have one filter’s response shape one part of the sound and the other filter’s response to shape the other part of the sound. Playing the filters in series creates a completely different texture to using them in parallel.
In the Using Modulation with a 2 Band Filter – FabFilter Simplon video I explain how to use two filters in series and in parallel. I make sure to explain every feature of the filter unit and how best to use them to achieve different results. I use a drum beat as the audio example and show you in detail how to completely change its behaviour and texture just by using these wonderful analogue filters.
We present our latest addition to its lofi sound collection, Passenger – Destination Lofi. Filled with crackling melody loops, vintage drums, analog melodic one shots and Sunday morning MIDI progressions, Passengers is a cozy, dusty lofi sound collection with incredible quality and creativeness on another level.
Crackling Drums: Dusty drum loops and analog drum one shots, that’s what’s lofi is all about. This pack contains analog kicks, vintage snares, dusty hats and classic percussion sounds to give any track that instant lofi feel.
Vintage Sounds: Plucked chords, resampled melodies, acoustic leads and jazzy pads are only a grasp of what you will find inside, all tailored to have that old school, signature lofi sound. Use these loops as instant inspiration, or create your own stunning sound by flipping, stretching and resampling these lofi music loops.
Vintage MIDI progressions: Fell in love with these melodies but want to give your own signature sound to your productions? Use these amazing MIDI progressions to start writing cozy lofi in an instant, without compromising the sounds you adore.
So hop on and get your copy of Passengers – Destination Lofi now!
Pack details:
22 Bassline Loops
109 Drum & Percussion Loops
70 Drum & Percussion One Shots
10 FX Sounds
30 MIDI Progressions
76 Synth Loops
22 Synth One Shots
This Omnisphere Bank Contains (+50) Unique Custom Preset Sound Patches Created By “StudioPlug” and inspired By Artist such as “Roddy Ricch, A Boogie Wit Da Hoodie, Future, Juice WRLD, Lil Uzi Vert” and many more artist to deliver that next level sound to keep your beat production sounding High Quality. As music is constantly changing you don’t want to be left behind. Each sample was customly created to give you the ultimate producer experience when it comes to sound selection. If your chord structure is great, make sure your sound selections are too. Re-up today and download this kit!
Works on all music softwares such as “Ableton, Protools, FL Studio, Garage Band, Reason, Cubase, Cakewalk Sonar, Logic Pro and many more!
‘Darkness: FL Studio Project’ by Prototype Samples combines Progressive Trance elements with modern EDM. This product contains Serum and Sylenth1 patches, drum loops and unmastered WAV tracks for producers outside of FL Studio.
FL Studio 20.0.4 or higher is required to use this product to its full potential. Also, you get the WAV unmastered version which can be used with no additional software required. Each track in the project is synchronised with the mixer and colour-schemed for better visibility and understanding.
Please Note:
Vocals are not included in the pack.
Product Details:
• 1 FL Studio Project File
• 40 WAV Tracks
• 29 MIDI Files
• 31 WAV and AIFF Samples
• 28 Serum and Sylenth1 Presets
System Requirements:
• FL Studio 20.0.4 or higher
• Serum
• Sylenth1
• ValhallaRoom
• Kickstart
Uplifting Music Studio Indie Rock Vocal Melodies WAV
The feature of this library is the high flexibility of using any vocal phrase, as well as the ability to mix it with other phrases regardless of the tempo and the key of your project. More than that, using any MIDI keyboard, you can instantly switch to any sung syllable. Additional Oneshot syllables located in a separate area on the keyboard make it possible to create an almost unlimited number of new musical phrases.
To create this library we used a multi-hour studio session of three vocalists recorded with the help of Double Track technology in all tones and combined with each other using careful editing. Thus, the effect of a full-fledged six-voice chorus is achieved, sounding without any use of computer technology. It is also worth noting that in addition to the tube preamp, no processing was used all the way up to the final signal. This was done not to introduce additional transformations, but to allow the user to process the sound of each track at his option.
