Beta Note is a comprehensive MIDI library, containing 107 original MIDIs for your music production. From hazy melodic hooks to tech-inspired motifs, there will be enough inspiration for many tracks to come. Start using Beta Note today and get to grips with an extensive collection of tools for the modern day techno producer.
Music theory
Analysing the harmonies and melodies is the fastest way to learn how your favourite hooks are constructed. Using the MIDIs will help you develop your own favourite motifs and phrases.
World of inspiration
107 unique musical ideas will trigger your creativity and not let you be stuck in a loop. Choose your favourites and make it into your track. You deserve to get your music out.
Get fast results
A library that lets you get to the end result quick. Each loop has its own distinct character. Pick the one by the mood you’re currently in and the production process will naturally follow.
EST Studios The Prototypes Drum & Bass Serum Presets
EST Studios are proud to present this amazing collection of Xfer Serum presets produced by The Prototypes, an act who are undoubtedly one of the biggest and most exciting in Drum & Bass today.
This is an amazing opportunity to get their expertly crafted sounds into your productions quickly and easily!
Inspired by some of their biggest tracks such as Oxygen, Pale Blue Dot, Kill The Silence and Reason, this pack includes a wide variety of sounds to level up every aspect of your next DnB floor filler.
Including everything you need to make a pro quality drum & bass track: massive bass sounds, ethereal pads, punchy drums, melodic leads and splashy FX.
In detail, expect to find 90 Xfer Serum presets including bass, lead, FX, pads and drums, 33 custom wavetables and 89 Wav samples with all audio recorded at 24Bit 44.1KHZ.
All elements have been carefully hand processed and balanced to meet the highest quality requirements and are ready out of the box for both arranging and sequencing.
Cosmin a.k.a Cosmjn presents his printwork of sounds, he delivers over 2.2BGB of samples and loops showcasing his unique trademark sound.
His style is a dark, stark, cold tech with endlessly spinning hi-hats, pushy basslines, roomy and deep full pads, monochrome textures, and an airy grooves that is tinged with electronic goodness along with some knee-weakening rhythms.
This sample pack recorded by Cosmjn will work on a wide range of tracks for some perfect dance floor rollers.
It’s an essential set of exclusive sounds created to carry the passion for the rhythm of microhouse music and derivations.If you want to reach the sound of underground labels such as ATIPICLAB, PLAYEDBY, EASTENDERS, and SUBTIL, you won’t be disappointed.
Cconsists:
1,7 GB of Loops and Samples
376 Files
24 Bit integer resolution
82x Stripped Drumloops
(Hats, Percussion, No Kick Loop, Full Drumloop)
Traumer delivers a stunning collection of trippy percussive loops for our SM Tools series. If you are looking for percussion loops that will bring your productions to life, then this library is the one for you.
Load these sounds into your DAW or sampler, chop them up, slice them and get creative. Blend the loops into your drums and bring your productions to life.
In detail, you will find 50 full complex percussion grooves broken down to stripped variations. 200 percussion tools in total to work with!
All loops are tempo-synced at 125bpm and key-labelled.
Add some Latin heat to your tracks with “Flamenco Percussion Vol 4”. This pack features 166 loops arranged in 5 convenient loop packs ranging from 110 to 220 BPM. All loops were recorded with high-end instruments and are perfect for layering, mixing and matching. Instruments include cajon, djembe, shakers, congas, bongos, tabmourello and flamenco hand clapping. Add the sizzling sound of real Latin rhythms to hip hop, Trap, Chillout, Downtempo or Groove productions.
Add some Latin heat to your tracks with “Flamenco Percussion Vol 3”. This pack features 260 loops arranged in 5 convenient loop packs ranging from 112 to 220 BPM. All loops were recorded with high-end instruments and are perfect for layering, mixing and matching. Instruments include cajon, djembe, shakers, congas, snares, nudillos, bongos and flamenco hand clapping. Add the sizzling sound of real Latin rhythms to hip hop, Trap, Chillout, Downtempo or Groove productions.
Add some Latin heat to your tracks with “Flamenco Percussion Vol 1”. This pack features 93 loops arranged in 5 convenient loop packs ranging from 80 to 148 BPM. All loops were recorded with high-end instruments and are perfect for layering, mixing and matching. Instruments include the flamenco guitar, cajon, castanets, bells, shakers, congas, toms and snares, and flamenco hand clapping. Add the sizzling sound of real Latin rhythms to hip hop, Trap, Chillout, Downtempo or Groove productions.
‘Flamenco Guitars Vol 6’ by Vanilla Groove Studios features 113 loops arranged in 6 convenient Construction Kits ranging from 82 to 142 BPM.
All loops were recorded with high-end Spanish Guitars and are perfect for layering, mixing and matching. Add the sizzling sound of real Latin guitars to Hip Hop, Trap, Chillout, Downtempo or Groove productions.
Please Note: This Pack Contains Dry Guitar Loops Only.
Add some Latin heat to your tracks with “Flamenco Guitars Vol 5”. This pack features 120 loops arranged in 5 convenient loop packs ranging from 110 to 220 BPM. All loops were recorded with high-end Spanish Guitars are perfect for layering, mixing and matching. Add the sizzling sound of real Latin guitars to hip hop, Trap, Chillout, Downtempo or Groove productions.
Perform the expressive, versatile, and wholly-unique sound of the Harpejji from Marcodi Musical Products with this authentic & authorized virtual instrument! From fluid bass parts to rich polyphonic keyboard sounds, our Modern Harpejji captures the full range of clean tones from a 24-string Harpejji K24 and gives you unparalleled tools to shape the sound to your own taste.
The Harpejji, handcrafted by Marcodi Musical Products in Maryland, USA, is one of the most unique instruments of the 21st century. Played by such musicians as Stevie Wonder, Jacob Collier, Jordan Rudess, and A.R. Rahman, it combines elements from traditional keyboard instruments with bass & guitar, with a unique layout (up to 24 strings) that is played exclusively by tapping. Virtuosic leads (with vibrato & pitch bends), walking basslines, and rich chords are all equally possible – at the same time!
Our authorized, virtual version of this incredible instrument features the sound of the Harpejji K24, the largest model with the widest range. Because it was recorded clean (direct in/DI), you can shape the tone however you want, and we’ve included a wide selection of snapshots to inspire your creativity.
But Modern Harpejji can also go beyond the capabilities of the physical instrument. You can create new sounds by layering up to 3 strings on the same pitch simultaneously, switch to all bass or all treble strings, enable scale-correct harmonies, and adjust the dynamic response of the entire instrument.
Thanks to its versatile sound and Kontakt engine, Modern Harpejji works for a huge range of styles and genres – and it’s simply a blast to play. We hope you’ll enjoy it in your own music productions!
Content:
All 24 strings of an authentic Harpejji K24
Clean bass sounds and clavinet-style treble
Full sustain, mute, and legato articulations
Over 2,200 clean (DI) samples included
Ideal for processing & amping
20+ included tone snapshots
Features:
Fully custom Kontakt engine
Stack up to 3 strings for an ensemble sound
Switch to treble, bass, or combined strings
Customize the touch and feel of the instrument
Newly-expanded CONSOLE FX rack and mixer
Now includes premium delay, reverb, and compression
Black Rooster Audio The ALL Bundle 2.5.5 VST AAX [WIN]
The vintage breeze of classic studio equipment combined with modern day, easy to apply digital processing makes this bundle the perfect chain of tools for everyday mixing. This amazing bundle includes everything you will need for just a joke of a price.
PRODUCTS INCLUDED
VPRE-73
The VPRE-73 is inspired by one of the most classic preamps in recording studio history. It provides you with the low end magic, the super smooth high end and just the right amount of THD required to recreate a unique and classic vibe.
Magnetite
Magnetite is our homage to the sound of magnetic tape recorders. Simply dial in the desired amount of saturation and warmth using the recording gain knob and Magnetite will add the analog tape sonics that you’re looking for to your mixes.
VLA-2A
Black Rooster Audio is proud to present the VLA-2A – the world‘s finest emulation of THE opto-electronic compressor of the late 1960s. Let the VLA-2A plugin feature your signals’ dynamic in a lively and very musical way.
VLA-3A
The VLA-3A takes aspects from its predecessor and combines it with a discrete solid-state circuitry. It still maintains the classic T4 based opto-compressor sound but features a quicker, brighter and more modern response.
Blueface SC-5
Accurately modeled after the original 70s Blueface version of a classic and sought-after VCA compressor the SC-5 audio plugin opens up a whole world of versatility: Super gentle compression to smashed-up live drums – the Blueface SC-5 handles it all.
Blackface SC-5
Faithfully modeled after the 80s revision of its blue-faced brother the Blackface SC-5 audio plugin offers a slightly darker tone and adds an external sidechain input. Super transparent vocal treatment to colorful compression – meet the Blackface SC-5.
VEQ-5
The VEQ-5 plugin is inspired by one of the most famous and renowned equalizers in studio history – focussing on the power range frequencies from 200Hz to 7kHz it is aimed at cleaning up and sweetening vocals. But it also does a great job on guitars and keys.
VHL-3C
Built around a cascade of two constant-K filters the VHL-3C‘s analog counterpart – a sought-after processor from the early 1950s – comprises an entirely passive design with very musical and interactive pass filters.
Cypress TT-15
You are looking for a super versatile, no-nonsense valve guitar amp emulation that gives you a wide range of tones? But at the same time, you don’t want to spend a lot of money? Then you should definitely check our Cypress TT-15 head. Get it now, it’s free!
The Canary
Who doesn‘t know the phenomenon? You are recording a great drummer with good sounding drums, but you simply aren’t able to convey the energy and impact of his/her performance using your gear. The Canary plugin is here to help you out.
VEQ-1P
Black Rooster Audio is excited to present the VEQ-1P Program EQ, inspired by one of the most famous and renowned equalizers in studio history.
VLA-FET
Welcome our new VLA-FET compressor. The super-fast attack and release times will shape out your signal more precisely and efficiently, for forceful drums, bass, and vocals.
Edelweiss`72
Black Rooster Audio is excited to present the Edelweiss‘72, a highly dynamic mixing toolchain, that allows surgical modifications to any signal or mix that might sound limply, needs subtle tweaking or a decent finish.
Boz Digital Labs Transgressor 2 v2.0.3 VST2 VST3 [WIN]
Transgressor sets a new standard for transient design by combining transient shaping with two 4-band equalizers, giving you the unprecedented power to EQ attack and sustain individually. Now you can craft the sound of your drums any way you want, whether it’s subtle enhancement or changing the sound of an entire kit, and more.
A true one of a kind, Transgressor goes beyond the limits of standard transient designers. It gives you the ability to craft the sound of drums and other instruments not just in terms of attack and sustain, but timbrally as well. The Transgressor combines a transient designer with two equalizers. No big deal you say? Any EQ plug-ins will do? Au contraire mon frère. Transgressor not only lets you equalize the attack and sustain portions of the instrument’s envelope individually (yes, you read that right; attack can be equalized differently from sustain), but it also lets you dial in the specific low, mid, and high frequencies independently on each. What if you need a brighter attack but want to keep the dark resonance of toms or kick drum? Perhaps you need more midrange attack but wish to brighten the resonance of a hi-hat? Perhaps you’re happy with the overall sound of snare but the attack is just a little too bright. The answer is the Transgressor (you must have seen that coming). Only Transgressor gives you the ability to control transients and sustain without compromising one for the other.
Just the Facts:
Hybrid transient designer with two 3-band equalizers with selectable slopes
Gain controls let you boost or eliminate transients and sustain independently
Mix knob lets you adjust wet/dry signal
Adjustable transient detector lets you control sensitivity, eliminate false triggers from bleed
Internal or external sidechain control of detector
Sidechain EQ lets you dial in the frequencies that trigger the detector
Three sidechain modes with “listen” feature to monitor sidechain signal
Retrigger controls time between triggered events
A/B bank comparison
Factory presets to get you started
EQ Transients and Sustain Individually
EQ plug-ins only make global changes to an instrument; whatever you do to the transient is also done to the sustain and decay. Even dynamic EQs change the entire envelope, even if it’s only momentarily. Transgressor gives you 2 EQs. One for your attack and one for your sustain, letting you shape exactly the way you want your attack to sound. There are three bands to each EQ section (low, mid, high) with variable frequency selection and gain for each band. Each band also gives you three selectable filter types that are particularly suited to each band. For example, the low band has high-pass, low shelf, and bell, while the mid band has bell, bandpass, and slant, which boosts highs while cutting lows and vice versa.
EQ Applications
Do you want to add bite to your snare without increasing the snare buzz? Transgressor is your go-to plug-in. Do you need to reduce the ringing in your snare without changing the tone? No worries. Transgressor does it easily. Transgressor is also a great tool for reamping a snare. The high-frequency attack coming through a speaker will not excite the snare head enough. You need midrange information to make that happen, which requires transient design and dramatic EQing. Transgressor’s ability to boost the gain on the low and midrange portion of the attack, while eliminating sustain lets you do it in one simple process. Better still, it gives you the ability to easily craft the sound of the re-amped snare with adjustments on the fly.
If you’ve ever fallen asleep on the control room sofa while producer and drummer went through every snare in the known universe to find the right one, only to be replaced in the mix with CPU-eating software, Transgressor can save both time and CPU resources. Don’t like the snare the client sent you? Forget about time-consuming snare sample shootouts. Transgressor’s powerful EQ and transient- and resonance-shaping capabilities can transform the sound of any drum to suit the song and your taste.
Not just for drums, Transgressor can also bring out the snap and pop of a funk bass without turning it into a baritone guitar. Plus, you can get really clever and create unique-sounding drums and instruments that will have other producers calling you up to find out how you got that sound.
Sidechain Sleight of Hand
In addition to giving you full control over the sound of your transients, Transgressor adds another layer of creativity by letting you use the detector with an external sidechain. This lets you adjust the EQ and sustain of any instrument triggered by another. For example, some engineers use room mics just for ambience. However, if you mix like Chris Lord-Alge and derive the body of your drum sound from the room mics, perhaps you’ll find that you need to increase the attack on the snare drum hits. Put Transgressor on your room mics and route the snare drum to the sidechain. Then the transients will only trigger when the snare drum is hit, but it will affect the sound on the room mics. This is highly effective for getting big drum sounds without washing them out in reverb.