Dylan Wissing 70s COP SHOW DRUMS Vol. 5 – The Cocktail Lounge (1976 Mix) WAV
Raw, hard hitting, gritty drums, ripped straight from the headlines (of 1976). Dylan Wissing (Eminem, Kanye, Drake) brings the vibe of all those 70s cop show themes out of the old wooden Magnavox and into your productions. Tight, dead drums with no bottom heads, groovy hats, and of course orchestral percussion.
Volume 5 “1976 Mix” is the soundtrack of the original show, pressed to vinyl, taped on VHS in the 80s, copied to cassette in the 90s. Volume 6 “Phat Mix” is the sound of the original master tapes. Put some fresh aluminum foil on the rabbit ears, crack open a can of Schlitz, and start creating. Who loves ya, baby!
Dylan Wissing exploded onto the international scene drumming on Alicia Keys’ smash hit “Girl on Fire.” His credits include drum tracks for Kanye West, Drake, John Legend, Eminem, Jay Z, Rick Ross, Fabulous, Needtobreathe and many more. Drawing from a huge collection of instruments, both cutting-edge modern and crusty vintage, Dylan creates live drum loops and samples with vibe for days from his own Triple Colossal Studios.
Jason Evigan is a musician, singer, songwriter, and record producer. He worked with Dua Lipa on her highly anticipated sophomore album, Future Nostalgia, where he produced and co-wrote her single “Physical” and co-wrote “Boys Will Be Boys.” He also produced and co-wrote half of the latest RUFUS DU SOL album, along with several tracks on Hobo Johnson’s album including singles “Typical Story” and “Uglykid” ft. Elohim. Other songwriting credits include co-writing and production of Maroon 5’s “Girls Like You” and “What Lovers Do,” Madonna’s “Ghosttown,” Demi Lovato’s “Heart Attack,” Jason Derulo’s three-time platinum “Talk Dirty,” and David Guetta’s “Lovers on the Sun.”
In addition to his chart success, Evigan’s music has been in three blockbuster movies. Notably, Kehlani’s platinum single “Gangsta” & Skylar Grey’s “Wreak Havoc” for the Suicide Squad Soundtrack. Also, Nick Jonas’ “Bom Didi Bom” ft. Nicki Minaj from 50 Shades Darker, as well as Kehlani’s gold single “Good Life” and Lil Yachty’s “Mamacita” from The Fate of the Furious Soundtrack.
Before his career as a writer-producer, Evigan was the lead singer of After Midnight Project. Though he came up in the alt-rock scene, his palette is expansive encompassing hip hop, R&B, pop, rock, metal, EDM, and singer-songwriter music. Recently, he and his wife formed a music duo called Elephant Heart, which pushes genre boundaries and expresses ideas of love and spirituality.
This pack is the most thoughtfully picked and arranged bouquet from the garden of Evigan’s life. You’ll find his signature sounds, custom chords and progressions to inspire new songs, synths recorded to tape machines, and more. This garden is truly varietal featuring pop, funk, and a wide variety of electronic music. There’s no way to not have fun making these unique samples your own.
Collection of 4 guitars for Kontakt that play authentic strums. Real strumming patterns with built-in chord recognizer and sequencer. It sounds real because it’s real!
Realistic guitar strums for Kontakt
Strum Guitar is a collection of four guitars where all strums were sampled both up and down stroke. The technique we used to sample these was the same that guitarists play: not all strings are struck, depending on the velocity of the hand. That’s what makes this instrument so unique.
Strum Guitar contains all major and minor chords, upstroke and downstroke, from four guitars: electric, acoustic, electric 12 string and acoustic 12 string.
Includes an intelligent built-in sequencer with chord recognition that will analyse and play the desired chords in a realistic way and with tons of extra feature to make it adapt to the needs of the song.
Strum Guitar will save you time when making a quick demo of your song, and it can also be used for a final production.
Mixer
Strum Guitar features a full mixer with which you can control the guitars separately.
With a load/purge switch for each guitar, pan, volume, mute, solo, doubler and output selector for mixing the different channels in your DAW.
Effects
In the effects page you can add any effect you want in any order.
Including EQ, compressors, modulation effects, distortion, saturation, tape machine, reverbs, amp simulators and more.
This script boosts the sonic capabilities of the library exponentially. Easy to use in a simple and intuitive design.
Sequencer
Fully featured sequencer with a wide variety of the most common guitar patterns ready to play.
We have included a chord recognizer that will trigger different chords so you’re not tied to only major or minor, but you can also play tensions like add9, 7ths and 6ths. Strum Guitar doesn’t support suspended, augmented or diminished chords.
Settings
From the settings page you can control basically any parameter you might ever need.
Includes round-robin, velocity curve shaping of the incoming MIDI notes, volumes of the fret and string noises and envelope for controlling the attack and release times.
Size: 4.71 GB
Round robin: 4
Samples: 3,349
Velocity layers: 5
Instruments: 4
Works with
Kontakt 5.7.3 and newer versions.
Full version of Kontakt required.
Kontakt Player will run in demo mode.
50 custom made midi patterns created by JRHITMAKER of Internet Money.
Included files:
JR – Alexander McQueen.mid
JR – Backend.mid
JR – Bang.mid
JR – Beezy.mid
JR – Blitz.mid
JR – Cabbage.mid
JR – Cap.mid
JR – Carbon.mid
JR – Compton.mid
JR – Dead Man.mid
JR – Dolphh.mid
JR – Drown.mid
JR – East Side High.mid
JR – EvaEva.mid
JR – Falcon.mid
JR – Forth Quarter.mid
JR – Fucku.mid
JR – Gunna.mid
JR – It’s 4am rn.mid
JR – Judo.mid
JR – King Kong.mid
JR – Last Dance.mid
JR – Lop.mid
JR – Lucus.mid
JR – Melrose.mid
JR – Milky Way.mid
JR – MLK.mid
JR – NeverGotToSmashMyTeacher.mid
JR – Ocean.mid
JR – Off White.mid
JR – Officer.mid
JR – Playhouse.mid
JR – Ptsd.mid
JR – Rainbow.mid
JR – Rent Due.mid
JR – Rondo.mid
JR – Ropes.mid
JR – Rose50Piece.mid
JR – Ski Mask.mid
JR – Speed.mid
JR – Sumn Wrong.mid
JR – Sword.mid
JR – Take Off.mid
JR – Trap Hot.mid
JR – Tuff.mid
JR – Universal.mid
JR – Vandor.mid
JR – Waters.mid
JR – Wildboy.mid
JR – Willis.mid
New lofi tunes from the BounceGxd himself. 21 dirty, spaced out loops made to help you beat “Beat Block”.
21 Sounds
Sound Junkie is a producer and sound designer from Philadelphia, Pennsylvania. At an early age, he developed a very keen ear for music where he had also realized that he had a condition called “synesthesia” which gives people the ability to see and hear colors associated with music. He is 1/3, and the co-founder of the production/sound design team “Ratchet Gxds”. His specialty is, but not limited to, his unique and unorthodox drum arrangements, as well as his background textures. Sound Junkie always keeps his mind focused on the future of music and sound development.
”Future Rave 2K21” sample pack brings you a great new samplepack for all rave fans, who love energetic dance music with interesting melodies and vocals.
Future Rave is considered as the next generation of energetic EDM genre which was started by David Guetta and Morten, a new style, combination and mixture between progressive house and EDM with hard melodic arp’s, sharp basses, cool vocals and driving drumloops.
The pack contains 5 songs divided and seperated into: 20 songstarters, 44 melodyloops, 10 bassloops, 33 drumloops, 20 fx loops, vocals, 25 short vocal phrases, 25 Bass & synth shots, 35 drum sounds and 32 midi files.
Pack Contents:
20 Songstarters
10 Bass Loops
44 Melody Loops (wet & dry)
33 Drum Loops
20 Fx Loops
1 Ful Acapella, divided in 6 different parts, (wet, dry, lead, backing vocals)
Lush Pianos & Rhodes, lo-fi atmospheric Pads, ambient Guitars, warm Bass synths and our unique vocal phrases — Lush Hues is back with more of its signature sound.
This pack was inspired by the likes of Aminé, Tobi Lou, Khary, Eli Sostre and more!
Complete with 12 Compositions (including stems) & 100 one shots of Bass, Guitar, Keys, Vocals and more — the Lush Hues 2 sample pack offers a variety of sounds to use in R&B, Trap, Hip-Hop and more.
Samples are Key and BPM Labeled.
This is a digital download. All sounds included are compatible with any DAW or sampler (44.1K).
Topaz vs. Zircon (feat Coleman) (Compositions) WAV
Topaz vs. Zircon is a special edition sample pack containing 12 original fully arranged compositions. For the past few months and Coleman have joined forces to bring you this unique pack using live instrumentation such as the upright piano, brass, bells, organ, acoustic guitar, electric guitar, etc.. and a collection of analog synthesizers, from the Moog to the notorious Prophet 6. These samples will ignite instant inspiration for your next beat or project.
Having been raised around gospel, Jazz and Classical music, Coleman started playing the piano at age 4. His fascination with music led to him learning multiple instruments, eventually graduating from the Berklee School of Music, and launching his career as a music director, arranger and producer. With credits on tracks by Joyner Lucas, Beyonce and Young Buck, Coleman is a skilled and adaptable musician and composer.
This pack contains 12 compositions all meticulously mixed and manipulated to give each sample its own unique feel and rhythm. This is a digital download. All sound included are compatible with any DAW or sampled (44.1k).
Sound Junkie BounceGxd Presents: Red Ring (Sample Pack) WAV
Sound Junkie the Bounce Gxd is back with another Stupid Sample pack for you. 25 other-wordly melody loops, 15 Efx/drums/weird loops, 13 drums. All fire. If you’re familiar with the RatchetGxds brand and sound, then you already know what to expect here.
49 Sounds
Sound Junkie is a producer and sound designer from Philadelphia, Pennsylvania. At an early age, he developed a very keen ear for music where he had also realized that he had a condition called “synesthesia” which gives people the ability to see and hear colors associated with music. He is 1/3, and the co-founder of the production/sound design team “Ratchet Gxds”. His specialty is, but not limited to, his unique and unorthodox drum arrangements, as well as his background textures. Sound Junkie always keeps his mind focused on the future of music and sound development.
PUNKADEMIC The Musician’s Guide to Publishing & Performing Rights TUTORIAL
Welcome to the “Musician’s Guide” Series!
This series is pulled directly from the courses I’ve created for my university position in Music Business. All of these courses are designed for the everyday musician – amateur or professional – who has little or no knowledge on the topic, but wants to master it.
This class is all about Publishing and Performing Rights. Which is to say: This class is about getting paid for your music.
It is ideal for anyone who writes music. Especially:
•Creators: If you are making music, you need to understand publishing. You are literally giving away money by not setting up publishing correctly.
•Musicians: Performing Rights Organizations pay the creators of music for their “public performance”. That means anytime something you’ve written is played (played live, or even a recording is played in a coffee shop), you get paid.
•Producers: If you are producing music, you need to understand publishing!
In this class, we start with defining “music publishing” – it is a big topic (and has nothing to do with publishing books…). Then I’ll walk you through how to set yourself up as a publisher so you can take advantage of the performing rights organizations that pay the publisher half of your earnings. I’ll walk you through every step of the process and explain the logic behind every concept.
The goal of this class is for you to start getting the money that you are owed for your music.
Genre:
Publishing has no genre – so all are welcome here.
Producing Professional Audio & Video Podcasts TUTORIAL
Learn how to start your own podcast. Podcasting is a cost-effective way to connect with targeted audiences and even extend the reach of an existing publisher. This course provides proven tips for producing professional, high-quality audio and video podcasts on any budget. Instructor Rich Harrington—a veteran podcast producer and host—starts with a basic overview of what podcasting is. He then provides preproduction strategies that will help you identify business opportunities, find your niche, and create a basic outline for your show. He also compares the benefits and drawbacks of audio and video podcasting and screencasting, and shows how to set up a studio for recording—allowing you to get up and running in less than a day! Then discover techniques for recording and editing podcasts and screencasts on Mac and Windows, hosting your files, and testing and optimizing your feed. Plus, get tips on tracking your performance and promoting your podcast to the world.
Contents
1. What Is Podcasting?
A working definition of podcasting
The role of the RSS feed
The benefits of podcasting
Key podcasting terms
2. Preproduction Strategies for Podcasting
Mapping your production
Analyzing your competition
Maximizing your podcast’s budget
Outlining a show
3. Determining a Production Approach for Your Podcast
The benefits and of drawbacks of audio podcasting
The benefits and of drawbacks of video podcasting
The benefits and of drawbacks of screencasting
4. Setting Up a Studio for Podcasting
Selecting a microphone for podcasting
Monitoring your recording
Isolating and reinforcing audio for cleaner recordings
Studio expert Eli Krantzberg delivers comprehensive Band-in-a-Box video tutorials! Learn everything you need to know to get started making music with Band-in-a-Box, and then go further into Band-in-a-Box’s advanced features and functions. These videos are shot with the Mac version of Band-in-a-Box, but are also compatible with the PC version of Band-in-a-Box. You also get the support files created in the videos so you can follow along on your system. These videos are designed for those who are new to Band-in-a-Box.
Eli welcomes you and then hits the ground running, giving you a video that will get you up and running with Band-in-a-Box in 7 minutes flat! Next you’ll get a detailed look at the Main Window that provides access to all the major features and settings, followed by what you need to know to start your first new song, including naming a new song, setting the tempo and key changes, section start and end points, and the song ending. Then you’ll learn some handy shortcuts and workflows for entering, previewing, transposing, and displaying chords in different formats.
Moving on, Eli shows you how to specify rests, shots, and holds for any, some, or all instruments, and how to add 1/8th and 1/6th note pushes (anticipations) to the chord rhythms. Part Markers are then explained and explored, and you’ll see how they are placed on the Chord Sheet to indicate a new part of the song, as well as used to change substyles or insert drum fills, and customize the choice of substyles in your song.
Throughout the rest of the videos you’ll learn how to arrange your music, create repeats with 1st & 2nd endings, work with the Stye Picker, control playback, use RealTracks, MIDI SuperTracks, RealDrums, view notation, create solos, use the Melodist tool, the DAW plug-in mode, use Band-in-a-Box inside your DAW, and so much more!
To see exactly what’s covered in these detailed Band-in-a-Box video tutorials and how they’ll get you going using Band-in-a-Box from square one fast and easy, see the individual Band-in-a-Box tutorial descriptions on this page. Start making your own music with this powerful software and share it with the world today… Watch “Band-in-a-Box: Getting Started” now.
This book explores the fascinating and intimate relationship between music and physics. Over millennia, the playing of, and listening to music have stimulated creativity and curiosity in people all around the globe. Beginning with the basics, the authors first address the tonal systems of European-type music, comparing them with those of other, distant cultures. They analyze the physical principles of common musical instruments with emphasis on sound creation and particularly charisma. Modern research on the psychology of musical perception – the field known as psychoacoustics – is also described. The sound of orchestras in concert halls is discussed, and its psychoacoustic effects are explained. Finally, the authors touch upon the role of music for our mind and society. Throughout the book, interesting stories and anecdotes give insights into the musical activities of physicists and their interaction with composers and musicians.
