‘Locked In Vol 2’ by King Loops is back with the sequel to this quarantine soundtrack pack inspired by artists such as Da Baby, Juice Wrld, Gunna, Travis Scott, NBA Young Boy and more.
You will discover atmospheric acoustic guitars, mystic flutes, trunk-rattling melody patterns, pumping kicks, crisp snares and claps, ground-shaking 808 samples, tailor-made FX sounds, custom-processed plucks, synth leads, filtered synths, gated basslines, hard-hitting drums and more.
MIDI files are included for all instruments or musical phrases, allowing you to tweak each composition to suit your needs, including tempo, root key and even single notes to fit these melodies perfectly into your arrangement. All sounds have been processed and edited using professional outboard gear to ensure authentic analogue warmth.
‘Locked In Vol 1’ by King Loops brings you nothing but the finest quarantine soundtrack inspired by artists such as Da Baby, Juice Wrld, Gunna, Travis Scott, NBA Young Boy and more.
You will discover atmospheric acoustic guitars, mystic flutes, trunk-rattling melody patterns, pumping kicks, crisp snares and claps, ground-shaking 808 samples, tailor-made FX sounds, custom-processed plucks, synth leads, filtered synths, gated basslines, hard-hitting drums and more.
MIDI files are included for all instruments or musical phrases, allowing you to tweak each composition to suit your needs, including tempo, root key and even single notes to fit these melodies perfectly into your arrangement. All sounds have been processed and edited using professional outboard gear to ensure authentic analogue warmth. Just Drag and Drop the files into your favourite DAW and you’re good to go.
Emo Pop Vibes explores one of the most popular pop sounds: Emo Pop.
Emo Pop is the music which has been pioneered by artists like: juice wrld, the kid laroi, iann dior and others and combines chilled beats and instrumentals with emotional vocals and raps.
Emo pop is a fusion between emo, emo rap and pop punk.
The pack contains pitched melodies, guitars, vocals / raps using emotional and personal lyrics concerning adolescence, relationships, and heartbreak.
The styles in this pack are a combination of musical elements found in hip hop with indie rock.
The music, loops and samples vary from dreamy to straight up energetic! A perfect contemporary sound with royalty free vocals.
Filled with a dazzling amount of 353 files and divided into folders like: Vocal Phrases, Vocal Loops, One Shots, Music Loops, Instrumental Loops, Fx, Drum Loops and Bass Loops.
In detail, you can expect 900mb of content with all audio at 24Bit & 44KHZ.
Goliath from Jungle Loops is a collection of 20 sounds that are intended to build Hip Hop, RnB, Trap music. The sample pack consists of carefully prepared samples of instruments such as Piano, Guitar, Bell, Pluck, Flute . This library was inspired by top musicians, including Drake, Travis Scott, Lil Yachty, Lil Baby, Gunna, Pop Smoke. All sounds and samples are licensed as Royalty-Free for you to use in your commercial productions or even for DJ/Remix purposes. Spark your creativity with Goliath from Jungle Loops and give your unfinished tracks exactly what they need to come back to life. Spark your creativity!
SOUND DESIGN FOR BEGINNERS: How to Make Jaw-Dropping Sounds for Your Song by Discovering the Essential Basics of Synthesis & Sound Engineering
Let’s face it. You want to make awesome sounds for your track, but they often end up extremely weak and underwhelming. That’s why EDM producer and best-selling author Cep from Screech House shares the essential basics of synthesis you must understand first to achieve high-quality sound design. Only available within this book.
Your synthesizer is NOT the problem
Most producers would kill to create sounds from their favorite songs. But after wasting hours to make them somewhat passable they still sound like crap.
To fix the problem, you may think you need to buy fancy equipment. Big mistake! Your synthesizer is more than capable to get the job done. You just don’t understand how to use it correctly. But that will all change today.
Introducing: the ultimate beginner’s shortcut to awesome sound design
Find out how to use any synthesizer, anytime, anywhere.
Get at least 80% of the results by doing less than 20% of the work.
Distinguish yourself from amateurs by making your own authentic sounds.
What you will learn from the Sound Design for Beginners guide
Learn the most important synthesizer settings to make your own jaw-dropping sounds.
Find out exactly WHAT each setting does, HOW they work, but also WHY to use them.
Discover the essential basics of synthesis and grow yourself into a master of sound design
For a complete overview, use the “Look inside” feature to browse the Table of Contents.
Get the book that will change your music forever
For only 1% of the price of a synthesizer you will get 99% of the sound quality by simply reading this book. While it’s still available today, don’t miss out and start right away by clicking the “Buy now” button on this page.
Bonus: get a free sample pack for your audio productions
As a token of appreciation, Cep’s work comes with a free high-quality sample pack. This way, you can start producing music instantly. A download link will be provided inside the book.
The must-have music producer’s handbook
Unique of its kind, take your music to the next level with the Sound Design for Beginners guide.
SOUND DESIGN FOR BEGINNERS: How to Make Jaw-Dropping Sounds for Your Song by Discovering the Essential Basics of Synthesis & Sound Engineering (Best Music Production Book for Digital Audio Producers & Music Producers)
Welcome to LA Drums – an amazing, authentic, live drum library from SoundSense series.
The SoundSense Series has been created to provide music producers with professional quality sounds at fantastic value for money, maintaining our tradition of virtuosity, value and variety.
LA DRUMS
This title LA Drums for Songwriters brings you the work of top LA session player, engineer and programmer Jeremy Janeczko who has toured with many top stars including Sheryl Crow, Cypress Hill, The Eagles, Alanis Morissette and Michael Jackson – and it’s a fabulous collection of acoustic drumloops for use in all genres of music.
Working with diverse artists and jumping from Country-rock to Pop & back to Hip-Hop has allowed JJ to create loops from different genres that will also work together to create more interesting and eclectic rhythm tracks for use in today’s often demanding recording sessions.
Why spend hours trying to program your EZ Drummer or BFD when you can have a real drummer give you the groove and feel you need. LEAVE DRUMMING TO THE PROFESSIONALS!
This NEW SAMPLE based library is all about making beautiful, powerful, happy, sad, omnious, angry emotions nto world class beautiful PADS that you will get goose-pimples when playing. I set up some unique rules for this library to make sure it is 100% original and unique!
This version comes with support for a LOT of different plug-ins in a single purchase! Omnisphere 2, Serum, Kontakt 5 and Kontakt 6, EXS24, Reason (refill), our very own Unify and the free TX-16x plug-in too!
Update July 2020 – MegaMagic PADS for Unify is now included with this library. Add all 204 Patches to Unify for a unified browsing experience with other Unify libraries. Quickly build layered patches with other patch libraries in Unify format! OmniVerse V1, OmniVerse VII, OmniVerse VIII, OmniChill and MegaMagic Pads all include a Unify version of their respective libraries. If you already own a license for these libraries, simply log into your account and re-download these libraries. A “Unify” folder is included that has a .guru file and a .pdf instruction file!
NOTE: The Unify version of this library will work without the library even being installed in Omnisphere because there are no samples in this Omnisphere library. However, you MUST OWN OMNISPHERE 2 for this bonus library to work. Omnisphere 2 is not free. More Information on Omnisphere 2 by Spectrasonics.
Listen to the audio demos, watch the patch walkthru video (and other support videos) and you will be impressed with what YOU can do after adding this amazing library to your arsenal!
28 PAD Patches (6-samples sampled per octave on E1 – E6) that have both pad and Loop Only patches.
Over 80 Bonus Patches included with the Omnisphere 2.1 version
12 Bonus Patches included with the Kontakt 5 version.
All other versions have at least 56 core patches.
Files are included for Omnisphere 2.1+, Kontakt 5.5+ (full version), Serum, Reason 8+, EXS24 and the free TX-16w plugin.
One Puchase gives you presets for ALL VERSIONS of the library.
Plug-In Requirements:
Omnisphere 2.1
Kontakt 5 (FULL RETAIL VERSION) 5.5.1 or Later (not compatible with Kontakt Player).
Serum version 1.07b1 or later
Reason Version 8+ (NNXT files)
EXS24 – confirmed with Logic Pro 9 and Logic Pro X.
Cinematic Percussion Grooves for Omnisphere 2.1 and later! Created by John “SkiPpy” Lehmkuhl, AIRWAVE (Laurent Veronnez) and ExoSun (Casey Baldwin)!
This library contains a jaw-dropping 97 Multis, 718 patches and 438 Drum, Percussion and SFX samples that will give you a complete BLOOD TRANSFUSION of ideas for cool / unique cinematic grooves. You might ask, WHY are we building this library inside of Omnisphere 2 – isn’t this just supposed to be a synthesizer? NO!! It can also be one of the coolest drum/percussion resources available anywhere!! Because of the synergy of a powerful synth engine and the awesome vast array of effects, we were able to create percussion grooves with an astonishing quality to them that you’ve never heard before. When you hear Omnisphere 2 cranking out these massive grooves in your studio, make sure you have a chair close by to catch you!
UPDATE 1.1 added DRUM KIT MAPS for all 47 Multi Grooves! ALSO – the 1.1 update also adds 289 ARPEGGIATOR patterns! Every Patch in the groove Multis is using the ARPEGGIATOR to make it’s groove & we’ve saved every one of them out to almost 300 different patterns! ALSO – the 1.1 update adds 1 NEW MULTI using Robert Dudzic’s awesome Radikal Samples called “GRV-130 XENOMORPH Radikal” and it is RADIKAL and awesome!
Update 2020 – The Library now included all of the Omnisphere 2 patches saved in our Unify format! It’s SO HUGE that it is organized into 3 separate library directories (BPM Drums, BPM Multis and Hits). Easily Right+Click to layer multiple grooves on top of each other for even more rhythmic sonic mayhem!
Welcome to Street Beatz; a ground-quaking pro NYC Hip-Hop library fromSoundSense Series.
The SoundSense Series has been created to provide music producers with professional quality sounds at fantastic value for money, maintainingour tradition of virtuosity, value and variety.
STREET BEATZ
Top New York producer Shaun Morris brings you this fantastic collection of East Coast Hip-Hop direct from New York City.
Full of Earth Shaking Beats, Dope Grooves, Cool Vibes and Full Phat Construction Kits from the streets of NYC.
Folders packed full of construction kits, beats, basses, guitar riffs, percussion loops, drum kits, stabs, orchestral riffs and more, all 100% original and royalty-free.
This great collection gives you the raw materials needed to make floor-shaking Hip-Hop.
For the best value in heart-pumping Hip-Hop and urban sounds hook in to Street Beatz!
This fantastic library comes in multiple formats that should suit every music producer.
We sat down with our production team and decided to put together the ultimate MIDI preset collection.
The art of melody composing can take years to master and it’s not always easy to come up with new compositions on the fly…
That’s why our team of producers created this expansion pack, providing a full variety of different vibes and melodic styles to work with. And the best part about MIDI is that you can rearrange notes to your liking, build onto them, and overall just learn more about scales and note arrangement as you go!
Not to mention, using MIDI can boost your studio workflow and productivity tremendously.
Music Protest Wavetable Sound Design Strategy TUTORIAL
This course presents 3 sections of lessons designed to help sound designers come to grips with wavetable synthesis. First, we’ll discuss how wavetable compares to other types of synthesis (including subtractive, additive and FM). Next, we’ll look at features of Ableton Live’s Wavetable synth and look at how each crucial feature works. Finally, we’ll discuss a strategy for sound design work. When you’re done with the course, you’ll feel comfortable working with Ableton’s Wavetable and you’ll have a strategy for getting started on your next sound design project using wavetable synthesis.
Where You’ll Start…
We’ll start by taking time to look at the history of wavetable (and how it compares to subtractive, additive and FM). Understanding wavetable’s context within the larger picture of synthesis will help you understand when, how and why to use it in your sound design projects.
Think About Sound Design Strategically
This course breaks down the sound design process into 4 steps.
Timbre
Shape
Genre
Texture
You’ll learn how to analyze the timbre of a sound and how to use that analysis to design similar sounds using wavetable synthesis. Wavetable synthesizer sound design uses familiar tools such as envelopes to shape a sound over time. Shape is the second stage of planning our sound in this sound design strategy. The third step is to consider the genre of the sound you’re designing. Genre is important because your sound will need to “fit” within a certain context, mood or setting in order to work well. Finally, we’ll go over how to use complex modulation structures can bring interesting texture and character to your sounds. All together, these 4 aspects of wavetable synthesizer sound design combine to improve your sound design results.
When You’re Finished…
You’ll feel more confident with wavetable synthesis once you’ve completed this course. The sound design strategy covered in this course will inform any sound design strategy – even for projects using other types of synthesis.
Klanghelm MJUC v1.5.0 VST VST3 AU AAX WIN & MacOSX
MJUC is the most effortful Klanghelm plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.
MJUC is the first Klanghelm plugin, that’s built with the help of a new framework. That’s brings a lot of new usability features such as GUI-resizing, AB-ing and a feature-rich platform independent preset browser with save/copy/paste/save-as-default functionality. Furthermore it’s possible to tweak the knob behavior, enable tooltips, show/hide value labels and more. All these features will find their way to the existing Klanghelm plugin as soon as possible.
The Models
MJUC is the most effortful Klanghelm plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.
MJUC is the first Klanghelm plugin, that’s built with the help of a new framework. That’s brings a lot of new usability features such as GUI-resizing, AB-ing and a feature-rich platform independent preset browser with save/copy/paste/save-as-default functionality. Furthermore it’s possible to tweak the knob behavior, enable tooltips, show/hide value labels and more. All these features will find their way to the existing Klanghelm plugin as soon as possible.
Model Mk2 is built upon the more complex designs of the 175 and 176 from the early 1960s, the all-tube-predecessors of the classic 1176 FET compressor. It offers four ratios, a density switch, that enables a second variable-mu* stage and reduces the program dependence of the attack and recovery timings to a minimum. Furthermore, it lets you activate the interstage transformer to reduce overall noise and distortion and making the compression more accentuated. Compared to Mk1 the second model is less Jazz and more Rock’n’Roll with enhanced generated harmonics and a more forward sounding character.
Model Mk3 is the least colored and most Hi-Fi-sounding model in MJUC. It is Klanghelm’s modern interpretation of this compression topology. The only design idea derived from another modern famous variable-mu* comp is, that it’s circuitry is done entirely differential, making the unit very quiet and almost distortion-free. But the real special thing about this model is, that the actual compression is done by two different variable-mu* stages, which kind of work against each other, one works feedforward, while the other in a feedback configuration. This results in a attack accentuating, punchy compression, surprisingly closer to a British G type bus comp than to a 670.
Cgangelog For version 1.5.0
– FIX: when updating the knob sensitivity in the global settings, the changes weren’t applied properly to new loaded instances in the same session.
– GUI performance improvements
– added option to use OpenGL rendering for the GUI to the global settings (experimental)
– more robust Mac-installer
– updated manual
Going back to it’s roots, “Repeat – Techno” is full of gritty baselines, hard punchy beats, spaced out synths and pristine fx. By focusing it’s direction on creative, usable Techno loops, the producer Steve Vangilbergen (Red Head) has delivered a sound design assemble that will suit nearly all professional Techno producers.
Inside the collection you’ll find a quintessential array of hyper useful analogue tools, created using classically inspired gear including Elektron Analog Four, Elektron Analog Rytm, Elektron Heat, Access Virus B, Korg Minilogue, Korg Volca Kick, Roland TB-3, Roland TR-09, Moogerfooger Lowpass Filter, Moogerfooger Cluster Flux & Moogerfooger Ring Modulator. This unique blend of equipment has given rise to a dynamic, rich collection of Techno sounds, loops and stems exclusive to Zenhiser, however with this analogue inspired studio midi was not included due to the logistics. So if you’re a fan of Flug, Marco Bailey, Tom Hades, Axel Karakasis, Charlotte De Witte or Michel Lauriola you’ll know exactly what’s within the walls of this sample pack.
Download “Repeat – Techno” today and submerse yourself in the incredible world of punchy Techno.
A full production suite designed by ghxst, in collaboration with Mickey Shiloh [ iggy azalea, janet jackson, britney spears, vic mensa etc. ] and GEKKO [ mozzy, iamsu, TYus etc.]
· over 600mb. all 24 bit wav files.
· this kit is for dark, lush, cloudy, or menacing beats. for any producer who has ever liked my sound, or who has ever aspired to write for anyone from lucki, to drake, to 6lack, to xxxtentacion, or any moody artist in between.
Mickey Shiloh provides a full suite of gorgeous vocals, perfect for sampling, chopping, or layering as-is into your work.
· 22 melodic loops
GEKKO and I put together a collection of gloomy, moody, RnB and trap samples. treat them like that secret youtube sample playlist you think nobody else has heard.