Blvckout is back with another Trap kit this time adding to the epic series Mortal. Mortal 2 is packing some heat with crazy guitars to wavy piano’s. This kit packs it all. Heavily Inspired by today’s biggest artists such as Juice Wrld, Iann Dior, Post Malone, Drake, Polo G, Gunna, xxxtentacion and many more!
All loops heard in the demo are included inside the kit!
20 Melody Loops
Bpm / Tempo Labeled
24-Bit/44.1kHz Wav Quality
Demo Preview:
Dynox & Pinkgrillz88 – Evolution (Loop Kit)
50 custom made loops created by Dynox & Pinkgrillz88 of Internet Money.
Dynox – Evora [145].wav
Dynox – Fairytales [158].wav
Dynox – FusionFall [149].wav
Dynox – Headrush [151].wav
Dynox – Heavens Gate [150].wav
Dynox – Illuminati [155].wav
Dynox – Metadata [143].wav
Dynox – Osaka [158].wav
Dynox – Overboard [151].wav
Dynox – Resist [145].wav
Dynox – Roses [149].wav
Dynox – Slayer [155].wav
Dynox – SpeedRacer [153].wav
Dynox – Torrent [155].wav
Dynox – Weapons [150].wav
Dynox x Pinkgrillz88 – 4L [137].wav
Dynox x Pinkgrillz88 – Already [156].wav
Dynox x Pinkgrillz88 – Avaritia [152].wav
Dynox x Pinkgrillz88 – Before Time [150].wav
Dynox x Pinkgrillz88 – Calling [163].wav
Dynox x Pinkgrillz88 – Chocolate [160].wav
Dynox x Pinkgrillz88 – Cyclops [155].wav
Dynox x Pinkgrillz88 – Delta [148].wav
Dynox x Pinkgrillz88 – FireFly [147].wav
Dynox x Pinkgrillz88 – Guard [135].wav
Dynox x Pinkgrillz88 – Harmony [150].wav
Dynox x Pinkgrillz88 – Legend of Time [153].wav
Dynox x Pinkgrillz88 – Light [147].wav
Dynox x Pinkgrillz88 – Lost [141].wav
Dynox x Pinkgrillz88 – Lucid [140].wav
Dynox x Pinkgrillz88 – Rogue [147].wav
Dynox x Pinkgrillz88 – Starblaster [146].wav
Dynox x Pinkgrillz88 – Starburst [147].wav
Dynox x Pinkgrillz88 – Time Flies [147].wav
Dynox x Pinkgrillz88 – Wizard [156].wav
Pinkgrillz88 – 1st up [140].mp3
Pinkgrillz88 – armegeddon [160].wav
Pinkgrillz88 – Beloved [162].wav
Pinkgrillz88 – ch4n3l [146].mp3
Pinkgrillz88 – dayzero [168].wav
Pinkgrillz88 – demon lov3 [128].wav
Pinkgrillz88 – glaaive [152].wav
Pinkgrillz88 – goddessp2 [158].wav
Pinkgrillz88 – hate4what [163].wav
Pinkgrillz88 – lov3drug2 [136].wav
Pinkgrillz88 – m3gaman [160].wav
Pinkgrillz88 – severed [138].wav
Pinkgrillz88 – tempest [158].wav
Pinkgrillz88 – to die for [145].wav
Pinkgrillz88 – ttraced [160].wav
Poland is a collection of 15 Original Analog Breaks including over 115+ 1 shots of Kicks, Snares, Hi Hats, Percs & Toms. Influenced heavy by the early Polish Underground & Psych scene of the late 60s to the Jazz Fusion era of the 70s.
Very versatile in the rhythms and swing, this kit is perfect for any Sound Designer looking to start ideas and chord progressions with cadences outside of that 4/4 metronome clicker.
Recorded thru tons of Analog Tube gear, Ribbon Mics, Spring Reverbs and Tape Machines to give you the raw grit and texture of those rare underground Polish Breaks.
DEmo Preview:
LFO.Store team presents, first of its kind:
64 great presets for new Behringer Neutron separated on categories:
Suited for all modern genres of electronic music: drum’n’bass, techno, ambient, trap, trance, house, classic electronica, downtempo.
We are thankful to Behringer company for opportunity to touch great analog sound for such a reasonable price.
We put all our effort & inspiration to make this patches suited for many genres & styles of electronic music.
Neutron is very flexible & inspiring synth which can go far beyond standard subtractive traditions.
* High quality Booklet ready for print with all the 64 presets.
Easy navigation, fast patching & great looking.
* Single pages of each patch & mp3 demo for comparing.
Demo Preview:
Japan is collection of 15 Analog drum breaks including over 120+ 1 shots of Kicks, Snares, Hi Hats, Percs etc. This pack explores the textures and grooves of Japanese Soul, Electro and Fusion, recorded between 1975-1981.
These are the perfect breaks for any sound designer looking to get inspired by to write chords or find melodies outside the tradition 4/4 metronome clicker. Each break has its on distinct texture, character and swing, fills and ghost notes to keep the breaks not sounding repetitive.
Recorded and processed thru tons of Analog tube gear, Tape Machines including the Ampex 440b, Drum Machines such as the Roland CR-78 and vintage reverbs including the RE-201, EMT 140 and natural room verbs to give you the raw grit and texture of a track you might find on a Electro or Jazz Fusion record from that late 70s to early 80s golden era of Japanese music.
Demo Preview:
Take this drum pack to the emergency room. Symptoms include crackly textures, punchy kicks, crisp snares, and sizzling hi hats. By injecting these sounds with both modern and vintage elements we created some dynamic and intoxicating drums. The records we’ve collected over the years acted as our catalyst, and we layered each loop with its own unique crackle. We also fused synthetic kicks and snares with acoustic kicks and snares from our drum recordings.
With focused eq’ing, compression, and distortion, this layering strategy provided the foundation for blending otherwise contrasting styles. Along with the sonics, this pack offers a diversity of rhythms played from an actual drummer. It’s the humanistic elements and happy accidents that give these drum loops their groove….Think cool introvert playing dusty records in his small apt and cranking the volume until the walls collapse…. We hope that you can incorporate these sounds into your production workflow when the moment calls for them. Enjoy and thank you for the support! Samples for the People!
-Sam and Holden
222 ROYALTY FREE Drum sounds
-86 DRUM LOOPS
-32 HATS
-33 SNARES
-55 KICKS
-08 TOMS
-06 PERCS
-02 CLAPS
-16 bit, 44.1kHz Stereo WAV format
-Compatible with any DAW or sampler
-Layered drums created with acoustic recordings and synthetic sounds
-A blend of live, recorded, humanistic drum patterns along with precise loops quantized to the grid
-Mixed for an experimental blend between vinyl and digital
-Drum loops are ready to be dragged and dropped or chopped up/sampled
![n-Track Studio Suite 9 [WIN & MAC]](https://vstorrent.info/wp-content/uploads/2021/09/n-Track-Studio-Suite-9.1.4.4012-1.jpg)
n-Track Studio 9 turns your PC into an easy to use multitrack audio recording studio. It is the perfect tool for professional quality audio recording, encoding, mixing and editing. Record, edit, overdub your audio tracks, apply effects, process audio live input, mix and then burn audio CDs or create mp3 files. n-Track Studio is an Audio and MIDI Digital Multitrack Recorder that transforms your computer into a powerful audio recording studio.
You can record, playback, overdub your audio tracks exploiting the flexibility and power of today’s PCs for applying effects, realtime input processing, automated aux channels sends and returns, destructive and non-destructive wave editing. The program supports 24bit-192 khz recording, 64 bit mixing, multiple channels soundcards, live input processing, CD burning, mp3 encoding and more.
Main n-Track Studio features:
The TAL-J-8 is a very accurate emulation of the popular 80’s hardware synthesiser and calibrated after our own Jupiter 8 device. All sounds are generated in realtime without the use of any samples with the same endless modulation possibilities like the hardware and useful additional features like the cali
Features:
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TAL-Sampler is not just a sample player. It’s a full featured analog modeled synthesizer with a sampler engine as sound source, including a powerful modulation matrix and a high quality self-oscillating 24/12/6 dB low pass filter.
Don’t expect a 40GB piano sample library with samples for every velocity or something similar. The idea is to bring back the fun sampling was in the good old times with small samples, fast loading times and an intuitive work-flow to create your own sample presets without getting lost in the settings.
It’s possible to choose between different digital analog converters (DAC’s) to get the vintage sound of different hardware samplers inside your DAW. We don’t make cheap bit crushing or decimation on the output signal. We really down-sample the sample to the desired sampling frequency, then process the data depending on the chosen DAC and up-sample it to the desired pitch. Most DAC modes offer a LEVEL slider. This feature allows the user to reduce the volume of the recorded sample and decreases the sample quality. Load your favorite high quality sample and make it sound vintage and noisy. The 24dB low pass filter will like it!
The plug-in has four layers an can play four samples simultaneous. There is also a simple SFZ import for samples that imports the mapping and sample paths, but the plug-in also contains an easy to use mapping editor.
TAL-Sampler is available in the VST, Audio Unit and AAX plug-in format. You can load and play your own samples in every common sample format (*.wav, *.aiff, *.aif, *.mp3, *.ogg, *.flac). Import samples with drag & drop from finder or explorer. There is also an intuitive sample browser that helps to find samples fast.
Some nice additions like a vintage real-time time stretcher and the possibility to modulate the sample loop positions.
Demo Preview:
TAL-Dub-X is a remake of our popular original freeware TAL-Dub plug-in with a lot of additional features and AAX, OS X 64bit support. TAL-Dub-X is no emulation of a specific hardware delay effect and it has its own special sound. Don’t expect one of the very clean digital delays. An important part of the delay is a special saturation stage and a high quality low pass filter with resonance setting. This makes the delay suitable for endless delay effects. It’s possible to use MIDI automation to control the parameters.
TAL-BassLine-101 is a monophonic bass synthesizer and a very accurate emulation of the popular SH 101. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects.
Its 24dB zero feedback delay low pass filter has a very smooth and authentic sound without any digital artifacts, especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch where most emulations fail.
Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. TAL-BassLine-101 generates all wave-forms in real time. Filter-FM allows it to choose an oscillator waveform as modulation source for the filter cutoff. This additional feature can be used to create a wide range of new sounds.
Demo Preview:
TAL-DAC is not an ordinary bit crusher or sample rate reducer. The plug-in is based on the TAL-Sampler sound engine. It emulates a sample recorded on a low sample rate with reduced bit depth and upsamples it to the desired host sample rate.
It’s possible to choose different algorithms for the upsampling process to emulate the characteristics of different samplers. A low and high shelf EQ together with a AMP Drive in the reconstruction section allow it to approximate the sound character of different sampler AMP’s. Also it is possible to emulate hot recorded signals using the input volume knob.
This plug-in can be used on a wide range of audio material, but it’s especially useful and authentic on drum sounds.
TAL-U-NO-LX is a complete rewritten emulation of the popular Juno 60 with a new engine and GUI. Up to date zero feedback delay filters and carefully calibrated controls make this synth a good replacement for the analog device with all the advantages software plugins have. As an addition, the TAL-U-NO-LX also supports portamento and different filter LFO waveforms and some more useful features. An arpeggiator with different sync modes and hold function is also included. A very fast envelope with a smooth roll-off, emulated inaccuracy and a very smooth filter sound gives this synth the typical sound. The synth was calibrated after a hardware device that’s property of TAL.
Demo Preview:
Upgrade Your Cinematic Sound Library Now – 100% Free!
“Coriolis Effect Volume 2” is a royalty free cinematic sample pack infused with high tension & drama for music producers and filmmakers alike. And the best thing is, for a limited amount of time it is 100% free!
Inside “Coriolis Effect Vol. 2” you will find 5 construction kits complete with stems & midi, 10 impacts, 10 risers and 10 cinematic trailer pulses!
Demo Preview:
The Mini Modular That Packs a Serious Punch
The MS10 is a single oscillator, semi-modular synth developed in the 1970s. Initially designed to offer the basic fundamentals of synthesis (like replicating scary ghost sounds), the MS10 has become somewhat of a cult favorite among synth nerds due to its minimal but brash modulation and filter characteristics.
With a simple front end, the pleasure is instant. Users can easily recall classic patches: round bottom, sharp highs, creamy PWM, screaming leads, and percussion that packs a punch. Add a few patch cables and the synth easily lends itself to more advanced sonic sculpting and experimentation.
More Than Just a Little Brother to the MS-20
With one oscillator, one envelope, one filter, and pretty much one of everything, the MS-10 is straight forward to say the least. But its simplicity allows for a less obstructed signal path than its dual oscillator brother, resulting in more headroom. Sit them both side by side, cue up the same single oscillator on each, and we almost always prefer the MS-10. Its raw oscillator is huge and somehow slightly cleaner and less phasey than the 20.
Add a unique filter that (unlike so many others) doesn’t starve you of low end when you turn it up, and you get fat, juicy low end with unbeatable presence.
In more empirical terms, the MS10 has PWM, which the MS20 lacks. It’s creamy and organic but, with the right patch, can easily be pushed into more abrasive territory, morphing into what sounds like the mechanical workings of a deadly WWII war machine.
The Recording Process
Our primary recording objective sampling the MS-10 was to make sure we captured all of the raw waveforms with minimal external processing. Using a REDDI and API 512 allowed us to leave most of the synth’s natural sounds in tact while subtly exciting some of its duller frequencies that come with the territory of old, minimal synths. Kind of like how a little bit of citric zest can bring out the natural flavors of fish in a light ceviche.
Once we’d captured the basics, we got as creative as possible with the synth’s modulation section. Since the synthesis isn’t nearly as in depth as on the MS-20, we farmed out some modulation help from our Eurorack modular system to help us get as weird, wild and far out as possible. At one point, we multiplied the CV out of the MS10 into an external LFO’s CV input and envelope rate, then sent those signals back into the synth’s PWM and filter inputs, giving every sampled note unique modulation.
Finally, we ran the MS-10 through its paces of punch and percussion, which it is awesome at due to snappy envelopes, spitty white noise, and self-oscillating resonance (allowing for agressive pitch envelope modulation). We kept the external effects to a minimum (we love this guy just for who he is) but being that we’re heavy dub heads, we ran some blips and bleeps through the RE-201 Space Echo. The results: Tubby dub shots, syn-toms, and spring reverb hits Prince Jammy could get down with.
In the End
Although it’s the smallest of the famous MS series, the MS10 is not redundant in the slightest, instead offering up its own brand of PWM and huge, single oscillator patches not found on the MS-20. And although the modulation is far less extensive than the MS-20’s, we were able to dial in some seriously wild FX with our external Eurorack setup.
So, it seems the MS-10 and MS-20 can both do things the other cant, and this is one of those situations where, for better or worse, you’d be happiest with both of them sitting in the same room together. And truthfully, connecting them both together is where the true magic happens (Stay Tuned!).
Contents:
Ready For:
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