Deep End from Blvckout consist of the Five hard trap emotional construction kits containing some of the hardest pianos, drums, and vocals.
Alternatively, drag and drop the WAV files into your DAW of choice to get started on hits straight away.
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Loops 4 Producers brings you the hottest sounds in Soul, Gospel, Jazz, Hip Hop, & R&B. Add our high quality sounds to your production today!!
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A new wave of Afrobeat inspired pop music has emerged and can be heard in songs such as “One Dance by Drake” and “Oliver twist by D’banj” Auxurban Afrobeats elements are a selection of rhythmic elements that can be used as additives or as the foundation of your Afrobeat inspired production.”
75 Sounds
The Doctor aka “Doctor” is an English music producer and DJ. Doctors’ career as a DJ started in 1993 and has since played in many prestigious venues around Europe and Scandinavia. Since his teenage years in the 80’s Doctor has had a passion for hip-hop, RnB, Pop, and soul music. Doctors’ expressive capabilities are rooted in playing multiple instruments including the Piano, Percussion and the Trombone. These Influences have contributed to his ability in developing artists and numerous productions for film and TV in which Doctor exercises skills in artistic vision and sound design.
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Samplestar are very proud to present Melodik Lofi Chill Hop Vol 2! Returning for its second installment, Vol 2 once again delivers producers a beautiful collection of organic lofi textures, sultry-smooth pianos, crackly percussion and crispy drums. Expect to hear blissed out dreamy chords, hazy keys, washy reverb soaked synth-lines, warm basslines and much more.
A melting pot of chillwave, lo-fi electronica and lofi hip-hop, Melodik Lofi Chill Hop Vol 2 makes the perfect companion for producers looking for fresh, quirky and inspirational writing material.
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Exotic Refreshment presents “Melodic House & Techno vol. 2 – Exotic Samples 052”, second sample pack from our new melodic series
Inspired by the biggest names of Melodic House & Techno like Solomun, Tale of Us, Maceo Plex, Mind Against, Stephan Bodzin, Mano Le Tough, Dixon, ARTBAT, Adriatique, Adana Twins and many more…
Pack includes 447 MB of Bass Loops, Drum Loops, Musical & Synth Loops, Kick Loops (clean, without any other drums – for your better control over the loops), FXs and Atmosphere samples.
To achive warm rich analog sound, all samples were recorded using Studer A800 Multichannel Tape Recorder.
There is no specific software needed so you can use all samples in Apple Logic, Ableton Live, Pro Tools, Cubase, FL Studio or any other DAW.
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The Persian Essentials series by Gio Israel exposes the hidden sounds of ancient Persian music.
The history of musical development in Iran dates back thousands of years and expands through various neighboring cultures, making it one of the richest and most influential musical regions of the old world. Iran’s classical music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity, as it’s rich in complexity, melodic motions, scales, and tunes.
In this pack, we present two fundamental Middle Eastern traditional percussion instruments: The ancient frame drum Daf (or Dafif) and the goblet drum known as the Tombak (Persian:تمبک), tonbak (تنبک), orzarb. Learn more about these instruments in the accompanying story below.
Musicians who played on this pack include Eitan Refua, Yaron Cherniak,and Yoni Ben Dor:
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Produced by Honduran American musician Erick Bardales in Los Angeles explores the connections between various genres of Latin music with a strong focus on Mexican cumbia reggaeton. This pack was performed and recorded remotely by Tegucigalpa, Honduras-based composer and producer Jorge Ulloa on guitar and piano, and Nashville, TN-based Venezuelan percussionist Manuel “Manotas” Ramirez on gon bops along with engineer Gibran Sponchiado.
The three musicians blended their love for vallenato – a genre of popular Colombian folk music – with Mexican cumbia and modern reggaeton pop to craft an authentic entry point for producers interested in creating cumbia reggaeton music.
This pack was recorded using a wide variety of instruments from acoustic instruments like a Taylor GS Mini E Rosewood and a Les Paul Epiphone Ukulele to electric guitars such as a Fender Telecaster 1978 Sunburst and Gibson SG, plus Ramirez’s gon bops. The performed samples were processed using an Apollo X4, Universal Audio’s analog emulation UAD plugins, Ableton live 11, Plugin Alliance plugins, and Output Thermal.
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Links
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Digital, visual media are found in most aspects of everyday life, from workplaces to household devices – computer and digital television screens, appliances such as refrigerators and home assistants, and applications for social media and gaming. Each technologically enabled opportunity brings an increasingly sophisticated language with the act of pursuing the intrasensorial ways of perceiving the world around us – through touch, movement, sound and vision – that is the heart of screen media use and audience engagement with digital artifacts.
Drawing on digital media’s currently evolving transformation and transforming capacity this book builds a story of the multiple processes in robotics and AI, virtual reality, creative image and sound production, the representation of data and creative practice. Issues around commodification, identity, identification, and political economy are critically examined for the emerging and affecting encounters and perceptions that are brought to bear.
Since 1973, Queen have captivated listeners through the intense sonic palette of voices and guitars, the sprawling and epic journeys of songs, and charismatic splendour of their live performances. Rock and Rhapsodies is the first book to undertake a musicological study of the band’s output, with a fundamental aim of discovering what, exactly, gave Queen’s songs their magical and distinct musical identity. Focusing on the material written, recorded, and released between 1973 and 1991, author Nick Braae provides readers with an in-depth and nuanced analytical account of the group’s individual musical style (or “idiolect”), and illuminates the multifaceted stylistic and historical contexts in which Queen’s music was created. Aspects of Queen’s songs are also used as a springboard for exploring a range of further analytical and discursive issues: the nature of a musical style; the conceptual relationship between an artist, style, and genre; form in popular songs; and the character and identity of a singing voice.
Following an introduction and “primer” on Queen’s idiolect, Rock and Rhapsodies presents ten further chapters, each of which offers a snapshot of a particular musical element (form, the voice), a particular subset of repertoire (Freddie Mercury’s large-scale 1970s songs), or a particular era (post-1991), thus painting a rich overall picture of both the band’s history and their ongoing presence in popular culture. Along the way, there is an underlying focus on interrogating and substantiating the themes and ideas that emerge from the writing, documentaries and other media on Queen, using a variety of analytical tools and close readings of songs, to demonstrate how aspects of critical reception align (or not) with musical details. Rock and Rhapsodies will reward any reader who has been enchanted by the myriad and complex musical components that make up any Queen song.
Deleuze and Music is the first volume to explore Deleuze’s ideas from the perspective of music and sound. Music is central to Deleuze’s work from Difference and Repetition and the Logic of Sense to Kafka: Towards a Minor Literature and A Thousand Plateaus (both written with Félix Guattari), music and sound-based problems contribute a great deal to the originality and singularity of his thought.
The essays in this volume explore a variety of these problems and their relevance to key debates in a number of areas including ethics, aesthetics, politics, epistemology and the history of ideas. They collectively demonstrate how music functions in Deleuze’s work, exploring how at key stages in his thought ideas of melody, rhythm, harmony, counterpoint and the refrain provide the frame of reference for his immanent ontology, his Spinozist ethology and his (and Guattari’s) politics of the ‘people yet to come’. Furthermore, they show how music proves the exemplary medium for further exploring and developing his ‘rhizomatic’ conception of thought.
The volume provides a much-needed addition to the growing body of secondary work on Deleuze and will be of interest to students and researchers working across a diverse range of disiciplines, including philosophy and cultural and critical theory as well as art history, musicology and ethnomusicology.
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Beethoven’s late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions: in terms of their musical structure, they continue to be regarded as revolutionary.
Spitzer’s book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven’s use of specific musical techniques (including neo-Baroque fugues and counterpoint), Spitzer suggests that the composer’s last works offer a philosophical and musical critique of the Enlightenment, and in doing so created the musical language of premodernism.
Finally, after much anticipation, we’ve released our first official drum kit! All of the sounds included in this pack have been used in our beats and most of them are used frequently! The drum kit includes: 20 808’s & Basses 5 Kicks 17 Hihats 12 Percs 19 Claps and Snares 11 FX 19 Drum Midi Files 5 Melody Loops
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![YMAR + Sharkboy "CRUSH" Sound Kit for Serum [WAV FXP]](https://vstorrent.info/wp-content/uploads/2022/02/YMAR-Sharkboy-CRUSH-Sound-Kit-for-Serum-WAV-FXP-1.webp)
The Kit Includes:
Ken Carson, Lil Uzi Vert, Yeat, KanKan, Playboi Carti, Hyperpop, and More!
CRUSH Serum Presets Breakdown:
Audentity Records – ”The Real Soul” is a must have for all fans of real 90’s/00’s Soul & Rnb music, it nails exactly that lively and sexy sound you have been waiting for.
With the Smooth Sines, Dreamy Rhodes, RnB Guitars and Melodies for in the bedroom or love making songs, this samplepack will surely be a nice addition to your collection of vibes within this genre.
But this samplepack is also usable in a lot more genres then RnB Such as: Pop, Afro, House, Soul, Hiphop and Lofi Beats.
But check this out, because it has that kind of ”real soul” RnB Vibes which a lot of listeners and producers miss from the 90s/00s.
So add this to your collection if you want to be inspired the way you would have been if you lived in that era.
Inspired by Margues Hueston, Ray J, Anthony hamilton, Chris Brown and others, this pack has all the sexy leads and dusty synths, 70’s electric keys, funky guitars, pianos and rhodes, which will lead you to your next soul and rnb smash.
Everything has been carefully mixed and eq’d for maximal usability and impact, just drop the loops in your DAW or sampler and start producing your new track. You can even edit and chop the loops to make them even more unique.
In detail, you can expect 519mb of content with all audio at 24Bit & 48KHZ.
The pack contains Electric & Acoustic Guitar and Guitar Combined Loops, Rhodes & Piano Loops, Mixed Synth and Keys Loops.
All loops are key and BPM labelled for maximal flexibily.
Note: Drum Samples in the demo are not included
The Pack contains:
‘Broken Techno’ by Industrial Strength is a heavy and fierce broken beat Techno pack. Broken beats are nothing new to Techno but this new fierce style is, and this pack provides some of the heaviest broken beats for Techno the ISR team could conjure up.
Ready for any Daw, these samples have been created from the ground up to ensure a very unique collection of sounds for this challenging style of Industrial Techno music. The sample pack is 100% Royalty-Free to use in whatever way you like.
All the loops and sounds are created at 128 BPM with 24 Loop Kits in total to use as is or to remix to fit your needs. The pack also includes a sweet set of strange Techno drones and a cool set of one-shots ranging from 909 and 808 style kicks, heavy industrial percussion and, of course, those necessary Tech FX.
‘Broken Techno’ was designed with total inspiration to achieve maximum creation with no fillers. Everything you hear in the demo is in this pack. This pack might be small but it packs a huge punch and is 100% focused on providing the loops you crave, and is geared up for EDM, Techno, Dark Techno, Dark Room, Hard Techno, Experimental Techno, and, of course, Industrial Techno.
All sounds are clean and have loads of headroom so you can throw all your FX on these samples with no fuss. If you’re looking for a new set of broken beats with heavy textures to add flavour to any hard, modern EDM production or remixes then this pack is a must-have.
Repair Manual Not Included.
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Kazakh Dombra’ by Earthone contains professionally played and recorded melodies that are ready to allow you to discover the unique sounds of Dombra.
‘Dombra’ is originated from the Kazakh and Kyrgyz, it has two-stringed and long-necked instruments played with arpeggios. This instrument is also popular among Turkic communities in Central Asian countries such as Kazakhstan, Uzbekistan, Turkmenistan, Afghanistan, as well as Mongolia.
The original Kazakh dombra has frets and is played by strumming with the hand or plucking each string individually, with an occasional tap on the main surface of the instrument. It is very important in the culture of Kazakh and The National Dombra Day is celebrated in Kazakhstan every first Sunday of July.
In detail, expect to find 515 MB of raw content featuring 90 beautifully played ‘Dombra’ loops at 90, 110, 130 BPM and includes a dry version (w/o any additional e.q, compressor or reverb effects) and wet version of each, giving a total of 180 files. All loops are Key and Tempo Labelled for ease of use. All sounds are ready to fit straight in your tracks.
This instrument can be used accompanying other instruments and is perfectly usable in a variety of musical genres whether you’re producing World music, Ethnic and Organic Folk music, Experimental, Cinematic, Ambient, Meditation, Live Lounge, Electronica or even Hip-Hop also suitable for Film Score, Documentaries and media compositions as well – the only limit is your imagination!
Please Note: this is a ‘Dombra’ pack ONLY, other sounds contained within this Demo are for illustration purposes.
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