LIVEWRE – VISIONS LOOP KIT VOL. 1
35 RnB Loops Created in the style of: Drake, Tory Lanez, Bryson Tiller, The Weeknd, and More!
High-Quality Soul/RnB Samples
ALL SAMPLES KEY AND BPM LABELED
Demo Preview:
Industry mixing secrets exposed by 2x GRAMMY Nominated Mix Engineer using step-by-step modern mixing method
What you’ll learn:
Drum/percussion sampler plugin. Fast and easy for use…
16 pads layout A/B with view to all pad FX or 32 pads layout with one FX view at a time
Resizable GUI from 60% to 200% of default window size.
Main Pad controls
All essential controls for fast control: Mute, Solo, Volume, Pan, Pitch …
Four essential effects for further tuning a drum-pad
8 sample layers for each pad with dedicated editor
Non-destructive editor, easily zoomable
Integrated sample and drumkit browser
Slicing loops into individual drum hits
Two slicing modes
Different algorithms for different results
+ [Pads] export render to file (with maximum velocity, ignore Humanization)
+ [Pads] the ability to replace Layers with rendered sample after exporting the render
+ [Pads] select multiple with mouse right-button drag, add to selection holding Ctrl/Command while dragging
+ [Pads] reset the Pad(s) with the middle-click
+ updated Pad main controls panel, added PlayMode and draggable waveform-button
+ [Windows, MacOS] drag waveform-button to export rendering to other Pad or outside Speedrum (DAW or folder)
+ [Linux] drag waveform-button to export rendering to other Pad
+ [Layer] Mute and Solo for Layers
+ [Layer] Shift + left/right click on a Layer button to Mute/Solo Layer(s) (same behavior as on Pads)
+ [Layer] Ctrl/Command + right-click on any layer button will select all layers
+ [Layer] delete the Layer(s) with the middle-clcik
+ [Layer] indicators when the mouse is over S/E and A/D, for better visibility of what is active
+ [Layer] move selection S/E left right with Alt/Option + drag
+ [Layer] holding Alt/Option while prev/next/rand in a folder will try to preserve S/E/A/D state
+ [Layer] render to file (ignore Pad params), with the option to reload rendered afterwards
+ [Setup] midi note number on the pad trigger button
+ [Setup] right-click on a trigger button to enter midi note number manually to all selected
+ [Setup] option to specify a project folder, used when drag&drop rendering to DAW (overrides Preferences)
+ [Preferences] option to specify default folder for intermediate files when drag&drop rendering to DAW or Pad/Layer
# left-click (without Ctrl/Command) on the Pad/Layer will remove Pads/Layers multi-selection
# updated info for S/E and A/D
# small dsp optimizations
# fixed right-arrow key behavior on folders in Browser
# fixed applying command from Pad’s menu to multi-selection
# fixed Alt/Option + drag copying selected Layers to another Pad
# fixed crash when duplicating Layers with all slots already populated
# fixed crash when loading a corrupted drum-kit
FiDef® by FideliQuest is a very low amplitude, psychoacoustic stimulus designed specifically for audio engineers. It makes a receptive brain relax and pay closer attention to an incoming audio stimulus. In brain physiology laboratory tests using functional neuroimaging techniques, FiDef has proven to excite brain activity related to perception and attention, and to enhance the subjective processes of listening and engagement.
Available for all major plug-in formats, including VST 2, VST 3 and AAX native for macOS and Windows plus Audio Units for macOS, FiDef is a patented, 64 bit audio processor like no other. Brain science takes the lead in this subconscious signal generator that compels the listening to lean in and…engage!
Since Edison’s first wax cylinders, the history of audio capture and playback can be summarized as the increasingly technical pursuit of a seemingly impossible goal: lifelike replication of the actual listening experience…The advent of digital technology, while solving many of the problems inherent in analog recording and playback, brought with it other challenges. At the same time, new enabling formats such as DXD (Digital eXtreme Definition) and MQA (Master Quality Authenticated), along with consumer trends toward uncompressed HRA or High Resolution Audio releases of music catalogs have brought new levels of fidelity to the home. Yet, even the highest fidelity digital playback still exhibits a level of reserve that keeps the music at arm’s length, not always allowing it to embrace and move us. Low fidelity or hi–fi, analog or digital, FiDef makes for a deeper, more satisfying connection.
While listening to a vaiety of recordings, an audio professional thought to himself, “Why do some recordings sound better than others?” He recruited an audio physicist and a musical neuroscientist while analyzing arrays of audio recordings to identify elements of sound that psychoacoustically engage the listener. Isolating the mechanism allowed them to develop a unique solution that synthesizes essential content from the material itself, inserting that dynamic information at low amplitude into the content. After years of development by a team of engineers with decades of industry experience, early in 2016 FideliQuest introduced FiDef™ audio processing, the first and only technology that restores what all recording and playback systems take away, whether analog or digital.
Think of a common, non–harmonic, sub–audible signal all good engineers use to linearize digital audio; dither. The FiDef system also generates an anharmonic, sub–audible broadband signal. The difference is that FiDef does not modify the music itself in any way but instead is added to the music. Also unlike dither, it is correlated to the source audio. This is not noise for noise’s sake. This is a dynamic, correlated and spectrally shaped signal. The signal, based on FideliQuest research into the human auditory system, is customized to directly stimulate the brain, bypassing cognitive processing. The manifold results include less brain activity required to process incoming stimuli, with a resulting increase in perceived nuance and tactility from music, speech and effects. FiDef informs your brain of the subtle potentials within a recording. Hear more of how the song was played, not recorded.
Supported by sophisticated research into how the human brain processes sound, FiDef informs the listener’s auditory system of music’s full potential. Independent research has shown that the brain response between FiDef and untreated audio is significant to 99%. The subtle effects of sub–audible supplementation are modeled in the brain over time. With familiarization, ears unaccustomed to FiDef might not hear the difference immediately. Studies indicate that the brain uses inverse effectiveness to process FiDef’d music with less effort, in effect hearing more by struggling less. Essentially, hear more than you think.
Grounded firmly in experimentation and analysis, FiDef technology can increase definition, detail, intelligibility, soundstage width and depth and, most important, the emotional engagement of the listener. In short, with FiDef processing, your audio sounds better, without any change to workflows or delivery methods, even on data–compressed file types and older or low–fi playback gear.
Welcome to MicroToner by TAQSIM. MicroToner allows you to easily play Microtones with your plugins and virtual instruments. Modeled after Oriental Scale Converters, MicroToner modifies incoming MIDI Pitch Bend information to allow most virtual instruments and plugins to easily play microtones.
Break free from the twelve-tone scale by dialing in world microtonal scales with an “oriental-style” scale converter. MicroToner ships with a huge library of the most popular scales used throughout the middle-east and the world.
Pick Your DAW, any DAW
MicroToner is a cross-platform standalone app and plugin that is supported both on PC and Mac in VST, AU, and AAX formats.
All DAW’s can run MicroToner as an Instrument Plugin. Logic Pro, Ableton Live and Reaper can run MicroToner as a Midi Effect plugin.
MicroTonal Scales
Break free from the twelve-tone scale by dialing in world microtonal scales with an “oriental-style” scale converter. MicroToner ships with a huge library of the most popular scales used throughout the middle-east and the world.
![TAQS.IM Solo v1.2.11 VST AAX [WIN]](https://vstorrent.info/wp-content/uploads/2022/03/TAQS_IM-SOLO-Hybrid-Synthesizer-1.webp)
Welcome to SOLO by TAQSIM, a new virtual instrument that authentically recreates the sound of modern world music.
Whether it is quickly playing presets, tweaking sounds, setting up comprehensive modulations, or trying unique microtonal scales, SOLO is designed to be easy to use. We’ve partnered with musicians and producers from around the globe to include a library of authentic sounds to help you stand out from the crowd. If you want to explore more, you can import your own custom multi-samples into SOLO.
SOLO includes 3 different synth engines – sample playback, virtual analog, and phase distortion – providing you the ultimate sonic flexibility to blend synthetic sounds with our organic wave sample set.
Then further sculpt your sound with the onboard Moog or Oberheim style -12db or -24db filter and loudness envelope.
Express to your hearts content with MPE and expression support with SOLO. If you more sonic options, import your own custom Korg KMP, Soundfont, and SFZ samples into SOLO. This opens up a world of sonic options to play your custom samples through our oriental scale converter and synth engine.
Break free from the twelve-tone scale by dialing in world microtonal scales with an “oriental-style” scale converter. SOLO ships with a huge library of the most popular scales used throughout the middle-east and the world.
The flexible modulation matrix allows you to use the 2 LFO’s and other controllers to drive parameters throughout the synthesizer.
Change the LFO type, rate, rate attack, depth, and depth attack to modulate the filter, oscillator, effects, and more!
![NovoNotes HPL2 Processor v2.0.0 [WIN & MacOS]](https://vstorrent.info/wp-content/uploads/2022/03/NovoNotes-HPL2-Processor-v2_0_0-WIN-MacOS-1.webp)
Perfect Headphone Sound
The new HPL2 Processor plugin virtually creates perfect room acoustics and the front localization of the speakers by processing stereo sound sources with binaural technology. All you need is a pair of headphones and you can focus on your production in an ideal environment.
What is HPL:
Why does HPL sound so good?
HPL uses a different method to that commonly used by general binaural plug-ins.
General method: convolution of measured IR.
HPL: algorithmic room modeling and head acoustic simulation.
The general convolution method uses Head-related Impulse Response data (HRIR), which is measured by a dummy head placed in an anechoic room. This signal processing is similar to the convolution reverb often used in music production.
Sound processed in this way generally feels extremely close, as if it is being whispered in your ear. This creates a sense of “immersion”, which is important in the production of VR content.
However, there is a problem with this method when applied to music production. All sounds feel too close, and you lose the sense of spaciousness and distance that is so important in music production.
HPL was developed to achieve a sense of both “immersion” and “spaciousness”.
The following list shows the differences between the general method and HPL.
HPL:
General Method:
Is HPL an application of Ambisonic technology?
No. HPL does not use Ambisonics in any way.
Many binaural plug-ins process the signal once it has been encoded into Ambisonics. However, NovoNotes plug-ins binauralize the virtual speakers without encoding them to ambisonics. This provides a higher localization. We use this method because, in music production, we cannot afford to compromise on either immersion or localization.
BFractal Music brings ¨Grimmy Hip Hop¨. A useful collection of expertly crafted Hip Hop Lo-Fi drum and melodic loops. This Pack is full of Textures, Musical loops, bass loops, Drums & One-Shots to boost up your Lo-Fi and Hip Hop arsenal. If you produce Lo-fi and Hip Hop, this pack will fit right into your sample library 100% Royalty Free.
49 Sounds
BFractal Music delivers only high quality sounds recorded exclusively with analog gear. Our samples are well processed with the top audio equipment to build professional tracks and deliver the best result on a big sound system.
Demo Preview:
A collection of drum breaks sampled from vinyl and chopped into gritty lo-fi kits. Sampled with the Boss SP-202 Dr Sample at various sample rates then chopped and EQ’d on the Boss SP-303. From the machine these are run through a PreSonus BlueTube DP v2 tube preamp to make them extra crispy.
Each of the drum kits have multiple variations of their kicks, snares and hats.
Pack contains 10 Lo-Fi Breaks chopped into:
Total of 158 samples.
Boss SP-202 Sample Rates:
Vol. 5 Of the Flowers Series created by Noah Mejia of Internet Money.
21 Bells
25 Keys
20 Leads
20 Plucks
20 Synths
15 Textures and FX
9 Vocals
We are very excited to announce the launch of our long awaited sample pack series, SmallPrint Ingredients, with the first instalment coming from Primate. This samplepack is filled with explosive, crunchy, drum breaks and rhythms. Sublime, organic jazz chords and textures to inspire your next production.
Not only is it filled with vibrant chords and breaks, it also packed with abstract foley loops and deep, subby, melodic bass loops. In this multi genre samplepack you’ll find a variety of complex ideas to add to your sample library.
Ingredients 001 comes with a wide range of content, tempos ranging from 95bpm – 140bpm. This samplepack is inspired from a variety of genres and would be the ideal for the producer making: Future Bass, Dubstep, Drum and Bass, Hip Hop and Garage.
This pack contains 45 Drum Loops, 21 Bass Loops, 13 Foley Loops, 10 Pad Loops, 41 Synth Loops. 13 Kicks, 24 Snares, 10 Hats, 11 Percussion Hits, 5 Bass Hits, 12 Foley Hits and 10 Synth Hits.
Demo Preview:
Warm, noisy, and saturated – Tape Haze IV features 170 cassette-recorded WAV samples including tones, chords, loops and drums perfect for use in existing projects or new work. The large one-shot collection can be imported into any sampler for instantly playable leads, pads, chords, and percussion. The loops folder includes both freeform and BPM-adjusted clips, featuring tape-drenched melodies and chord progressions.
All files were recorded to cassette tape and then at 48kHz 24bit via Universal Audio Unison preamps, complete with all the distortion, pitch modulation, and stereo imaging magic that cassette tape brings. Keys and pitches are outlined in the filenames.
Featuring Tascam 414 MKII Tascam 424 MKI, Tascam PortaOne, Tascam Porta02, Library of Congress C1, Sony Walkman, Sohmer and Sons upright piano, Sequential Prophet Six, Moog Sub Phatty, Moog Matriarch, Arturia Microfreak, Landscape Stereo Field, Chase Bliss Mood, Walrus Audio Ages, & Elektron Digitakt.
Throwback sounds meet oldskool vibes: An immersive collection of powerful bass loops, hypnotic synths, and pounding drums – all in one easy-to-use pack. Get the inspiration flowing for your next nostalgic techno anthem.
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In Splice Sessions: Senegal Origins, producer Pape Armand Boye and a group of West Africa’s top musicians further explore the earliest African music. Learn the sounds of the balafon, a type of xylophone closely associated with the Mandinka ethnic group of West Africa. Get familiar with the kora, an ancient ancestor of the banjo. Make dance music with the help of bikutsi rhythms from Cameroon. Fuse the sacred stylings of mbalax into your next heater. With this pack, we intended to honor the origins of African music while providing you with the depth and vitality passed down in African culture for generations.
The performers on this pack who played with force and virtuosity were Thio Mbaye, Cameroonian bassist Obam, Gabonese bassist Ismael Eneric, Franco-Central African guitarist Yann Moni, and guitarist René Shalom from Benin.
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Dirty Disco Vol. 2 was crafted Grammy-winning co-founder and drum extraordinaire, Paul Mabury with Javier Solis as a featured guest on percussion. Inspired by the disco music of the 1970s and ‘80s, this pack features tight and punchy drums, as well as a wide variety of complimentary percussion one-shots and loops. To maintain authenticity, the musicians used 1980s Rodgers and Yamaha drum kits with CB-700 concert toms.
Over 15 different percussion instruments were played live in the recording of this pack. Use these sounds to add groove or bounce to your track or layer the percussion loops onto the drums for added texture and feel in your productions.
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