In the second edition of Eclipse Sample Pack the moon crosses the sun. With the first edition we wanted to bring you a Pack, exclusively made of space melodies and we achieved it with “Eclipse Reggaetón Sample Pack Vol. 1” Now in volume 2, we risk bringing you much more modern proposals for 2021.
In this Pack you will get:
30 Samples
30 MIDI
130 Stems
Royalty Free
32 Bit/44.1kHz High-Quality .WAV Stems
BPM Is Adjustable Works In All DAWs (Logic Pro, FL Studio, Ableton, Cubase,…)
What is promised is debt and our community is always right.
For some time now, they have been asking us for a Midi Pack style; Jhay Cortez, Bad Bunny, Mora and Anuel AA. In one way or another, these artists have in common a very unique line of Reggaeton that we call “Dark Reggaeton.”
Our team of producers took on the task of bringing you 60 Reggaeton Midis, pointing to the style of the previously mentioned artists. This pack is completely Royalty Free and from here you will get some disco vibes for this summer.
Volando Reggaetón Midi Pack | Midis de Reggaetón Oscuros | @Midilatino
In this Midi Pack you will get style; Jhay Cortez, Bad Bunny and Feid. These artists have a very unique line of Reggaeton in common and which you can enjoy in this Midi Pack.
Our team of producers took on the task of bringing you 60 Reggaeton Midis, pointing to the style of the previously mentioned artists. This pack is completely Royalty Free and from here you will get some catchy and commercial vibes for this season.
We bring you our first MEGA-MIDI PACK that contains 600 midi files that include genres such as: Reggaeton, Trap, Dancehall and AfroBeats.
We are very happy and looking forward to starting to use it! Since it has taken us months to build this Midi Pack, it should be noted that a MIDI Pack or MIDI Library of this magnitude had never been developed for the Hispanic industry.
Our team works hard to bring you the best variety and above all quality.
Our “Platinum Midi Pack” was just the introduction to this Mega-Pack so it was free. But, The Gold Mega-Pack is the one that will take everything and with your support we hope it will not be the last massive Pack.
It also contains a folder that will help you to form scales in an easy and simple way.
Samples Choice presents Lo-Fi Moment The collection contains 4 construction kits with 70 samples. Inside the pack you’ll find jazz piano chord, solo, electric piano, old keys, soulful bass, drum loops full, top and layered for each single drum loop. The pack is suitable for lo-fi, hip hop, r&b, soul, electronic, cinematic, chill out and many more. Pack details: 70 x wav 44.1 khz 24-bit All files are royalty free and ready to work on all major music software. Other genres that this package may be useful in: Jazz RnB Soul Cinematic Chill Out
70 Sounds
Samples Choice is an Italian Records Label founded by Marco Duranti (UGLH). The label specializing in underground sample packs, focused on top-notch Tech House, House, Deep House, Nu-Disco and Techno, will help you on your productions for building professional tracks. About Marco Duranti aka Underground Loop Hole (UGLH): Marco Duranti have collaborated as producer on an eclectic range of projects… Most importantly “Duran y Garcia” which appeared on a number of compilations such as: St. Germain dés Prés Café Vol. 1 and Vol. 2, Café del Mar Chill House Mix Vol. 3. In 2006 he started the project Underground Loophole (UGLH) with Stefano Marcucci… UGLH gave rise to various hit-machine productions…Their own productions & remixes have appeared on labels such as: Get Physical, 8Bit, Supernature, Noir Music, Suara, Monique Musique, Time Has Changed, Plastic City, Caramella Records, Rawthentic Music, Great Stuff Recordings, CR2, Lucidflow, Catwash, Lower East, Monza Ibiza Records, Savor Music, Something Different Records & so on… Additionally, their productions have been remixed by established artists such as: Carlo Lio, Gorge, Nima Gorji, Sasch BBC & Caspar, DJ Wild, David Labeij, Alex Dee … UGLH have performed both DJ & live sets in a variety of clubs & events… As Djs he have performed in many clubs and events: most importantly Love Parade 2008 – Dortmund, together with Dj Pierre, Martin Eyerer, Tom Pooks and Einzelkind. He also have performed in Costa Rica at Vertigo Club, in Belgium at Decadence, in Germany at Great Stuff Party, in Copenaghen at Beat Me, in Spain at Sonar and many more.
Welcome to Flamenco Sounds. Recorded exclusively in Spain, this collection captures a wealth of traditional and modern rhythms and flavours played by original respected Flamenco musicians – names such as Ketama, Tino De Geraldo and Pedro Andrea among others.
Included in this library are:
Guitar rhythms,
Male Cantaor and Female Cantaora (vocals),
Tapping feet,
Solo tapping,
Castanets,
Shouted vocals,
Cajon rhythms.
A rich assortment of essential peasant-style elements to help bring out the gypsy in your music.
BPMs and key references are included where necessary.
Elementary Jazz Theory – And How You Can Directly Use It Within Your Music TUTORIAL
This course is designed to make you familiar with the basics of Jazz Theory while at the same time giving you tips on how you can use it creatively within your music. The class is practically orientated and will not cover notation and sheet music. Instead, it provides you with some logical understanding of how to create harmonies and chords and specifically aims for showing you sounds that are exciting.
For who is this class?
total beginners who have no knowledge of music theory and jazz yet – they can spend some more time on the first chapter, which explains the very basics of music theory
musicians and producers who heard about jazzy chords and may use them already but feel like they want to have some better, deeper and logical understanding of it in order to use those sounds and chords more consciously
people with some basic knowledge in music theory – in that case you can skip chapter 1
What will you learn in this class?
the very basics of music theory
how to create rich, jazzy chord sounds and textures that can serve as the foundation for a composition or tune
how to create exciting chord progressions and how to understand WHY they actually sound good
how to use different types of scales for creating distinctive emotions and sounds
how to be creative with those ideas immediately
What won’t you learn in this class?
how to improvise/become a soloist
how to write those things down on sheet music (you will learn the names of the chords and notes though, and I constantly speak about intervals and scales)
everything – I mean it in a way that this class is designed to give you a compressed and coherent introduction to the world of jazz harmony with a focus on practical application. This means that I can’t speak about everything or explain everything in detail
Synthesis Masterclass with Arturia’s MicroBrute TUTORIAL
Join me, in this short synthesis masterclass, exploring Arturia’s MicroBrute.
You will learn everything you need to know, to level up your synthesis game. All the concepts apply to practically every other synth out there.
This course is great for anyone at any level, new creators, producers, and veterans can learn new and interesting ways to create unique sounds. Navigate around synths, understand the different synth components that help you compose your sound. Determine which type of synthesis is used to generate sound. As well, use any of its limitations to your advantage.
In this course, you will learn:
Overview of synths
Some cool history and development trends that shaped music through the decades
Structures and time signatures
How to use limitations as creative outlets
Oscillators, Waves, Harmonics, Overtones
Filters, Frequency, Resonance,
Types of Filters like low/high/bandpass
Sound Envelope/ADSR and how to shape and tone your sound
How to identify just about any synthesizer by synthesis type, and how to use it
How to create any sound of your own concept using hardware or software synthesizers
This course uses Arturia’s MicroBrute but is designed to work with any other synth. So no matter what synthesizer you are using, this class will guide you through how to use your synthesizers.
Check out our other courses on DJing, Music Production & Sound Design.
SDRR 2 was built to satisfy almost all of your saturation desires. It provides a comprehensive set of controls to manipulate the character of the saturation to make it fit exactly. SDRR offers four different main modes: TUBE, DIGI, FUZZ, DESK and reacts dynamically to the input signal. Each mode has its unique crosstalk behavior, which can be switched off or exaggerated. A unique RMS level difference metering mode makes level matching an easy task. SDRR can be different things: a saturation, a compressor, an EQ, a bit-crusher, a subtle stereo widener, or simply add some movement to your tracks with the DRIFT control. Add warmth, depth and character to your tracks with SDRR. Don’t forget to check out the free IVGI, which can be seen as the little brother of SDRR. It is based on the DESK mode in SDRR. Since IVGI is comparable to SDRR quality-wise, CPU-consumption wise and regarding aliasing (or better the absence of aliasing artifacts), it’s a good way to also get an impression of how SDRR would perform on your system. SDRR is available in the following formats (all included in one single license):
The four modes in SDRR:
The TUBE mode consists of two different models of a two stage tube preamplifier. These two models can be blended into each other with the CHARACTER control. WARM focusses more on the transient smoothing and compressing character associated with tubes, while SIZZLE captures the harmonics generated, when driving the preamp without affecting the transients much.
The DIGI mode: designed to precisely add even and/or odd harmonics to program material. Gives a very controlled sound. Again two models were created, which can be blended. The first one only generated the first 4 harmonics. DIGI is great for adding harmonics and excitement to your tracks without coloring the signal too much and might act as a proof, that digital saturation can sound pleasant. Use the BIT->RATE control for bit crushing/sample rate reduction effects. Combined with the DRIFT parameter it can get pretty wild!
The FUZZ mode: consists of two different models of classic germanium fuzz stomp boxes. Both are heavily modified for lower distortion levels to be suited even for mastering duties. The FUZZ mode takes advantage of the unique properties of germanium transistors and delivers a very warm, cosy sound.
THE DESK mode: Klanghelm’s version of a flexible mixing desk channel strip plugin with just a few controls. It features a sophisticated 2 band EQ with special designed curves to fit most material. Furthermore it offers control over the transient response of the saturation and the compression. The aim of the DESK mode is to be the only plugin needed for an at least OK recorded track to shine – all with very few controls.
11/30/21 version 2.4.1
– FIX: saving user presets didn’t work on some Windows systems
11/05/21 version 2.4.0
– native Apple M1 support
– GUI: popup menues and file chooser widgets: stability improvements
‘Rozay Champagne 6’ brings you 4 Kits Of Luxury Melodic Sounds that are filled with inspiring Hip Hop & RnB melodies.
36 Sounds
Blissful Audio is the building block of contemporary & soul music. They have gathered the best engineers & producers to give you a full supply of samples and loops to build your music catalog. Their goal is to give you the hottest and freshest contemporary/soul sounds available.
Deep Data Loop´s most successful series continues with 556 fresh sample files of pure 80s flavour. We provided 50 new themes with mixdowns loops plus each parts single like kick-drum, bassline and so on. That way plenty of new creations can be built from here. Use these ideas on their own or ad your own creation sparks to it. 1.34 GB will let you have big fun with one of music´s best decades.
What’s in the collection?
Beats: 50 eighties style themes with mixdown loops and single parts loops
(Kick, Snare, Hihat, Percussion, FX etc.)
Music: 50 eighties style themes with mixdown loops and single parts loops
(Bassline, Chords, Melody etc.)
All loops have 109 BPM and range between 5-9 bars , 24-bit Wavs
Einmusik is one of the figureheads of melodic club music and has been touring through clubs, festivals and across all national borders for years. His tracks, DJ and live sets not only inspire thousands of listeners, but also musicians and DJ colleagues, because the internationally sought-after techno artist always delivers tracks that are made for the dance floor. Sometimes the dancers lie in each other’s arms to great emotions, sometimes they drift off into new and distant worlds to cosmic sounds. Einmusik knows how to respond to the preferences and listening habits of the electronic scene, knows what works and where to set stimuli – and not just in the live situation, but directly from the studio. In the online master class for SINEE, Einmusik passes on his tips and tricks and, with the help of his own productions such as “Dune Suave”, shows what is important in music production.
Denise Audio Bad Tape 2 v1.0.0 VST VST3 AU AAX [WIN & MacOS]
The Bad Tape plugin by denise was bad. It remains one of denise’s most popular plugins to date. Bad Tape focuses on recreating tape artefacts in a controlled way: tape stops, slight slow-downs and speed-ups, and multiple ways to go out of tune and off the grid. Now, three years after the initial release, denise wanted to take the Bad Tape to the next level, giving you more FX and a new level of flexibility to shape the tape degradation of your sound. With the Bad Tape 2, it gets even worse!
Detune
The detune is perhaps the most beloved feature of the Bad Tape – and for this new release, denise wanted to take it to the next level. denise added the ability to control the rewind and recover times of the detune individually. Work off the grid or sync it to the host BPM if you like. Recreate the sound of a (slightly) broken tape recorder, a cassette player or the nostalgic vibe of your old walkman. But it doesn’t end there…
Sidechain
With the newly added advanced side-chains, you can trigger your tape malfunctions via external audio sources: for instance, create detuned synth grooves from your kicks, resulting in an elegant touch – or complete madness. Use the side-chain to add interesting rhythmic noise textures with “Hiss” and “Harm” or finally control that damned squeaking tape reel to only play when desired, resulting in a very organic sound and a whole new level of fun and depth.
Push-Pull
The beloved push-pull feature of the Bite Harder, Dragon Fire & God Mode is now coming to the Bad Tape. Push-pull is the ability to saturate different frequency ranges without changing the fundamental characteristics of your sound. When saturating a drum bus, you can push the snare into the saturator for that warm tape sound and pull the sub out to keep the whole thing under control, all while retaining the tonal balance of the sound. With the Bad Tape 2, you can now pick the frequency ranges you want to saturate instead of having to saturate them all at once… see what that means for your sound in our video example:
In addition to the next level detune, side-chain and push-pull graph, denise also added host syncing, oversampling and four new effects: phaser, doubler, resonator & magnet. Slow down, freeze & wobble your sound like never before.
Features
Next level Detune – Slow down the tape in real-time, as if you would press your finger on the tape reel.
Sidechain – The side-chain allows you to trigger the effects via an external audio source. The amount can be set individually for each of the effects for endless combinations and sounds.
Push-Pull Graph – The push-pull graph lets you have complete control over the frequencies that are going to be saturated. Automate it to create organically changing tape-saturation and create steep curves for screaming resonances.
Harm – Introduce failing tape artefacts from subtle to extreme tape degradation.
Four Effects – Phaser, Doubler, Resonator & Magnet.
Squeal & Noize – Add old tape machine noises for character and vibe.
Colour – Adjust the overall colour of the sound analog to different tape materials.
Speed – Adjust the speed of the wow and shake effects to easily create interesting variations.
Saturation – Saturate your tracks for that good old vintage tape sound. Warm and smooth character due to hysteresis emulation.
Presets – Comes with presets for synth, drums, bass and classic tape-style effects.
More Benefits – Low CPU usage, works offline, has oversampling, host syncing, native M1 support and works without dongles or complex licence managers.
