THIS SOUND BANKS WORK PERFECTLY EVEN AS WAVESTATE NATIVE (VST)
Many different kind of sound, 30 performance, ambience, soundscape, cinematica, lounge, chill out ,experimental, drama, classic, Vangelis, Jarre, and many others new types of sound, all performance simply import with Editor librarian 2.0
THIS SOUND BANKS WORK PERFECTLY EVEN AS WAVESTATE NATIVE (VST)
Many different kind of sound,40 performance, ambience, soundscape, cinematica, lounge, chill out,experimental, drama, classic, Vangelis, Jarre, and many others new types of sound, all performance simply import with Editor librarian 2.0
Effervescent synths, funky arpeggiated bass-lines, trippy leads. Get in the groove.
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Snare Loops & Build Ups – a selection of pre-made loops to help create the right type of energetic build up or break down within your next tech, future, nu-disco, slap, or jacking house anthem.
Snare Loops & Build Ups comes ready to use with 52 individual 24-bit WAV files at 125 BPM, all processed and ready to go.
We strive to give you the best up-to-date sounds with professional samples and song starter kits to help kick start your career or simply give an inspiring new perspective on your current productions.
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Cover all of your saturation needs with a quality-sounding VST that adds instant character to samples and recordings by applying gentle-to-brutal distortion.
In addition to its distinctive drivers, phatteners, and crushers, Swiss Saturator is filled with customization options. Adjust the distortion levels of the entire frequency spectrum by exploring Swiss Saturator’s separate low, mid, and high-frequency processing.
Swiss Saturator features three identical saturation rows with plenty of options for monitoring and customizing sound. On the top of each row, you can find Solo, Mute, and Bypass buttons, incredibly convenient for in-depth sound shaping. The Mute buttons can also work as makeshift band removers.
The real magic, however, happens in the DRIV, PHAT, and CRUS knobs, which are the heart and soul of Swiss Saturator. They all apply some form of sound distortion to processed signals, but they do so very differently. It’s the combination of these three saturators, depending on the frequencies sitting in each band, that makes Swiss Saturator such a flexible tool for music distortion.
This soundset is the collection of 5 banks of presets for Arturia Microfreak:
It will find its place in many genres: techno, minimal, house, deep, progressive, trance, electronica, ambient, downtempo, lounge, idm, glitch-hop, breaks, breakbeat, dnb, hip-hop.
“Modular Arps” soundset is a collection of 50 Arp presets.
They have groove, swing, accents, polyrhythm, motion and timbre development. Lots of interesting (sometimes unpredictable) stuff happens with these arps. They generate so many “Happy Accidents”.
Press Mode is set to Velocity in all presets. Keep it in mind while editing midi clips or playing the keys.
“Mystic Pads” soundset is a collection of 50 Pad presets. There are pads, strings, drones, textures.
The sound palette is wide: warm and cold, static and rhythmic, tonal and atonal, noisy and glassy, massive and tiny. This bank of presets is a good weapon for creating mystery and special atmosphere in your projects.
Press Mode is set to Aftertouch in all presets. Keep it in mind while editing midi clips or playing the keys.
“Keys in Nostalgia” is a soundset of 50 keys presets for Arturia Microfreak. The bank of presets is done in/for a kind of melancholic and nostalgic mood: there are Vintage, Lo-Fi and Noisy timbres.
Some of them are mild and pad-like, other are more plucky, also few fx/drone-like timbres are included. And, of course, the majority of the collection consists of the presets with keys articulation.
“Noise Osc”. This soundset is inspired by the new Noise Oscillator added in firmware 2.0. 10 presets include keys, pads, fx, plucks.
Press Mode is set differently: Aftertouch and Velocity.
“Vintage Tape” is a collection of 10 paraphonic ambient presets with some retro mood thanks to the Noise and Detune parameters.
All presets have Press parameter set to Aftertouch, so you may develop the sound with your hands without touching any parameters.
‘Amazon’ contains 100 soul & jazz grand piano loops. Dry and Wet versions of each loop are included. Dry loops are the actual live recording of the loops without any effects added. Dry loops are ideal for producers looking to add their own effects to the loop. Wet loops are loops with effects and textures added. These skillfully played grand piano loops are meant to bring the taste of jazz and soul to your next project.
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“Nightwift” is a loop kit/sample pack that contains 10 original high quality, versatile compositions made by Mark Motta, the melodies are inspired by lil durk, polo g, rod wave, lil tjay, toosii, roddy ricch, a boogie and more.
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I made this pack wanting to give my best samples! In the style of Future, EST Gee, Lil Durk, 808 Mafia, Nardo Wick and more. Hope you enjoy!
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“Weekends Alone Vol .2” has 10 original Pop & R&B guitar samples produced by producer JRDYN. Each sample was recorded and mixed using high-quality gear at JRDYN’s home studio. JRDYN has given the greatest details to allow endless possibilities for sampling. All samples are BPM and key labeled.
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Get pumped up for your next soccer game with the “Motivational Soccer Energy Vol 2” sample pack by Smokey Loops. This pack features 5 exclusive construction kits that are loaded with a variety of sounds to take your game to the next level. Perc Loops, Whistle Loops, Guitar Loops, Vocal Loops, String Loops, STEMS and more, are all included to help you build the perfect soccer-inspired beat. Whether you’re a seasoned producer or just starting out, this pack has everything you need to create the ultimate motivational soundtrack for your soccer game. So why wait? Grab “Motivational Soccer Energy Vol 2” today and elevate your game to the top of the field!
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Professor Michael Edgeworth McIntyre is an eminent scientist who has also had a part-time career as a musician. From a lifetime’s thinking, he offers this extraordinary synthesis exposing the deepest connections between science, music, and mathematics, while avoiding equations and technical jargon. He begins with perception psychology and the dichotomization instinct and then takes us through biological evolution, human language, and acausality illusions all the way to the climate crisis and the weaponization of the social media, and beyond that into the deepest parts of theoretical physics — demonstrating our unconscious mathematical abilities.He also has an important message of hope for the future.
Contrary to popular belief, biological evolution has given us not only the nastiest, but also the most compassionate and cooperative parts of human nature. This insight comes from recognizing that biological evolution is more than a simple competition between selfish genes. Rather, he suggests, in some ways it is more like turbulent fluid flow, a complex process spanning a vast range of timescales.Professor McIntyre is a Fellow of the Royal Society of London (FRS) and has worked on problems as diverse as the Sun’s magnetic interior, the Antarctic ozone hole, jet streams in the atmosphere, and the psychophysics of violin sound. He has long been interested in how different branches of science can better communicate with each other and with the public, harnessing aspects of neuroscience and psychology that point toward the deep ‘lucidity principles’ that underlie skilful communication.
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Since the late ‘70s breakbeats have been sampled and repurposed across an ever-evolving global continuum of electronic music. Over time, this method of beatmaking has become highly intricate and nuanced with some of the more technically demanding examples found in drum & bass and its sub-genre drumfunk; which is known for its constantly shifting patterns, derived from rare obscure breakbeats or well-known classics.
Dev Pandya, aka Paradox, has pioneered the drumfunk genre for over two decades. With a vast catalog of vinyl releases to his name, his beats have become notorious for their meticulous programming, perfectly placed shuffles and unparalleled grooves. Having made regular appearances on acclaimed labels such as Moving Shadow, Metalheadz and Reinforced, Dev’s discography is a testament to a lifelong, unwavering dedication to his craft.
Some popular tracks featuring Paradox
“Back in 1989, we were fusing fast funk breakbeats with 8-bit techno stabs and 808 basslines”, he reminisces. “We weren’t sure what sound we were creating as there wasn’t anything else at our tempo. The internet wasn’t born then, so we sent a few cassette tapes to a bunch of labels. Moving Shadow got back to us and we met the owner Rob Playford. Upon listening to our tracks he said they were way too fast and asked what the BPM was. We didn’t know as our computer didn’t have a BPM counter, but they sounded fine to us and we didn’t want to change them. Looking back now he must have thought we were mental. But he offered us a contract that day and we said we’d go away and discuss it. As we left we passed a coat rack and saw these Moving Shadow jackets hanging up with the dancing man logo on the back. My production partner DJ Trax and I looked at each other and just knew. We called Rob later that day and accepted the MS deal and our first Mixrace 12-inch was released in 1992.”
Some popular tracks featuring Paradox
“Back in 1989, we were fusing fast funk breakbeats with 8-bit techno stabs and 808 basslines”, he reminisces. “We weren’t sure what sound we were creating as there wasn’t anything else at our tempo. The internet wasn’t born then, so we sent a few cassette tapes to a bunch of labels. Moving Shadow got back to us and we met the owner Rob Playford. Upon listening to our tracks he said they were way too fast and asked what the BPM was. We didn’t know as our computer didn’t have a BPM counter, but they sounded fine to us and we didn’t want to change them. Looking back now he must have thought we were mental. But he offered us a contract that day and we said we’d go away and discuss it. As we left we passed a coat rack and saw these Moving Shadow jackets hanging up with the dancing man logo on the back. My production partner DJ Trax and I looked at each other and just knew. We called Rob later that day and accepted the MS deal and our first Mixrace 12-inch was released in 1992.”
With his strong command of rhythm theory, it would be natural to assume Dev had a background or education in drumming. But surprisingly, he hadn’t picked up a set of drumsticks before making music. Dev’s beats nonetheless once piqued the interest of Dutch drum and percussion magazine Slagwerkkrant, where he was featured as a computer drummer beside Phil Collins.
“I think some readers voiced their opinions later that I shouldn’t have been in there as I had never touched a drumstick, but it’s still a favorite magazine feature in my press catalog.”
Sexy but with an uncomfortable sensation like sandpaper. Distorted, dirty, unpredictable and sharp as nails. Warehouse music production tools designed for artists who are unafraid to take listeners into a dark, twisted realm. Harder than steel kick drums, punishing sound effects, angry basslines and evil sound effects live within this beast. Take a deep breath before you open ‘Rough Around The Edges,’ as you’re sure to be overwhelmed with the dark forces lurking inside.
An incredible assortment of drones, loops, one shots and electronic tools created with some of the biggest and baddest machines in the scene. These sounds are gathered from Eurorack modules including Noise Engineering, Make Noise and Mutable Instruments as well as Elektron machines and many other hardware effects, tools, samplers and gizmos. Regardless of the gear used to make this one, you’re sure to agree it’s a product that sounds absolutely amazing and totally furious.
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‘Vibes Vol.1’ is a R&B/Trapsoul Sample Pack containing 10 sample with STEMS. This pack is is full of incredible lush samples layered with melody and bouncy filtered drums, in style of Drake, Summer walker , Bryson Tiller, Jacquees, and many others.
These samples include vocals, synths, pad, textures, guitars and more. All loops were recorded in 24-Bit quality for plenty of dynamic headroom to give you the best start to tracks or to flawlessly integrate into existing projects
Please for any info about the license contact [email protected]
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