![Xero's [800+] Asian Rock Sound Kit WAV MIDI FST](https://vstorrent.info/wp-content/uploads/2024/10/ASIAN-ROCK-SOUND-KIT.webp)
244 x One Shots
148 x VST Presets
96 x Mixer Presets
71 x 808s
12 x Chant
41 x Clap
54 x Drum MIDI’s
26 x FX
31 x Hi Hats
3 x Melody MIDI’s
31 x Open Hats
40 x Percs
14 x Riser + Crash
25 x Snare
8 x Tickers
Introducing “Hyper Techno” by Dropgun Samples and Lost Capital, a definitive sample pack designed to propel your music to new heights. Inspired by the electrifying sounds of Alok, VINAI, Dimitri Vegas & Like Mike, Marnik, and more, this collection features a meticulously crafted arsenal of 654 samples.
Embark on a sonic journey with 180 dynamic vocal samples by Alessia Labate, perfectly capturing the essence of emotion and energy. Dive into over 150 bass and melodic loops that drive the groove forward, alongside 120 rhythmic drum and percussion loops that keep the beat alive.
Explore 125 meticulously designed drum and percussion one-shots for precision in your rhythms, complemented by over 50 FX samples that add depth and atmosphere to your productions. Craft infectious basslines, weave hyper techno synths, or layer atmospheric pads—all elements are meticulously crafted to elevate your tracks.
Enhance your creativity with 45 Serum presets for bass, chords, and leads, embodying the signature hyper techno sound.
“Hyper Techno” offers everything you need to make a lasting impact in the dance music scene. Elevate your productions to breakneck speeds with unparalleled quality and style, and create your next dance anthem with confidence.
MNT – Moments of Wonder – Animated Drama
Animated films have become a monumental part of the cinematic landscape, capturing the hearts an imaginations of kids and adults everywhere through storytelling. Companies like Pixar, Dreamworks, and Blue Sky have dreamt up some of the most iconic characters and fantasy worlds that are supported by equally creative soundtracks to match the moment of each story. Pianist, composer, and storyteller himself Harold O’Neal set out to build a sample score that lived up to the wonder of these incredible films.
Moments of Wonder is a boundless sample pack inspired by these animated films that provides the perfect emotional touch for every part of your story. Melancholy piano loops that transport you to a rainy day, dramatic harp glissandos that put you in the clouds, and rich string sections that give you a sense of magic. The pack is led by a dozen or so Melodic Stacks that act as scene starters for a variety of emotions. Within these stacks are stems that can be mixed and matched with many alternative options.
Recorded in Splice’s Sound Factory studios in Hollywood, Harold worked with some of the most sought after session musicians in LA – Pia Salvia (Harp), Megan Shung (Violin) and Ismael Guerrero (Cello). They’re virtuosic playing combined with Harold’s direction make this pack one of the most technically rich you can find on Splice. Dive into this impressive pack today and provide your next score or production with a level of cinematic imagination that it’s missing. These samples are fertile ground for resampling, flipping, and reworking: we can’t wait to see what Moments of Wonder you create for yourself.
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With being compared to Duke Ellington, Kenny Kirkland, and Maurice Ravel by The New York Times, Harold O’Neal FRSA (pianist, producer, speaker, social entrepreneur) has established himself as one of this generation’s greatest pianists and composers.
He has received widespread recognition and coverage in a variety of media outlets, including Forbes, NPR’s All Things Considered, The New Yorker, Fortune Magazine, and the 92nd St Y: 7 Days Of Genius series. O’Neal has also been granted fellowship to the prestigious Royal Society of the Arts, with Her Majesty Queen Elizabeth II as patron. Recently, Harold O’Neal brought his storytelling expertise to Pixar’s Academy Award-winning film, Soul, serving as a creative expert behind the scenes with his stories providing valuable resources to the filmmaking process.
398 Samples
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![Cool WAV Vitality Vol. 2 [VITAL]](https://vstorrent.info/wp-content/uploads/2024/10/Vitality-Vol_-2-VITAL.webp)
Vitality Volume 2 is a collection of 50 Presets for the VST Vital. The genres of choice are Trap, Hip Hop, Pop, and R&B.
You will find Analog 808’s, Electric and Synth Bass, and live instrument samples layered with Analog and Vintage Synthesizer Wavetables.
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Bridging the organic and digital worlds in the best tradition of previous Riot Audio instruments, PHONETIC is an innovative vocal morphing engine for Native Instrument’s Kontakt 6. It draws on a wide selection of single and dual phonemes (ah, eh, ba, la, vv etc) as a basis for musical sound design. Although technically a sample library, the architecture and resulting sounds are more reminiscent of a synth.
PHONETIC’s pulses, pads, keys and other sounds are not limited to the original performers’ ranges and are therefore playable across the entire keyboard range. Be prepared to be mesmerised by a smorgasbord of looping, whirling and gradually unfolding velvety soundscapes.
PHONETIC is a syllable-based vocal morphing engine for Native Instrument’s Kontakt 6. It is loaded with 44 female and male vowel/consonant performances recorded across a broad range of pitches, arranged in three layers: Body, Loops and Air.
The over 3000 total possible sound combinations can be sculpted into evolving pads, pulses, pad/pulse combinations, and also keys and riser sounds with the Shape, Morphing and Movement controls in the user interface.
PHONETIC contains 125 presets, ranging from minimalism-inspired looping female single syllables, via gently evolving formant-filtered pad sounds, to gritty distorted riser sounds.
The Home Screen contains top-level controls for the layers, including:
The Home Screen also contains the master controls, with selectors for dynamics:
As well as controls for:
The layer screen contains in-depth controls for the layers (envelopes), specific controls for each layer type, morphing and movement tabs, and a vibrato tab for each of the layers individually.
PHONETIC’s Engine comprises three layer types – Body, Loops and Air. Each contains a distinct set of sounds (phonemes), with unique processing variables. All sounds were recorded in a female (f) and male version (m).
BODY
This layer contains sustained open vowel sounds such as “Ah”, “Oh”, “Eh”, “Ooh”, “A-E-I-O-U” and hums. The unique layer controls adjust sample start.
LOOPS
This layer contains looped consonant/vowel combinations (syllables) sounds such as “Na”, “Bo”, “Mi”, “Lu” and “Mo”. The unique layer control adjusts tempo-synced looping speed.
AIR
This layer contains sustained sibilant consonant sounds such as “ff”, “sh”, “vv” and others. The unique layer controls allow for controlling weight (amount of low-end body).
The Morphing Tab is designed to create smooth, gradually evolving textures. It contains the following possible morphing parameters:Low Pass Filter, Band Pass Filter, Formant Filter, Distortion. Morphing Amount and Time can be individually adjusted, as can the Direction of the effect.
The movement tab contains three LFO types (sine, square and triangle) to control Low Pass and High Pass Filters. This effect is tempo-synced and creates very effective pulses, tremolo effects and other tempo-based textures. As in the morphing tab, the direction of the filters opening/closing can be reversed.
Tape Saturation
The tape saturation effect allows for gentle warming up of the sound all the way to screaming distortion. The “warmth” slider adjusts the amount of high-frequency content in the saturation.
Filter
The Filter section offers a choice of Band Pass, High Pass and Low Pass filters.
Delay
The Delay section comes with controls for Amount, Feedback, Delay timing, as well as a switch between standard and diffusion-type delay settings. Diffusion delay is very useful for creating washes and big cinematic soundscapes.
Reverb
The reverb section is simple and allows for control of room size and mix.
EQ
3-band EQ – low, mid and high frequencies, complete with Q control.
Phonetic comes with 125 ready-made snapshots/presets, including:
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100+ CUSTOM SOUNDS USED IN ALL MY BEATS
24 808
18 CLAPS
16 HI HATS
14 OPEN HATS
12 PERCS
16 SNARES
![ayo.desire X-GEN [multi-kit] WAV MIDI FLP FST](https://vstorrent.info/wp-content/uploads/2024/10/X-GEN-multi-kit.webp)
➜ DRUM-X: (650+ samples)
(808, CLAP, KICK, HH, OH, PERC, RIM, SNARE, ASCENTS, FXS, CRASHES, TRANSITIONS, TEXTURES, RISERS, VOXES)
➜ MIDI-X: (100+ midi files)
➜ PRESET-X (15 presets)
➜ LOOP-X (10+ HQ LOOPS)
➜ ZIP-X (5 zip archived projects)
✓ TOTAL: [1,3GB] file
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What kind of country music sample label would this be if we didn’t dedicate a pack to Music City? Home of country music, Nashville, Tennesee’s foundation is deeply rooted in musical tradition. It became a national center for music publishing in the 1800s and the Ryman Auditorium – the “Carnegie Hall of the South” – was built in 1892. The first musical act to embark on a world tour came from (and was supported by) Fisk University, putting Nashville on the map as a global music center. The radio station WSM and its launch of the broadcast later called the Grand Ole Opry was established in 1925. The 1930s saw Jefferson Street transform into a lively hub for music and entertainment. When rock & roll began stealing the global spotlight in the 1950s, the city’s music industry developed the Nashville Sound genre to revive country music sales, replacing the rough honky tonk music that dominated the scene with smooth strings and choruses, sophisticated background vocals, and smooth tempos associated with traditional pop. Throughout the decades since, Nashville’s music scene has evolved, morphed, and spun off several sub-genres and styles of country music. With roots so deep, however, there will always be a certain sound associated with Music City, and this pack captures it.
Born and bred Nashville musicians Kate L. Malone (Sam Hunt, Alana Springsteen, Emma White) and Devin Malone (Keith Urban, Jelly Roll, Carrie Underwood, Ingrid Andress) performed the sounds for this pack. Kate is a producer and songwriter with over ten years of experience in various music industry roles from songwriter to producer and theatrical music director. She has written and produced songs that have appeared in TV shows and movies for ABC Family, Freeform Network, MTV, and Summit Entertainment/20th Century Fox. Kate was also the first female producer ever included in the esteemed ASCAP GPS Program. Devin has played on more than twenty #1 country songs and countless Top 40 County Hits. Focusing on electric guitar, acoustic guitar, pedal steel, dobro, and mandolin, Devin is a sought-after utility player both in recording sessions and as a touring musician.
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Our very own Phil Johnston’s back and selects a couple of forum requests to recreate some awesome synthwave sounds by The Midnight in ANA 2.
If you’re looking for a helping hand to design a certain sound in ANA 2, head over to the forums here and your request might get featured!
Check it out!
Join veteran Groove3 instructor and dance music guru Larry Holcombe for a video tutorial series on the all-important subject of gain staging, as it applies to dance music specifically. A topic that’s often overlooked by novices, this will help you take more control of each element involved in your mix—from metering to plugins and everywhere in between. By the end of the course, you’ll know you’re optimizing every signal chain stage. These gain staging videos are designed for users new to the subject.
Larry starts off by discussing the theory of gain staging and why it’s such a necessary aspect of music production when working in a DAW. You’ll learn specifics about making sure plugins (especially vintage ones) stay in their “sweet spot” for the best sound, along with other tips for maintaining a healthy signal level. Larry also discusses various metering options, including VU meters and peak levels, to make sure you’re keeping your levels under control at all times.
Then, after demonstrating the procedure for properly setting input levels, he sets up a good initial level for the kick drum, which will be used as the basis for building our mix. This ensures we’ll have plenty of headroom in the master bus.
Don’t neglect this crucial element of proper mixing technique any longer! This course will teach you invaluable tips for keeping your levels in check throughout your chain, many of which can be applied to other genres as well. See the individual Dance Music Gain Staging video tutorial descriptions for more information on how this idea can help you in your own productions. Take control of those levels… Watch “Dance Music Gain Staging Explained®” now!
What’s Kontakt 8 all about, you ask? Well, step right this way! NI expert Eli Krantzberg will provide comprehensive answers to that question in this extensive video tutorial series! Whether you’re just starting out or want to learn about the new instruments, new features, or simply workflow improvements and enhancements, it’s all here! After watching this Kontakt 8 video course, you can rest assured knowing you’ll be taking full advantage of everything Kontakt 8 has to offer! These Kontkt 8 videos are designed for new users.
To begin, Eli provides an overview of the new default interface view of Kontakt 8, including the new tools and other main elements. He also shows you how you can use the new Side Pane feature to search, browse, load/save presets, and more, which is incredibly convenient. Eli then demonstrates the new integrated functionality of the browser, which unifies your entire Kontakt library into one searchable location.
Next, you’ll explore the new Chords tools, which allow you to play chords on a Kontakt instrument by pressing a single key, and see how Eli uses them to generate and modify chords behind an acappella vocal. Then see the new Phases tool in action, which, similarly to the Chords tool, allows the triggering of phases with a single key. Eli continues by demonstrating how to combine both tools to create parts and generate new ideas.
There’s much more to come, including Leap (for manipulating loops in countless creative ways), combined presets and multi-instruments, Classic View (managing MIDI controls, transposing instruments, velocity range values, etc.), Conflux (a new hybrid wavetable/sample layering instrument), working with loops (bringing in several at different tempos and making them play at the project tempo while treating each to different filter and output settings), the Options menu (various settings and preferences), and more! Eli even shows you how to design a pluck sound, making use of many of the new tools and features.
Kontakt 8 really delivered in all areas, and this course is the fastest and easiest way to make sure you’re not left behind on any front. This course covers everything in detail, from the new tools (Chords, Phrases, Leap, etc.) to the new instruments (Conflux) and workflow enhancements, ensuring you’re prepared to utilize any or all of it in your next production. See the individual Kontakt 8 video tutorial descriptions for more information on everything that’s covered and how it can transform your workflow and creativity. Open yourself up to a new world of possibilities… Watch “Kontakt 8 Explained®” today!
As described in our Terms of Use, you may not use Seraiah Nicole’s name, image or likeness without their express written permission.
Signature presents, “Word of Mouth – Jazz Poetry.” This sample pack is an electrifying fusion of rhythm, rhyme, and soul. Featuring vocal artist Seraiah Nicole, accompanied by an in studio jazz quartet. Dive into a world where the beat of jazz meets the power of spoken word, drawing inspiration from the legendary history of the beat generation artists and the artform’s conception in black activist spaces. We even have seen a resurgence of this sound led by the likes of Kendrick Lamar’s spoken word jazz moments in TPAB to his recent album, “The Big Steppers.”
This release gives you access to loops from this in-studio recorded band, at Turtle Studios in Philadelphia, with spoken word, vocal melodies and harmonies laced over the rich warm sound of upright and electric bass, electric and acoustic piano, wailing trumpet and jazz drum loops that are the perfect foundation for your next beat! Whether you need a track intro, outro or a songstarter to drive you creation, there are so many options available with these offerings from such an amazing group of artists.
Featured vocalist Seraiah Nicole is a singer/songwriter who has work that intertwines spoken word, rap and singing; her multifaceted artistry has made waves in Philadelphia’s rich music scene. She is supported on this release by Grammy Award nominated songwriter Christopher Michael Stevens (trumpet, composer), Marcus Myers (drums, composer), Timothy Ragsdale on bass and Brandon Young on Piano.
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Dive into the pulse of the underground with “Rhythmic Shadows – Techno and; EBM.”
This sample pack merges the dark, driving energy of Techno with the gritty, industrial edge of Electronic Body Music, offering a versatile collection of throbbing basslines, razor-sharp synths, and relentless percussion.
Perfect for producers seeking to inject raw power and shadowy atmospheres into their tracks, “Rhythmic Shadows” delivers a sonic arsenal that will transform your productions into a hypnotic dance floor experience.
Unleash the shadows and let your creativity thrive.
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“Foreigner” from Aquila Beats is a Pop Smoke, Sheff G & Fivio Foreign inspired Drill Construction Kit.
From ethnic, Asian-inspired samples, to crazy 808 slides, “Foreigner” has everything you need to make your next drill banger!
MIDI files for all samples and drums are provided. However, some instruments were played live, so they have no MIDIs.
Each kit is fully stemmed out so that you have full control to manipulate and utilize every sound in your DAW of choice!
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“Free Souls” from Aquila Beats is a Rod Wave, NBA Youngboy, Polo G & Toosii inspired sample pack. Featuring Pianos and Rhodes layered with beautiful guitar melodies and bouncy, knocking drums, “Free Souls” has everything you need to make industry-level hits!
MIDI files for all Pianos, Drums & Basses are provided. However, many of the guitars are played live, so they have no MIDIs. Each kit is fully stemmed out so that you have full control to manipulate and utilize every sound in your DAW of choice!
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