The samples are high quality and professional sounding, useful for making edm/bass music such as dubstep, dnb, trap, tearout, riddim etc. There are a variety of different types/styles of sound, and they have good resampling value; i.e. they can be manipulated and resampled to put your own spin on them and keep them sounding unique!
The money raised from selling this pack will go towards funding a new laptop as my old one was water damaged and I wasn’t able to recover the files. If you like it, please share it if you can, or recommend it to your friends as this would really help to support me and my music!
With a humongous selection of the best in future bass & melodic trap that will take you to another dimension, we are ultra proud to present Euphoric Future Ultimate Toolkit!
Clocking in at a whopping 1.3GB, we have everything you need to create your next future hit.
What’s in the pack?
5 Construction Kits
Arps
Fills
Fx
Lead
Lead Brass
Lead Saw
One Shots
Orchestra Loops
Synth Loops
Vox Loops (all melodic content including midi for maximum control)
If this wasn’t enough we decided to create another folder, jam packed with melodics… “Strictly Melodics”
101 Bonus Loops (In Wav & Midi) of Leads & Synths… again including all midi!
This really is one of the most complete & freshest future bass packs around, just in time for the summer festival season!
Inspired by the funky, hypnotic style of tech house and heavily influenced by Mark Knight & the famous Toolroom sound… we present “Rooftop Tech House”
Featuring everything you need to produce that groovy tech stomper, this is seriously a weapon you need to own!
Product Details:
• 40 x Drum Loops
• 40 x Synth Loops
• 40 x Synth Loops MIDI
• 25 x Bass Loops
• 25 x Bass Loops MIDI
• 10 x Fills
• 16 x Clap Loops
• 10 x Kick Loops
• 15 x Vocal Loops
• 20 x FX
• 80 x Drum One Shots (Kicks, Snares, Claps, Hats, Percussion)
• 100% Royalty Free
A powerful guitar plugin that rises to the challenge. From delicate, clean tones, all the way to the heaviest wall of sound filling the entire mix. Rhino advances a proven formula, containing everything that’s needed to achieve a wide spectrum of guitar sound, all within a single plugin.
What’s inside
7 sections for virtually unlimited range of sounds Each ne-section can be expanded, revealing more controls, additional subne-sections and options. With all that, the Main Window stays clear and simple, allowing you to quickly make general adjustments.
Sections overview
▬ MOD FX
Flanger, chorus, and phaser
Fully adjustable and synchronizable.
▬ Time FX
Echo, delay, and two reverbs (algorithmic and convolution)
Pick from 3 types of delay and check out custom IRs prepared especially for Rhino’s convolution reverb.
▬ Out
A low-end dynamics controller, a limiter, and a fader.
▬ Input
Gate, gain knob, 3 different signal characteristics, and a high-pass filter.
– Expanded:
Dial in the gate’s attack and release times
Select the low-pass filter’s slope
Choose between 3 different input signal characteristics
▬ Preamp
4 drive models, 4 effects, and a tone stack.
– Expanded:
pick from 2 styles for each of the drive models
add a limitless amount of screaming input gain with SCREAM
tighten up the sound without changing the gain structure using BRUTE
crush the distortion with FUZZ
control the dynamics with PUSH
set the mix of the whole preamp ne-section
Standalone
There is no need to open your DAW to use Rhino. We do care about guitar players that simply want to have easy to use rig at fingertips. That is why we are providing standalone version of the plugin for everyone.
Easy and advanced
The Main Window is a hub for quick, all-around changes to the sound. Pick a preset, change a few main parameters and you’re ready to go. Expanded ne-sections unveil the true power of Rhino, revealing options and parameters that open up a whole new world of guitar sound.
Aurora IR’s
16 custom IRs in 4 different packs. Created especially for Rhino. A wide variety of tones chosen to complement each other perfectly to make the best out of the 4-file XY panel in Rhino
Tuner
Fast, accurate, simple.
State recall
Try new tones without looking back. Quickly compare the changes you’ve just made. Globally or for each ne-section separately
Artist preset packs
Play within seconds using an array of presets curated especially for Rhino by musicians and producers like Scott Eliot and Taylor Danke.
Fully scalable, responsive UI
L4k UI – fully scalable UI, just as readable on a 4k TV as on a smartphone. Designed with simple, intuitive control in mind.
Dark mode and vibrant colors: Two UI modes to choose from and a color theme that changes with the preamp.
Cross-platform presets: Exchange presets between Windows, macOS, iPad and iPhone.
Laniakea Sounds Mesmerizing Tech House Vol.2 WAV MIDI
‘Mesmerizing Tech House Vol. 2’ was produced by Andrew Benson and continues this series of hypnotic Tech House samples. This package contains six royalty-free Construction Kits which include WAV stems and MIDI files to them. All loops are tempo synced and key labeled with dark atmospheres, dopey melodies and viscous basses.
If you are looking for top quality material inspired and influenced by the following artists like Camelphat, Dennis Cruz, Claptone, Bontan, Olivier Giacomotto, then you’re going to want this pack. Add this sample pack from Laniakea Sounds to your studio arsenal now!
CutThroughRecordings Entropy II v2.7.7 [WIN MacOS LINUX]
Not your Grandpa’s Delay Plugin
Entropy II, like it’s predecessor, is a stereo crossover delay but with several features that will help take your recordings to the next level! Entropy II comes with many new features that will allow you to truly express your creative vision. Choose between milliseconds delay mode when you want to dial in a precise amount of delay, or tempo sync mode when you need your track to take on a completely different form. Entropy’s unique delay algorithm is bound to make your tracks bounce with ambience and excitement.
What Is So Special About Entropy?
The key to Entropy is the crossover. What does this mean exactly? To put it simply, Entropy’s delays interact with each other. Most stereo delays apply feedback within the channel that generates it. In Entropy the left channel receives feedback from the right channel and the right channel receives feedback from the right. This creates a subtle but unique delay effect, that almost smears the delays across the stereo field.
Feedback Section
Entropy features a feedback section that contains a lowpass filter, a highpass filter, drive, and gain. The feedback section allows you fine tune the delay so that you can get the perfect effect regardless of if you are going for subtle ambience or complete chaos.
Monsters’s movies just wouldn’t be as cool without the big roaring sounds they come with. The power of the monster is made all the more palpable by the sound of that raucous roar. Even when the monster isn’t visible on screen, the sound of his rattling in the background is enough to set your teeth on edge! This ferocious monster library has been designed by way of this thought with awareness of the needs of producers who want to improve their imagination.
“Cinetools” bring you this imaginary monsters and creatures SFX library – features powerful and disturbing roars, menacing snarls, creepy hisses, angry bellows and much more for your fantasy creatures, being them giants, orcs, trolls, dragons or any kind of monstrum family! Are you ready to feel the fear of facing down brutal beasts!
‘Monsters’ will give you all the tools you need to create perfect fight between monsters and beasts. Get more than +1200 high quality sound effects to create your own immortal monsters – this library offers you wide range of sounds with different moods to create your own barbaric monsters hidden in the underground. Includes everything from aggressive and guttural growls to angry grunts, disgusting slobbers to noisy snores, weird mumbling to throaty and rageful roars, vicious hisses to monstrous breaths and blows, snapping snarls to frightening screams and yells – which is all you need for something truly terrifying and convincing creature SFX is here and the options are limitless, let your imagination and the creatures run wild!
In detail expect to find +2.6GB of content with +1200 sound effects contains 897 Categorized Sounds, 233 Raw Sources and 80 Multi-Layered Sounds. “Raw Sources” comes with clean untreated monstrish human sound to create your own designed monsters with it – features variety of unprocessed human vocalizations from man grunts & growls to woman bellows & chokes, croaks to yells, gobbles to hisses, rattles to smacks, breaths to snores includes everything to create your own designed monster and creature sounds. “Categorized” folder contains individual sounds and you can use these sounds as they are or mix and match them with other elements from this collection – all sounds has been categorized and sorted into multiple folders such as 88 Bellow & Bleat, 111 Blow & Breath & Hiss, 56 Choke & Croak & Squeal, 50 Cry & Yell, 118 Exert & Attack & Fury, 134 Gobble & Smack & Gargle & Burp, 86 Groan & Moan & Mumble, 80 Growl & Roar and 174 Snore & Snarl & Grunt & Rattle. “Multi Layered” folder offers you an unique and powerful collection of sounds carefully created by only using the source material of the pack and has been clearly labeled to make it easy for you to use them.. All sounds are hyper-detailed, layered and manipulated they can easily be added to your projects.
Every sound was originally recorded at 24 bit/192kHz for heavy editing, maximum twisting and bending possibilities and delivered in 24 bit/96 kHz to ensure the highest quality for today’s cinematic production needs. The “Raw Sources” comes with an incredible sample rate of 192kHz/24bit to give you the best quality for extreme pitch-shifting and fx processing while keeping a top notch level of clarity and precision. All of the samples have been pre-cleared and are 100% original & royalty-free for your use without any additional licensing fees.
‘Monsters’ is a good reference point for your next movie, game, trailer, documentary, advertising or any kind of cinematic and multimedia project. All these sounds fit very well in any fantastic games and monstrous movies or any other audio-visual productions. No matter if you want to create ferocious orcs, prehistoric gigantic birds, menacing dinosaurs, slobbery mutants, bird-like monsters, giant-like mammoths and swamp creatures – you will find the perfect monster sounds of your nightmares on this library!
Introducing the ultimate mastering tool. Ranked #3 in the top 7 multiband compressors by Integraudio. This versatile mastering compressor can handle even the most dynamic of tracks. Convergence features up to 10 bands of compression and as low as 2 bands. Does your track only need a 4 band compressor? No problem! It is trivial to add or remove bands and to adjust the crossover frequencies for them.
Key Features:
Up to 10 bands of compression
Adjustable crossovers
Bands can be added or removed
Attack/Release envelope visualizer
Compression Curve visualizer
Gain Reduction over time visualizer
Oversampling up to 8x
Linkable controls
Soloable bands
The Compressors
Convergence uses crossover filters with -6dB gain at the crossover frequency that sum together to create a perfectly flat frequency response. These -6dB crossovers also introduce the least amount of phase shift possible while still being low on CPU usage. The compressors are designed to have a digital feel to their attack and release timing to be as precise as possible.
The Displays
Convergence comes with several displays that are fine tuned to help you visualize what effect your tweaks have on the incoming audio. The main display is a spectral analyzer with controls to adjust the crossovers for each band. This allows you to easily dial in the frequencies based on which frequencies are most prominent. Each band also has an envelope display, a compression display, and a gain reduction display. The envelope display helps give you an idea of how attack and release times will affect the compression. The compressor display shows how the threshold and ratio controls will affect the compression as well by graphing input versus output levels. Finally the gain reduction display shows input levels and output levels over time so that you can easily see transients and how they are being affected by the compressor.
Soloable Bands
One of the most useful features of Convergence is the ability to solo bands. You can simply hold down the control key and left-click a band to solo it to really dial the compressor settings. Multiple bands can be soloed simultaneously.
Struggling to get your guitar sounding sweet and creamy? Don’t fret! STUDIO GUITARS is here to warm up your sound with a selection of certified studio-fresh guitar loops recorded by Prime Loops’ own professional master of the strings! Using some of the most classic equipment around, we’ve covered every curve of this awesome instrument’s sound with an incredible collection of acoustic and electric guitar samples.
The guitar is an instrument capable of truly heavenly tones but capturing this sound in a recording is never as straight-forward as you’d think. Here at Prime Loops we’ve been changing strings, tweaking amps and adjusting mics to deliver only the finest tone imaginable to your DAW! We used a 1985 Gibson Les Paul electric and a Martin DC-16RGTE acoustic with Fishman, Marshall and Orange amps, recorded through an AKG C214 microphone, so STUDIO GUITARS guarantees to make the hairs on the back of your neck stand on end!
Open the case and you will find over 689MB of rich guitar tones ranging from 70 to 130BPM. These sensational loops are neatly arranged into 3 categories comprising of 50+ Ballad Hooks, 50+ Steady Riffs and 50+ Upbeat Jams, all applicable to a vast range of genres! From the clean, delay-drenched chime of Ballad Hook ‘Serene’ to the upbeat overdrive of Steady Riff ‘Perpetual’ and the crunchy swagger of Upbeat Jam ‘Loose’, STUDIO GUITARS redefines quality guitar samples and delivers them in stunning 24-bit high definition.
So if you’re ready to tune up your productions, strap in with STUDIO GUITARS and give those fingers a well-earned rest! Generously supplied 100% royalty free, this pack is all yours to play with!What you choose to do with the redundant sample clearance forms is entirely up to you… why not roll ’em up and smoke ’em like a true guitar hero?
All I gotta say is this is by far my best kit yet… Everything that’s in this kit has the essentials for you to make the hits that you’ve been wanting to make.
This kit features all the sounds that I’ve been using the past couple of months to make the beats that I’ve been making.
P.S. I’ve specifically made this kit to appeal to all different types of genres and styles (Trap, Hyperpop, Rap, Hip-Hop, Rnb, Dance, Rage, Melodic, Wavy, Yeat, Ken Carson, Playboi Carti etc.)
Waveform bring a dark, deep, & groovy tech sound with this latest release, Organic Techno. 520+MB ready for the dancefloor this pack contains it all.
Dark Techno stretches from music/synth loops, big subsynth basslines, driving teched-up and dubby beats, analog kick-free tops and percussive loops, trippy vox loops, mind-bending FX and drum hits.
Bass Loops – 43 deep and driving sub-smackers for maximum low-end power.
Percussion Loops – 31 rhythm-rocking tribal-infused grooves – some with variants.
Tops Loops – 64 kick-craving tech tops loaded with analogue shots, tribal hits and quirky circuit-derived sounds.
Music Loops – 52 afterhours leads, deep chords and dark riffs built to inspire.
Vox Loops – 21 vocal cuts tweaked and processed with the trademark Waveform feel.
FX – 93 bending & morphed synths, noises, & more.
Drum Hits – 182 essential kicks, claps & snares, cymbals & hats and percussive hits to build your own beats from the ground up.
Mammoth is a powerful yet intuitive bass plugin featuring two-band signal processing that includes a bass maximizer, 3 types of drive, a tone stack, cabinet simulations and much more. We designed Mammoth with simplicity and flexibility in mind. It’s made for artists, producers and engineers alike.
Standalone
There is no need to open your DAW to use Mammoth. We do care about guitar players that simply want to have easy to use rig at fingertips. That is why we are providing standalone version of the plugin for everyone.
Easy and advanced
The Main Window is a hub for quick, all-around changes to the sound. Pick a preset, change a few main parameters and you’re ready to go. Expanded ne-sections unveil the true power of Mammoth, revealing options and parameters that open up a whole new world of guitar sound.
Hit-making producer Mick Schultz is back with the new Paragon Kit Vol. 5. Packing over 300+ one shots and BPM labeled loops this is truly quality AND quantity.
This drum kit is a no gimmick, no filler, no fluff pack, and does not follow the recycled producer kit formula. The Paragon drum kits have sounds you truly have never heard before. Mick is a true perfectionist, if it is not special it does not go into the kit. Get some new inspiration and grab the new Paragon Kit Vol. 5.
Kit Features:
300+ NEW UNHEARD sounds made by Multi-Platinum Producer Mick Schultz in 24bit/44.1 WAV format
Whitenoise Records brings an exclusive collection of Dark, Deep, Afterhours Sounds inspired by the major late nights across the globe.
Expect to find dark, hypnotic Basslines, deep, driving Beats, kick-craving tech Tops as well as morphed Synths, edgy Percussions, processed Vocal cuts and much more.
Some loops comes with variations, giving you all the elements to build 12 full tracks.
Bass, Kicks and Beats are key labeled.
Music-Prod Make a Deep House Remix Track in Logic Pro X TUTORIAL
Do you want to create music that has the same quality as the big producers in the Deep House genre?
Do you struggle to lay out ideas and to get inspiration quickly for your Deep House track?
Are you running in to writers block easily these days? Then this course is for you!
Welcome to this course where I will learn you how to create a Deep House Track in Logic Pro X. In this course – you will learn how to create a “modern” Deep House track fast and how to get ideas quickly. We will remix a popular track from Calvin Harris and remake it from scratch into a Deep House track. In just a few hours you will learn how to overcome writers block and arrange your track fast.
I have produced electronic music ever since I met DJ’s like Avicii, Alesso or Otto Knows (they actually went to the same High School as me in Stockholm, Sweden) and that is for a long time – over 10 years now – and a few years ago I got to a point where I couldn’t get past writers block and I didn’t know what to produce anymore.
The genre “Electronic Music” started to get generic and after a while the style got slower in tempo – from 128BPM to 110BPM and even slower. After trying to experiment with tempo and different style I became a lot more inspired to create music again.
A whole new world opened up to me.
I just wish that someone would tell me how to do these different tricks and how to experiment without thinking so much about whats wrong and what right. This course will help you a lot – take it as a guideline at the same time as creating a track that is “Modern”.
First we’re going over how to create an initial idea and just getting in to an creative stage where we just throw in different sounds that we like and without thinking about any rule at all. There is no rules when you are creative – that way it is easier to get your own unique sound instead of just copying every other producers music styles.
After that we are going to arrange our track and cleaning up the project. I like arranging my track as soon as I have a proper idea laid out in Logic Pro X. That way it is a lot easier to see what kind of sound you need to add in, like FX and different transitional elements to make your track stand out and sound professional as well as not sounding static and robotic – since this is electronic music.
When we are done creating our track and adding all sounds that we both need and that we want to have there we want to create a proper mixdown and master our track so it sounds great on every sound system there is. We want to have our track to sound great on both car stereos, our iPhone’s and on a big club sound system as well.
